Firebacks

Description: Quasi-arched rectangular shaped with cavetto canted top corners; fillet edging; two V-shaped arrangements of laths, one inverted and superimposed over the other, in centre of plate; date split on either side; initials in triangular arrangement above laths.

Notes: The shape of the fireback is very similar to firebacks at Knole, Sevenoaks, of similar date, and may be the product of the same furnace; the 'X' shapes may have apotropaic significance.

Inscription: 17 RSL 28

Description: Arched rectangular shape; fillet edging; central rose with stem and two branches with leaves, surmounted by a crown.

Notes: The rose is more naturalistic than heraldic. Criterion Auctions, Bath, 10 Sep 2016 lot 168.

Description: Ionic columns supporting a semi-circular arch, in the centre of which the bust of a man has a floral swag beneath; below is a quasi-arched rectangle of beads within which is the figure of Hercules, wielding a club, slaying the Nemean Lion; beneath are floral scrolls; on top of the main arch two kneeling putti hold a wreath over the bust.

Notes: Not the standard 'Dutch' type, which may indicate a different origin.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Rectangular with cavetto curves rising to corners and a ‘portico’ top; fillet edging with bas-relief, alternate regularly spaced semi-circles and triangles inside; two-handled flower vase with acanthus bas-relief, trailing vines issuing from top, with pomegranate and hop(?), descending through handles to base; lion’s head at top; date split either side of vase base.

Notes: The bas-relief edging also appears on other firebacks, suggesting the same pattern maker. The date was probably added separately. Formerly in Dallington, East Sussex. Burstow & Hewett auction, Battle, 3 Apr 2019, lot 1706 (£35).

Copies of this fireback are known.

Inscription: 1662

Description: Carved wooden fireback pattern. Rectangular shape with fillet edging; pictorial scene with three nymphs playing cymbals and tambourine, and dancing in the shade of two trees, with three satyrs play pipes behind; a jug stands on a pedestal; in the foreground a putto fills a jug from a barrel.

Notes: From the Fonderie Salan, Dammarie-sur-Saulx (Meuse).

Description: Arched rectangular shaped central panel, bead-and-pellet on fillet edging; beneath swagged curtains, a basket containing a variety of fruit - plums, apples, pears and grapes - resting on a table or plinth covered with a fringed cloth; arched rectangular shaped border with fillet edging and symmetrical foliate tendrils; date in bottom corners split betwen foliate tendrils incorporating looped 'W' shapes; on top, symmetrical scrolled plant tendrils.

Notes: One of a series of firebacks made originally in 1724. The basket of fruit was probably inspired by still-life paintings by European artists of the first half of the 17th century. Formerly at Salem, Massachusetts.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two ‘sea horses’ and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; between two looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side.

Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated as 'GOD is our strength', is a paraphrase of Psalm 46: 1; the original wooden pattern is in Museum Rotterdam (no. 931}; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. Formerly at Dogwells Farmhouse, Corscombe, Dorset; other examples are at Leith Hill Place, Surrey, and Lower Brockhampton farmhouse, Herefordshire, the latter having originally been in Dunster Castle, Somerset.

Copies of this fireback are known.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular shaped central panel with bead edging on a wide fillet; two-handled vase with assorted flowers on a stand with scrolled legs; a plant pot on each side; arched rectangular shaped border with fillet edging, symmetrical floral fronds descending from a rose, top centre, with a looped 'W' in each shoulder; inscription at base; on top, symmetrical scrolled plant tendrils.

Notes: The second largest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The inscription, known from other firebacks in the series, translates as 'God is our strength'. Dore & Rees Auctions, Frome, 6 Dec 2024, lot 93 (£130).

Copies of this fireback are known.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arch-shaped; fillet edge; at top, date split by crown (horizontal of '7' missing), crown over a Tudor shield, garter (motto clockwise but reversed) and supporters; rose with viscount's coronet on dexter, and portcullis (grid of 16) with viscount's coronet on sinister side of crown; the supporters, a dragon and a greyhound, stand on separate plinths; the initials, G C, are placed in either side of the garter buckle.

Notes: There are several firebacks with the Tudor royal arms that were probably originally produced in the Spanish Netherlands, perhaps illustrating the association between England and Spain through the marriage of Henry VIII and Katherine of Aragon. The firebacks differ in several small details, such as the shape of the shield, the form and rotation of the Garter motto, the style of the crown, the positioning of the supporters in relation to the Garter, and the form and size of the crowned rose and portcullis. Hôtel Drouot auction, Paris, 21 Jan 2023, lot 89.

Inscription: 15 70 / HONY SOYT QVI MAL Y PENSE / G C

Arms: Tudor royal