Firebacks

Edging: fillet

223 results

  1. 180

    hastings_067.jpg
    690 x 770 mm

    Description: Rectangular: fillet edging; top left, standing classically dressed female figure playing a lyre, with short column behind; top right, classically dressed female figure leaning on a short column; top centre, hatted figure of a bearded man with bagpipes on his back, riding a horse.

    Notes: An unusual group of stamps, possibly derived from brass chimney ornaments; the middle figure seems to have little in common with the other two.

    Manufactured: in the late 19th to early 20th century in England.

    Current location: Hastings Museum and Art Gallery, John's Place, Bohemia Road, Hastings, East Sussex, England.

    Museum number: 952.51.66 (part of the Hastings Museum museum group)

  2. 187

    hastings_071.jpg
    ?380 x ?610 mm

    Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

    Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6.

    Copies of this fireback are known.

    Inscription: 16 NDW 97 / DER IUNGE SAMSON [the young Samson]

    Manufactured: in 1697 possibly in the Siegerland area of Germany.

    Current location: Hastings Museum and Art Gallery, John's Place, Bohemia Road, Hastings, East Sussex, England.

    (part of the Hastings Museum museum group)

  3. 938

    hennell_01.jpg
    850 x 695 mm

    Description: Rectangular with three-facetted arch; fillet edging; shield, crown and lion supporters of the French royal house of Valois.

    Notes: The arms date to before 1589 when the House of Valois was succeeded by the House of Bourbon. Lion supporters on the French royal arms are not common.

    Arms: France Royal

    Manufactured: in the late 16th century in France.

    Current location: in private hands, Ewhurst, Surrey, England.

  4. 320

    hever_castle 02.jpg
    830 x 890 mm

    Description: Low arched rectangular shape; broad rebated fillet edging; stylised Tudor royal shield, crown and supporters (dragon and greyhound); Tudor rose in top left corner; portcullis in top right corner.

    Notes: Likely to be a modern design of the Tudor arms, possibly the work of Anthony Salvin.

    Arms: Tudor royal

    Manufactured: in the mid 19th century in England.

    Current location: Hever Castle, Hever, Kent, England.

  5. 227

    holyrood_architectural_salvage.jpg
    490 x 750 mm

    Description: Arched rectangular shaped central panel with bead edging on a wide fillet; two-handled vase with assorted flowers on a stand with scrolled legs; a plant pot on each side; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a rose, top centre, with a looped 'W' in each shoulder; inscription at base; on top, symmetrical scrolled plant tendrils.

    Notes: The second largest of five flower vase designs in this series; a recast plate. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

    Copies of this fireback are known.

    Inscription: 17 DVW Ydyw Ein Cadernid 24

    Manufactured: in 1724 in England.

    Current location:.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  6. 325

    horsham_museum 01.jpg
    620 x 897 mm

    Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

    Notes: The design is probably adapted from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585).

    Inscription: SHR

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Horsham Museum, Causeway, Horsham, West Sussex, England.

    (part of the Horsham Museum museum group)

  7. 327

    horsham_museum 05.jpg
    560 x 810 mm

    Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

    Notes: The design is derived from a personification of the planet, Venus, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, including '6 of Venus in a Chariot with Doves' may refer to this type (Post Boy 11-14 Nov. 1699).

    Copies of this fireback are known.

    Inscription: SHR

    Manufactured: in the late 17th century in England.

    Current location: Horsham Museum, Causeway, Horsham, West Sussex, England.

    (part of the Horsham Museum museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  8. 328

    horsham_museum 06.jpg
    450 x 700 mm

    Description: Arched rectangular central panel with bead edging; pictorial scene of a figure in Roman dress, holding a large sword, and holding the head of a bearded man in his left hand; below to the left, a naked, decapitated body; above the winged face of a putto between mirrored, scrolled foliage; arched rectangular border with fillet edging; flowers in chain under the arch and down the sides; at the bottom, swirled foliage; on top, a crown between fruit triads.

    Notes: Perseus holding the severed head of the Medusa; possibly adapted from a drawing by Crispijn de Passe the elder (1564-1637). Similarities in the design and execution of the pattern suggest a common source with contemporary English firebacks.

    Manufactured: in the early 18th century in England.

    Current location: Horsham Museum, Causeway, Horsham, West Sussex, England.

    (part of the Horsham Museum museum group)

  9. 337

    huddington_court 05.jpg
    713 x 630 mm

    Description: Arched rectangular shaped; ovolo moulded edging (top and sides); central stamp of a carved bracket figure of a bearded man in a loincloth and cap; date and monogram in arch, split by figure, ‘T’ elevated; rhyme in capitals across centre, letters carved on strips, split by figure; date and initials as individual stamps.

    Notes: The twin miseries of a smoky house and a scolding wife are mentioned several times in literature. The dress of the figure suggests work as a miner, possibly linking this back with the Forest of Dean. Variants exist without date or initials, or with other dates. A version of this fireback with the date 1660, instead of 1658, was noted at Bellamy's Farm, Longney, Gloucestershire in 1912 (Notes and Queries, 11th ser., 6 (Sep 1912), p.230.).

    Copies of this fireback are known.

    Inscription: 1658 LTB; ·FROM ·A·-·SMOKY ·LIFE·/ AND·A SCOVL DING·WIFE·/ALL MEN THAT-DOE·ME·SE/ TAKE·PETIE- AND·DELIVER ME

    Manufactured: in 1658 possibly at Laytons (Tintern) furnace in the Forest of Dean area of Wales.

    Current location: in private hands, Huddington, Worcestershire, England.

    Citation: Chambers, L. H., 26 Sep 1912, 'Fireback: Relic of 1660', Notes and Queries, 11th series, 6, p. 230.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  10. 341

    hurstpierpoint,_danny.jpg
    912 x 1110 mm

    Description: Arched rectangular shaped central panel with ’nutshell,’ paternost edging on a broad fillet; figure of Neptune/Poseidon holding a trident in his right hand, standing on a pedestal in the centre of a circular fountain, with two hippocampi, water issuing from their mouths; in front, a mermaid swims in waves, her arms raised; behind, blasts of wind issue from clouds; arched rectangular border with fillet edging; symmetrical design of seashells suspended from chains of pearls; bottom centre, the monogram between swirled plant tendrils; on top, symmetrical floral swirls.

    Notes: Although very similar in size and design to a fireback in the 1724 series, this is not based on a design by Daniel Marot; instead it may have been inspired by the design for a fountain by Jean Lepautre (1618-82) published in a set of 12 etchings by Jean Le Blond in 1650. Almost certainly the 'iron chimney back' purchased by Henry Campion, of Danny, from John Legas for two guineas in 1731; another example, presumably from the same source, is at The Vine, near Basingstoke, Hampshire.

    Copies of this fireback are known.

    Inscription: SHR

    Manufactured: in the early 18th century possibly at Lamberhurst furnace in the Weald area of England.

    Current location: Danny House, Hurstpierpoint, West Sussex, England.

    Citation: Brent, C. & J., 2013, Danny House (Chichester, Phillimore), pp. 58-9.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).