Firebacks

Description: Composite; Arched rectangular shaped, armorial fireback, cavetto edging, with Stuart Royal arms, garter, supporters, crown and motto, and 1662 date above crown; this overlies a rectangular plate, with rope-effect, fillet edging; a pattern of four rosettes surrounding a fleur-de-lys, its stem terminating in a small buckle, is repeated on each side of the central armorial fireback, with the initials above; each rosette is stamped separately.

Notes: A variant, bearing the same date, but the initials, A B, and without the rosettes, is at Norton Manor, Malmesbury, Wiltshire.

Copies of this fireback are known.

Inscription: 16 62 / C P / HONI SOIT QVI MAL Y PENSE / DIEV·ET·MON DROIT

Arms: English Stuart royal

Description: Arched central panel with fillet edging; figure in classical dress standing on a mound in front of a leafless tree; u; ninterrupted side and bottom border with straight fillet edges; at sides, mirrored low-relief undulating tendril design; at bottom, central leaf design; on top, central plume with hanging flower, between mirrored low-relief foliate swirls.

Notes: The figure is probably an allegory of Humility. Another example of this fireback bears the date 1746.

Description: Low-arched shape within broad fillet edging; on a plain field a Tudor royal shield, quarterly France Modern and England, supported by a stylised dragon and greyhound and surmounted by a crown, all resting on a two-stepped compartment with cavetto- and astragal-moulded edging at the top.

Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. Another casting in this form is to be found in The Guildhall, Lichfield. More decorated examples exist, with a leaf pattern on the edging and 'scales' on the dragon. Firebacks of the same armorial design within a different, arched rectangular, edging are known.

Copies of this fireback are known.

Arms: Tudor royal

Description: Arched rectangular central panel with bead-on-fillet edging; femal figure holding scales in her right hand and a sword in her left hand, foliage and clouds behind; arched rectangular border with fillet edging; from a central bow with three tassels at the top, two suspended festoons of flowers, each running through a ring under the top corners, and continuing along the bottom; on top, a central cartouche between mirrored foliate scrolls.

Notes: The female is an allegorical representation of Justice.

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents; on each side, rectangular extension panel with a curved top copying the side borders.

Notes: A variant has no extension panels; similar to other designs incorporating figures in chariots, though not from the same series.

Description: Arched rectangular central panel with bead-on-fillet edging, pictorial representation of a man and woman walking, behind the woman a child holds her train and a young person carries a parasol; from behind a column on the right, a horse's head is visible, a tree stands to the left, at the foot of the scene is the word 'EVROPA'; tall-arched rectangular border with fillet edging; at top of arch, a lion's head above a ring, with descending grape vines on each side; at each side, a festoon of fruit suspended on a ribbon from a lion's head; at the bottom, an oval cartouche between flowers; on top, a Holy Roman Imperial crown between two descending dolphins.

Notes: The pictorial scene is based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek; one of series of firebacks depicting allegories of the four continents.

Copies of this fireback are known.

Inscription: EVROPA

Description: Rectangular central panel with fillet edging; poorly modelled standing figure possibly of Diana, goddess of hunting, holding a bow in her left hand and an arrow in her right hand, on a low plinth; border with fillet edging along sides and bottom, with mirrored vine tendril and leaves on each side; date split either side of leaves at bottom; on top, symmetrical swirled foliate arrangement.

Notes: A characteristic small fireback from the period of the changeover to coal-fired domestic heating.

Inscription: 17 33

Description: 'Dutch' style; arched rectangular central panel, bead edging, a partially clothed female figure holding a wreath in her left hand and a bunch of flowers in her right hand, a circlet of cloth hanging from her right shoulder; arched rectangular shaped border with fillet edging and floral swags suspended; on top, flowers and swirled foliage.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613. A damaged recasting is in Farnham Museum. The 'W' initial probably denotes the pattern maker.

Inscription: W

Description: Arched rectangular shaped central panel with five-bead and open pellet edging; pictorial: regal figure in his chariot drawn by two horses, a sceptre in his right hand; above, a putto descends from swagged curtains and a pair of tassels; below is a landscape with a cornucopia; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of ivy and acanthus leaves and tendrils; the initial, N, in a cartouche bottom centre, between symmetrical oak fronds, leaves and acorns; above is a symmetrical design of scrolled floral tendrils terminating in sea monsters.

Notes: Very similar in design and execution to firebacks of the SHR and EB series, suggesting designs emanating from the same source and with a similar inspiration. The figure in the chariot may be an allegory of the Sun.

Inscription: N

Description: Canted rectangle; fillet edging (top and sides); date to full width across centre of plate.

Notes: Bold, evenly-spaced numerals.

Inscription: 1680