Firebacks

Description: Arched rectangular central panel with hollow bead edging on a broad fillet; figure of a woman standing on a mound, holding a bow in her right hand and an arrow in her left, a plant to her right, and drapery swags above; arched rectangular border with symmetrical swirls of foliage and diagonal leaves at corners; monogram centre bottom between swirled tendrils; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Diana/Artemis, goddess of hunting, as she carries a bow and arrow, and has a hound at her feet.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel and bead edging; pictorial scene probably showing the annunciation of the Virgin Mary; Mary sits beneath a canopy on the left, to which an angel descends, behind two figures seated on a stepped dais; above, two figures sit above a cloud, a curtain to the right; arched rectangular border with fillet edging, containing twisted ribbon; palm fronds gathered with a ribbon along the bottom. On top, two vases, one on each shoulder of the border, with swirled foliage descending from a central scallop shell.

Notes: The scene appears to be from the New Testament, probably relating to the Annunciation or the Nativity.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, an empty cartouche between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-and-pellet edging; scene showing a semi-naked figure holding a trident in his right hand and a sheaf of corn in his raised left hand; standing on ground, with swagged drapery and tassels above, and an anchor behind right; arched rectangular border with fillet edging; on top, scallop shell symmetrical descending arrangement of swirled fronds and shells, which continue on the bottom; monogram at bottom centre; on top, mirrored stylised sea monsters.

Notes: The figure is Neptune, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; the fireback is one of a large group bearing the same initials, which probably denotes the pattern maker. Other groups may have been the work of the same carver or workshop. The execution is rather crude.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular main panel; fillet edging; nude female figure standing on shield and holding a wind-blown sheet, upon a ground; suspended floral garlands with swirled foliage above; on top, a scallop shell between two symmetrical sea serpents

Notes: The figure is of Fortune. The theft in 1699 from a Thames-side warehouse of several firebacks, including '5 iron Chimney-Backs cast in the figure of Fortune standing naked on a Conchus in the Sea' may refer to this type (Post Boy 11-14 Nov. 1699).

Description: Arched rectangular central panel with bead on broad fillet edging; pictorial scene of Neptune/Poseidon, a trident in hand, in a chariot drawn through the waves by two 'sea horses', above are clouds and three birds; arched rectangular border with fillet edging; diagonal grid forming squares, in each one of two types of flower arranged in alternate lines; at the bottom, the letter W in a cartouche between swirled foliage; on top, mirrored swirled foliage issuing upwards from a mythical creature on each shoulder.

Notes: There is some question as to whether this is a later pastiche of an early-eighteenth century style,

Inscription: W

Description: Arched rectangular shape; fillet edging with a wider fillet within upon which are regularly-spaced beads each set on disc and joined by a thin line; shield, Garter, helm, mantling, crown and lion crest, with crowned lion and unicorn supporters; metal strapping around main rectangle.

Notes: A damaged example with unusual supporting bands. Formerly at Brede Place, East Sussex.

Inscription: HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal

Description: Arched rectangular central panel; fillet edging; pictorial scene of a phoenix rising from a fire; above right, a human mask at the centre of a sunburst; arched rectangular border with fillet edging, the date between initials along the bottom; down each side, a floral festoon hanging from a ring; over the arch, the inscription; on top, floral scrolls.

Notes: The inscription translates as 'out of death, immortality'; the initials NL are likely to be those of the pattern maker. Skinner's, Marlborough, Massachusetts, auction 14 Aug 2016 lot 226.

Inscription: EX MORTE IMMORTALITAS / N 1696 L

Description: Fragment, left side missing; arched rectangular shape; fillet edging (top and sides visible); initials IG widely spaced in arch.

Notes: Previously at Bream Court Farm, Newland, Gloucestershire.

Inscription: I G

Description: Quasi-arched rectangular shape; fillet edging, indented on the inner edge; pictorial representation of a phoenix rising from flames, date split either side of its neck; the lateral edges are wide in relation to the top, from which the arch rises from two loop and is surmounted by a fleur-de-lys; above each shoulder of the plate, a roundel.

Notes: The looped fillet edging is rarely seen and does not seem to be diagnostic of a particular pattern-maker.

Inscription: 16 77