Firebacks

Description: Rectangular with complex quasi-arched rectangular top; fillet edging; shield with Royal arms of France in a cartouche; above, an English crown.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625. A different version is no. 659. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: France modern

Description: Arched rectangular shaped central panel with 'nutshell' edging; pictorial: Mercury in his chariot drawn by two birds (possibly ravens) across the clouds, his caduceus held aloft; above are clouds, below is a landscape with plants; arched rectangular shaped border with fillet edging, a scallop shell top centre with descending symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; on top is a symmetrical design of scrolled floral tendrils. One vertical plankline right of centre.

Notes: The design is based on a personification of the planet Mercury in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). The holes were for fixing to a grate.

Inscription: SHR

Description: Low arched rectangular shape; broad rebated fillet edging; stylised Tudor royal shield, crown and supporters (dragon and greyhound); Tudor rose in top left corner; portcullis in top right corner.

Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. Another casting is at Hever Castle, Kent. Firebacks with the same armorial design within a different, arched edging are also known.

Copies of this fireback are known.

Arms: Tudor royal

Description: Rectangular, with arch at the top. Above and below acanthus vines. In the middle a landscape with trees and two seated figures; on the left Mercury, playing a flute, a staff over his right shoulder, and at his feet a caduceus; to the right a seated male figure with his left hand supporting his head, in his right hand a stick with which he is supporting himself, behind him a cow, at his feet a dog.

Notes: A scene from classical mythology.

Description: Arched rectangular shaped central panel, bead on fillet edging, narrow-necked urn with flowers issuing therefrom; arched rectangular shaped border with fillet edging and symmetrical floral swags; on top, stylised fish with floral accessories; at bottom, two looped 'W' figures between split date in bottom corners. A faint plankline, slightly inclined from the vertical and more evident on a later casting, can be seen slightly left of centre.

Notes: The second smallest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A clear vertical plankline left of centre.

Copies of this fireback are known.

Inscription: 17 24

Description: Rectangular with a sinuous arch and three simulated loops, one top centre, the other two to each side; two-handled flower vase with gadrooned upper surface and acanthus bas-relief below, trailing fruited vines issuing from top descending through handles to base; lion’s mask at top; date split either side of vase base; ball on each shoulder of the plate; broadened side edges.

Notes: The simulated loops are seen on a small number of other firebacks, suggesting a common pattern-maker; a variation on a design typical of this period.

Inscription: 16 77

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure, standing on a ground with trees and animals, with a quiver of arrows and holding a bow in his left hand; clouds above; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top symmetrical leaves between two mirrored serpents.

Notes: The figure is probably that of Apollo.

Description: Rectangular with arched, mirrored scrolls on top and central scallop shell, below which are swagged drapes with a central tassel; fillet edging; in a grove, to the left a putto blowing a horn, to the right a semi-naked female figure seated, holding the tail of a fish, with two ?dogs at her feet; at the bottom, narrow panel with symmetrical scrolled foliate decoration.

Notes: Like others in the series, the scene is not immediately identifiable with a scene in classical mythology.

Copies of this fireback are known.

Description: Arched rectangular shaped central panel, bead on fillet edging, narrow-necked urn with flowers issuing therefrom; arched rectangular shaped border with fillet edging and symmetrical floral festoons; on top, stylised fish with floral accessories; at bottom, two looped 'W' figures between date split between bottom corners.

Notes: The smallest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The small size of this fireback makes it likely that it was intended to be fixed to the back of a grate.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched rectangular shaped central panel with astragal and fillet edge, pictorial, a bald, naked man, standing on a mound, holding a baton in his left hand, surrounded by leaf fronds to left and right, and clouds above; arched rectangular shaped border, fillet edging, hanging leaf clusters to left and right, swirled lines above, and draped foliage with monogram at base; on top are two serpents and draped foliage.

Notes: The figure may represent Pheidippides, the messenger between Athens and Sparta during the Battle of Marathon in 490BC.

Copies of this fireback are known.

Inscription: TAN