Firebacks

Description: Rectangular; fillet edging (top and sides only); top centre, date formed of individual letter stamps; below date, initials carved as single stamp, overstamped and showing v-shaped extension below.

Notes: The reason for the unusual shape of the base of the initial stamp is not understood.

Inscription: 1616 / WC

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a standing, winged male figure draped with a cloth, holding a staff in his left hand, above a ground, and with drapery over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Presumably intended to represent an angel; similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (q.v.); the missing segment had been filled with a piece from another fireback (removed in this photo).

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a figure in a chariot drawn by birds, above a ground, and with clouds over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (below).

Description: Arched rectangular shaped central panel with solid and hollow bead on fillet edging, grouped alternately in threes and twos respectively, on a wide fillet; on a Tuscan pedestal rising from waves, a narrow waisted, gadrooned flower vase with two scrolled handles and a horizontal banded decoration from which issue tendrils bearing flowers, berries and seed pods; arched rectangular shaped border with fillet edging, wide at the sides, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, date split between two looped 'W' figures; on top, symmetrical scrolled plant tendrils descending from a central scallop shell.

Notes: The third largest of five flower vase firebacks designed and made in the same year, larger ones of which include a religious inscription in Welsh. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

Copies of this fireback are known.

Inscription: 17 24

Description: Canted rectangle; fillet edging (top and sides); top centre, initials, above date, between repeated fleur-de-lys stamp; from top corners to bottom corners, repeated V-shape pattern formed of stamped short fillets, with an L-shape inserted between the top two Vs on each side.

Notes: The fleurs de lys are of a distinctive style seen on a small group of firebacks.

Inscription: RH / 1662

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

Description: Arched, rectangular central panel with fillet edging; figure of Abundance holding a sickle and a Horn of Plenty, a child, also holding a sickle, to the right, a seated dog to the left, framed by trees; fillet-edged border with a plant pot each side, lilies issuing therefrom; above an oval shield of arms, a grotesque face above, supported by two lions.

Notes: Abundance was one of many allegorical figures to feature in the Iconologia, first published by Cesare Ripa in 1593. The style of the fireback derives from those produced in the Siegenland of NW Germany for the Dutch market, but this example may be a pastiche produced for the French market.

Copies of this fireback are known.

Description: Arched rectangular central panel, with bead edging; pictorial, two men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated examples are of 1700.

Copies of this fireback are known.

Inscription: G K

Description: Composite; Arched rectangular shaped, armorial fireback, cavetto edging, with Stuart Royal arms, garter, supporters, crown and motto, and 1662 date above crown; this overlies a rectangular plate, with rope-effect, fillet edging; a pattern of four rosettes surrounding a fleur-de-lys, its stem terminating in a small buckle, is repeated on each side of the central armorial fireback, with the initials above; each rosette is stamped separately.

Notes: A variant, bearing the same date, but the initials, A B, and without the rosettes, is at Norton Manor, Malmesbury, Wiltshire.

Copies of this fireback are known.

Inscription: 16 62 / C P / HONI SOIT QVI MAL Y PENSE / DIEV·ET·MON DROIT

Arms: English Stuart royal

Description: Arched central panel with fillet edging; figure in classical dress standing on a mound in front of a leafless tree; u; ninterrupted side and bottom border with straight fillet edges; at sides, mirrored low-relief undulating tendril design; at bottom, central leaf design; on top, central plume with hanging flower, between mirrored low-relief foliate swirls.

Notes: The figure is probably an allegory of Humility. Another example of this fireback bears the date 1746.