Firebacks

Description: Canted rectangle; fillet edging (top and sides); top centre, initials, above date, between repeated fleur-de-lys stamp; from top corners to bottom corners, repeated V-shape pattern formed of stamped short fillets, with an L-shape inserted between the top two Vs on each side.

Notes: The fleurs de lys are of a distinctive style seen on a small group of firebacks.

Inscription: RH / 1662

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; naked, crowned figure of Neptune holding a trident in his right hand, standing amid waves and with two hippocampi to his right; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel and border shape, suggesting the same pattern maker.

Description: Arched rectangular central panel with helical ribbon edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand and a garland in her right hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right and, above, swagged drapery; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored swirled fronds terminating in the heads of sea monsters; bottom, vestiges of SHR monogram otherwise all decoration obliterated by fire damage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shape, edged with simulated twisted rope between two fillets; in the arch, a shield: argent on a chevron gules three roses of the field, a canton gules for difference; beneath the shield a crest: on a wreath a squirrel sejant gules cracking a nut gules, charged on the shoulder with a cross crosslet gold for difference; inscription split either side of the head of the squirrel.

Notes: A finely modelled and cast modern fireback with the arms and crest of a direct descendant of John Davies Gilbert (1811-54) who had played a major role in the development of the town of Eastbourne and also developed Trelissick Garden in Feock, Cornwall.

Inscription: A.D. 1969

Arms: Gilbert, of Eastbourne, Sussex, and Trelissick, Cornwall

Description: Arched, rectangular central panel with fillet edging; figure of Abundance holding a sickle and a Horn of Plenty, a child, also holding a sickle, to the right, a seated dog to the left, framed by trees; fillet-edged border with a plant pot each side, lilies issuing therefrom; above an oval shield of arms, a grotesque face above, supported by two lions.

Notes: Abundance was one of many allegorical figures to feature in the Iconologia, first published by Cesare Ripa in 1593. The style of the fireback derives from those produced in the Siegenland of NW Germany for the Dutch market, but this example may be a pastiche produced for the French market.

Copies of this fireback are known.

Description: Arched rectangular central panel, with bead edging; pictorial, two men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a small number of firebacks bear the initials, GK; it is not known to whom they refer, but dated examples are of 1700.

Copies of this fireback are known.

Inscription: G K

Description: Composite; Arched rectangular shaped, armorial fireback, cavetto edging, with Stuart Royal arms, garter, supporters, crown and motto, and 1662 date above crown; this overlies a rectangular plate, with rope-effect, fillet edging; a pattern of four rosettes surrounding a fleur-de-lys, its stem terminating in a small buckle, is repeated on each side of the central armorial fireback, with the initials above; each rosette is stamped separately.

Notes: A variant, bearing the same date, but the initials, A B, and without the rosettes, is at Norton Manor, Malmesbury, Wiltshire.

Copies of this fireback are known.

Inscription: 16 62 / C P / HONI SOIT QVI MAL Y PENSE / DIEV·ET·MON DROIT

Arms: English Stuart royal

Description: Arched central panel with fillet edging; figure in classical dress standing on a mound in front of a leafless tree; u; ninterrupted side and bottom border with straight fillet edges; at sides, mirrored low-relief undulating tendril design; at bottom, central leaf design; on top, central plume with hanging flower, between mirrored low-relief foliate swirls.

Notes: The figure is probably an allegory of Humility. Another example of this fireback bears the date 1746.

Description: Arched rectangular central panel with bead-on-fillet edging; femal figure holding scales in her right hand and a sword in her left hand, foliage and clouds behind; arched rectangular border with fillet edging; from a central bow with three tassels at the top, two suspended festoons of flowers, each running through a ring under the top corners, and continuing along the bottom; on top, a central cartouche between mirrored foliate scrolls.

Notes: The female is an allegorical representation of Justice.

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents; on each side, rectangular extension panel with a curved top copying the side borders.

Notes: A variant has no extension panels; similar to other designs incorporating figures in chariots, though not from the same series.