Firebacks

Description: Central panel of arched rectangular shape with cavetto canted corners and bead edging; crowned female figure holding a sceptre in her right hand, seated in a chariot drawn by two caparisoned ponies, a cornucopia at their feet; below, sloping ground with plants, clouds with rain above; identically shaped border with fillet edging and symmetrical swags of flowers and drapery suspended from ribbons; at the base two symmetrical palm fronds tied with a ribbon.

Notes: The figure may represent Ceres, goddess of plenty. The fireback is one of a series designed and made in England, copying the prevailing 'Dutch' style. Its style echoes that of a fireback pattern preserved at Rottingdean Grange, Sussex. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with paternost bead edging; Hercules/Herakles slaying the Nemean lion on a ground with small trees, his club lying at his feet; above, clouds and sun rays; arched rectangular shaped border with fillet edging, symmetrical arrangement of swirled tendrils, floral wreath at base; on top, symmetrical arrangement of foliage.

Notes: The image is taken from an engraving by Gerard de Jode, from his series 'The Labours of Hercules', after Marcus Geeraerts, 1519 - 1591. One of many English firebacks which copied 'Dutch' styles. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Description: Arched rectangular shaped panel with fillet edging; two Salomonic columns supporting a beaded arch; standing figure of Atlas supporting a globe, on ground with plants, and two swags of fruit and leaves suspended from the centre of the arch to the capitals of the columns; above the beaded arch, symmetrical swirls of fruit and foliage; on top, a scallop shell between two sea serpents.

Notes: Probably an English design copying the north German 'Dutch' style.

Copies of this fireback are known.

Description: Arched rectangular shape with fillet edging; tall, arched central panel with bead edging (top and sides); flying bird in arch, with two small trees below, and two figures, one with a staff in his right hand, and a dog, at the bottom; two side panels with similar cascades of flowers; narrow base panel with fillet edging and symmetrical floral arrangement; on top, a scallop shell between two symmetrical lines of trailing flowers.

Notes: The figures may be Venus and Adonis, the bird aboive being a dove; probably an English design based on the 'Dutch' style. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: Quasi-arched shape; straight fillet edging to sides and bottom, symmetrical, stepped cavetto, ovolo, cavetto and double arched on top; central pictorial scene of a female and male seated on a couch, both in 18th century dress, with swirled floral border; swirled floral base panel separated by a fillet; two sea serpents on top.

Notes: The dress of the figures portrayed suggests a late-18th century date

Description: Quasi-rectangular with raised symmetrical scrolls between semi-circular re-entrants on top edge; ovolo-moulded edge on bottom and sides, with fillet edging on top; grotesque face with swirled hair locks, above an inverted floral spike, between two moustachioed male figures in tunics, holding pikes, standing on a cavetto-moulded compartment, date beneath.

Notes: Alleged to represent the 'Brede Ogre', Sir Goddard Oxenbridge (1478-1531) who, legend states, was sawn in half by local children. Stylistically similar to other firebacks with connections with Brede furnace.

Copies of this fireback are known.

Inscription: 16 52

Description: Arched; cavetto edging; crowned plain shield bearing a Tudor rose, with crowned lion and dragon supporters, with garter and motto; date split by crown.

Notes: A much-copied fireback; the numerals are uncharacteristically modern in form, suggesting they have been substituted on a later copy; a variant illustrated by Dawson (no. 269) shows a cross above the crown and more typically 16th century numerals. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: 1571 HONI SOIT... ...DROI ? K

Description: Rectangular: fillet edging; top left, standing classically dressed female figure playing a lyre, with short column behind; top right, classically dressed female figure leaning on a short column; top centre, hatted figure of a bearded man with bagpipes on his back, riding a horse.

Notes: An unusual group of stamps, possibly derived from brass chimney ornaments; the middle figure seems to have little in common with the other two, and the horse’s tail may include part of another figure. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

Notes: The image is probably intended to be Phryxus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6. Formerly part of the Ade Collection (from Grove Hill, Hellingly, Sussex).

Copies of this fireback are known.

Inscription: 16 NDW 97 / DER IUNGE SAMSON [the young Samson]

Description: Rectangular with three-facetted arch; fillet edging; shield, crown and lion supporters of the French royal house of Valois.

Notes: The arms date to before 1589 when the House of Valois was succeeded by the House of Bourbon. Lion supporters on the French royal arms are not common.

Arms: France Royal