Firebacks

Description: Arched rectangular central panel with bead edging terminating at the top in two loops, gather drapery and a scallop shell; two figures to the right, both bearded, the one kneeling wears cavalry armour, a cloak and a crown, the other stands behind; to the left is a sacrificial pyre on which an ox carcass burns, and above an angel carrying a sword in his right hand and a skull in his left; around this is an arched rectangular border with fillet edging and a repeated leaf pattern; on top is a scallop shell between two dolphins.

Notes: The scene illustrates the visitation of the pestilence on Israel described in 2 Samuel 24, and the sacrifice of an oxen by King David; the skull borne by the angel represents the death of those struck down by the plague. A slightly different version has the face of David looking down. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; two symmetrical, coiled serpents on top; narrow, curved shouldered side panels with beads in oval depressions.

Notes: This is a shortened version of a much-copied fireback. Normally there is a bottom panel. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; figure of Mars facing right, holding a laurel wreath in his right hand, surrounded by martial objects (flags, cannon, drums etc.), symmetrical hanging drapery above; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Other firebacks have the same distinctive central panel, border shape and decoration at the bottom, suggesting the same pattern maker. Formerly part of the J. H. Every collection.

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths; date in top corners; initials at bottom, below mantling.

Notes: One of the hooked ‘1’ series; unevenly impressed, the right more deeply than the left.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Arched rectangular central panel with alternate two-bead and pellet edging; table with draped cloth surmounted by a basket containing fruit, swagged drapery above; arched rectangular border with fillet edging; descending vine with leaves and berries; bottom centre, initials separated by a lozenge; on top, symmetrical swirled foliage.

Notes: Typical pastiche of the 'Dutch' style of fireback produced with the option to affix it to a basket grate. Formerly part of the J. H. Every collection.

Inscription: I T

Description: Carved wooden fireback pattern. Arched rectangular central panel, astragal and fillet edge, pictorial, Hercules, sword in hand, preparing to slay the Hydra; arched rectangular border, fillet edge, ivy leaves and tendrils, monogram at bottom; swirled foliage on top.

Notes: Unusually for a pattern, it was carved from a single piece of wood; formerly in the custody of William Hobday (d. 1883), last surviving ironworker at Ashburnham furnace, this pattern was given to the Sussex Archaeological Society by the Earl of Ashburnham.

Inscription: TAN

Description: Carved wooden fireback pattern. Arched rectangular central panel with astragal and fillet edging; Phaëton riding Apollo’s chariot across the skies, the sun to the left behind clouds, a lion on ground below, between two trees; arched rectangular border with fillet edging; trailing convolvulus leaves surround the central panel.

Notes: The illustration upon which the design has been based has not been identified, save that it figures in book II of Ovid's Metamorphoses. The convolvulus border is a common feature of this series of firebacks; given to the Sussex Archaeological Society by the Earl of Ashburnham.

Description: Arched shape; double-fillet edged arched border, with six evenly-spaced roses, resting on pilasters; shield, supporters, garter and coronet of the Earl of Exeter; plain rectangular bottom panel.

Notes: The arms are of the earldom of Exeter, which was created in 1605 for Thomas Cecil, 2nd Lord Burghley (1542-1623).

Inscription: HONY SOIT QVI MAL Y PENSE [illegible]

Arms: Cecil, Earls of Exeter

Description: Arched rectangular central panel within double fillet foliate edging; pictorial scene of a crudely modelled clothed female figure holding a wand? in the right hand; indistinct pictorial element to bottom right; arched rectangular border with fillet edging containing repeated swirled decoration; on top, two mirrored sea monsters.

Notes: A crude pastiche of the 'Dutch' style of fireback; the central figure may be Hera with a peacock. Formerly at the Raleigh Trevelyan estate, St Cadix, Cornwall.

Inscription: WHC[?]

Description: Arched rectangular central panel with bead edging; pictorial scene of a stork dipping its beak into a tall pot, a fox close by, a tree to the right; arched rectangular border with fillet edging; at top, a double clasp with descending ribbon on each side from which are suspended, via rings, a shield, trumpets and an armoured torso; at the bottom, an oval cartouche between two blocks; on the top, a central pomegranate between two descending sea serpents, and a pomegranate on each shoulder of the plate.

Notes: The scene illustrates one of Aesop's Fables.