Firebacks

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of two men in mid-17t century dress carrying a large bunch of grapes on a pole between them, above them drapery; arched rectangular border with fillet edging; cascade of flowers around arch and down sides; on top, central crown with descending serpents, an urn on each shoulder of the plate.

Notes: The scene depicts Joshua and Caleb returning from Canaan with a bunch of grapes (Numbers 13: 23-4).

Description: Arched rectangular central panel with bead edging; pictorial scene of Venus sitting in a couch, with two other females, swathed in drapery, a putto holding an oval mirror to her left; Arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The design is a copy of 'The Toilet of Venus' by Simon Vouet (c.1640); the image has been reversed. The inscription indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders. Von den Driesch (p.517) illustrates the same central image within an L8G border.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular central panel with bead edging; pictorial scene of a female holding a small child, with two putti, one on each next side of her; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The allegorical figure of Charity; the inscription indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular central panel with canted top corners and bead-on-fillet edging; elaborate central cartouche containing the double-headed eagle of the Holy Roman Emperor supported by male and female figures standing on a compartment with fillet edging, containing scrolled foliage and a central fleur-d-lys; above the central cartouche, the imperial crown and swagged drapery; arched rectangular border with canted top corners and cavetto-moulded edging; symmetrical arrangement of traceried foliage; on top, central oval casket with a serpent descending on each side of the arch to a further similar casket on each shoulder of the plate.

Notes: A variation of the standard 'Dutch' style of fireback.

Description: Arched rectangular shape; fillet edging; blank arched rectangular central panel with rebated fillet edging; on top, above a cone of laurel leaves, a crown supported by two putti, each holding a plant stem; on each side, a flower and fruit festoon suspended on a ribbon from a ring; at the bottom , inscription on a scroll.

Notes: A border panel, usually incorporated with a separate pictorial central panel.

Copies of this fireback are known.

Inscription: [...]O 1695

Description: Central arched rectangular shape formed of fluted Ionic pilasters supporting a rounded arch, with fillet edging, bearing the date between two flower heads; beneath is a fouled anchor within a circlet of rope gathered into eight loops; a phoenix, its wings displayed and inverted, rises from the flames above the rope; mirrored outside each pilaster, a crouching, naked faun, facing inwards, disgorges a vine with bunches of grapes; above each faun a volute forms the top corner of the plate.

Notes: The decorative elements of this fireback have yet to be fully interpreted; the vines disgorged from the mouths of the fauns are related to the 'green man' tradition associated with woodland spirits and symbolising resurrection, the latter echoed by the phoenix, though in the form in which they appear on this fireback they may be a purely decorative device. By contrast, the cabled anchor is the badge of the Lord High Admiral who, in 1608, was Charles Howard, 1st Earl of Nottingham (previously Lord Howard of Effingham). A pastiche of this fireback, dated 1633, is also known (no. 1064).

Copies of this fireback are known.

Inscription: 1608

Description: Arched rectangular shaped central panel, bead-and-pellet edging, narrow-necked, two-handled urn with flowers and wheat ears issuing therefrom, the vase resting on a wall with stone courses, against which are two small flowers in pots with a stool between; arched rectangular shaped border with fillet edging and symmetrical floral tendrils, a looped 'W' in each shoulder; on top, mirrored leaves, tendrils and wheat ears; inscription along bottom of border.

Notes: One of the two largest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The casting is an amalgamation of parts of two firebacks of the same design, the bottom portion from an earlier casting than the top (reduction 2%). The inscription translates as 'God is our strength'.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Rectangular with fillet edging; central, oval panel with fillet edging containing the semi-reclining, begowned figure of Cleopatra, a mirror/sceptre in her right hand and an asp in her left hand; oval border with astragal and fillet edging and undulating foliage; in each of the top spandrels, a face of a putto; in the bottom spandrels, a triangular design of swirled foliage; at the centre of each side, overlapping the central oval border, an oval cartouche with scrolls in the inward facing side; four horizontal plank lines regularly spaced.

Notes: The naivety of the figuration and the similarity of the scrolled designs suggest that this may be the work of the same pattern-maker as the Lenard fireback. Three tapestries of the death of Cleopatra, one of them made for the Swedish royal court, were inspired by artwork by Karel van Mander II (1579-1623), which is likely to have been the inspiration for this fireback as well.

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of Solomon, rising from a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with fillet edging; on top, a cockle shell with a descending serpent on each side, and a cockle shell on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from any of them.

Copies of this fireback are known.