Firebacks

Description: Arched rectangular shaped central panel, bead-and-pellet edging, semi-naked male figure, wearing a floral head-dress and carrying a basket of produce, initials in top corners; arched rectangular shaped border, fillet edging, symmetrical festoons of foliage, floral scrolls at base, date in an oval cartouche; on top, two putti, two dolphins and scrolled foliage, all symmetrical.

Notes: An allegory of Spring, based closely on an engraving, dated 1600, by Hendrik Goltzius (1558-1617); one of a series of large firebacks of similar date, all bearing the initials, GK.

Copies of this fireback are known.

Inscription: G K / 1700

Description: 'Dutch' style; arched rectangular shaped central panel, bead edging, two children sitting astride a beast (possibly a winged ram); arched rectangular shaped border, fillet edging, swags of fruit bunches suspended from ribbon; on top, symmetrical floral swirls and flowers.

Notes: The image is probably intended to be Phrixus and Helle riding the winged ram with the golden fleece, but in recasting it has been misinterpreted as the young Samson slaying the lion at Timnath; Judges 14: 5-6.

Copies of this fireback are known.

Inscription: 16 NDW 97 / DER JUNGE SAMSON [the young Samson]

Description: Rectangular with two mirrored scrolls on top, a lion’s face between; bas-relief semi-circle edging (sides and bottom); central pilaster with vine scrolling, Corinthian capital, initials on the pedestal; on either side, an arched alcove, each with a halberdier in mid-17th century clothes, their feet pointing to the middle.

Notes: Stylistically similar to the Lenard fireback, the initials also appear on other firebacks from Brede. All known examples of this fireback are poorly modelled and cast.

Copies of this fireback are known.

Inscription: IM

Description: 'Dutch' style; arched rectangular shaped central panel, bead on fillet edging, naturalistic scene of a heron with wings extended catching a fish, water below, clouds above, plants in background; arched rectangular shaped border, fillet edging, symmetrical scrolled tendril pattern; at bottom, two looped 'W' figures between date split corners; on top, symmetrical scrolled foliage. A single central vertical plankline.

Notes: The image of the heron is taken from a print, by Wenceslaus Hollar c.1658, of an etching by Francis Barlow (c.1626-1704); the style of the date suggests a similar pattern maker to a series of firebacks, of the same date, some bearing a Welsh inscription. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

Copies of this fireback are known.

Inscription: 17 24

Description: Quasi-arched rectangular shape; fillet edging; central female figure with urn on head, above which is an oval cartouche (possibly a mirror); to left, fireplace with basket grate, above which a lobster and another (unidentified) creature bear a covered vase; to right a seated female figure stretches forth her left arm, behind her is a statue of a female figure on a plinth at the foot of a curving flight of stairs; the whole is surrounded by naturalistic rocks and trees, suggesting a grotto.

Notes: An unusually free pictorial decoration.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of Jesus sitting at the well with the woman of Samaria standing opposite, a rural scene behind, trees on each side and clouds with sunrays above; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The scene, seen on many German firebacks and stoveplates, is from St John's gospel, chapter 4; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: 'Dutch' style; cavetto-canted arched rectangular shaped central panel, double fillet and bead edging, figure of Poseidon/Neptone, trident in right hand, standing on three scallop shells, within a niche with a demi-hemispherical roof and two sloping supporting walls, on either side is a mythical seahorse, below is a walled fountain base with two mermaids at the front; cavetto-canted arched rectangular shaped border with scallop and clam shells separated by swirled foliage, monogram at base between scrolled foliage; on top, scrolled foliage.

Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot.

Copies of this fireback are known.

Inscription: EB

Description: Arched rectangular centrel panel with bead on fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the back, holding aloft a branch in its left hand, all on a ground with a tree behind to the right; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, a cartouche containing the monogram between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

Notes: The scene portrays Charity; the same central panel can be seen with different borders, and also exists in other versions.

Copies of this fireback are known.

Inscription: HIS

Description: Central panel, cavetto-canted rectangle with arch; bud and annulet edging (in alternate threes); pictorial panel portraying Europa being carried to sea by Zeus, disguised as a bull; two female attendants wave from the right shore; two putti attend, one below with a bow and arrow; trees to right and left; clouds and sun above. Same shaped, fillet-edged border with floral scrolls top and sides; at the bottom, a cartouche bearing EB monogram between oak leaf and acorn fronds; on top, central scallop shell between floral scrolls with dolphin’s heads.

Notes: The central design is closely based on an illustration by Bernard Salomon, first published in a 1557 edition of Ovid’s Metamorphoses and copied in subsequent editions by Virgil Solis (1514-62). The initials, EB, are likely to be those of the pattern maker. The similarity between the execution of this picture and those on firebacks bearing the SHR monogram suggests the possibility of a common source. Ten rivets are the result of later repair.

Copies of this fireback are known.

Inscription: EB

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus, naked and kneeling, and Adonis, standing, holding a spear in his left hand, with Cupid to the left, and a hound and a quiver of arrows below to the right; arched rectangular border with fillet edging; descending swags of fruit and seashells enclosing the central panel; inscription in an oval cartouche at the bottom; on top, a Holy Roman Imperial crown between two mirrored dolphins, heads downward.

Notes: The scene is based on the painting (c.1635) of Venus and Adonis by Peter Paul Rubens; the initials, L8G, denote the style of border - other firebacks having the same inscription have the same border - and other borders are denoted by similar inscriptions (e.g. L6C and L7C). Von den Driesch (p.520) illustrates the same central image within an L7C border.

Copies of this fireback are known.

Inscription: L8G