Firebacks

Description: Quasi-arched rectangular shape; fillet edging, indented on the inner edge; pictorial representation of a phoenix rising from flames, date split either side of its neck; the lateral edges are wide in relation to the top, from which the arch rises from two loop and is surmounted by a fleur-de-lys; above each shoulder of the plate, a roundel.

Notes: The looped fillet edging is rarely seen and does not seem to be diagnostic of a particular pattern-maker.

Inscription: 16 77

Description: Rectangular; fillet edging (top and sides only); top centre, date formed of individual letter stamps; below date, initials carved as single stamp, overstamped and showing v-shaped extension below.

Notes: The reason for the unusual shape of the base of the initial stamp is not understood.

Inscription: 1616 / WC

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a standing, winged male figure draped with a cloth, holding a staff in his left hand, above a ground, and with drapery over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Presumably intended to represent an angel; similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’ (q.v.); the missing segment had been filled with a piece from another fireback (removed in this photo).

Description: Arched rectangular central panel with nutshell edging on a broad fillet; pictorial scene of a figure in a chariot drawn by birds, above a ground, and with clouds over; arched rectangular border with fillet edging; alternating acanthus leaves with swirled tendrils; on top, two mirrored sea serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’.

Description: Canted rectangle; fillet edging (top and sides); top centre, initials, above date, between repeated fleur-de-lys stamp; from top corners to bottom corners, repeated V-shape pattern formed of stamped short fillets, with an L-shape inserted between the top two Vs on each side.

Notes: The fleurs de lys are of a distinctive style seen on a small group of firebacks.

Inscription: RH / 1662

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, vestiges of SHR monogram otherwise all decoration obliterated by fire damage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shape, edged with simulated twisted rope between two fillets; in the arch, a shield: argent on a chevron gules three roses of the field, a canton gules for difference; beneath the shield a crest: on a wreath a squirrel sejant gules cracking a nut gules, charged on the shoulder with a cross crosslet gold for difference; inscription split either side of the head of the squirrel.

Notes: A finely modelled and cast modern fireback with the arms and crest of a direct descendant of John Davies Gilbert (1811-54) who had played a major role in the development of the town of Eastbourne and also developed Trelissick Garden in Feock, Cornwall.

Inscription: A.D. 1969

Arms: Gilbert, of Eastbourne, Sussex, and Trelissick, Cornwall

Description: Arched rectangular shaped central panel with bead-on-fillet edging; a peacock, facing right, standing on a plinth, with foliage to the left and clouds above; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, detail mostly obscured by corrosion but the numerals '17 24' are faintly visible in the bottom corners; on top, a pair of mirrored, stylised sea serpents with a central arrangement of foliage.

Notes: The image of the peacock may be an adaptation of an engraving (1654-62) by Wenceslaus Hollar, after Francis Barlow, in which a peacock also stands on a plinth. The small size of this fireback makes it likely that it was intended to be fixed to the back of a grate. A copy of a fireback of this design features in Gleanings from Old English Firesides by Arthur Todhunter.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched, rectangular central panel with fillet edging; figure of Abundance holding a sickle and a Horn of Plenty, a child, also holding a sickle, to the right, a seated dog to the left, framed by trees; fillet-edged border with a plant pot each side, lilies issuing therefrom; above an oval shield of arms, a grotesque face above, supported by two lions.

Notes: Abundance was one of many allegorical figures to feature in the Iconologia, first published by Cesare Ripa in 1593. The style of the fireback derives from those produced in the Siegenland of NW Germany for the Dutch market, but this example may be a pastiche produced for the French market.

Copies of this fireback are known.