Firebacks

Edging: fillet

232 results

  1. 488

    michelham_001.jpg
    617 x 590 mm

    Description: Rectangular with complex quasi-arched rectangular top; fillet edging; shield with Royal arms of France in a cartouche; above, an English crown.

    Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst. Formerly part of the J. H. Every collection.

    Copies of this fireback are known.

    Arms: France modern

    Manufactured: in the early to mid 17th century probably at Gloucester Furnace, Lamberhurst in the Weald area of England.

    Current location: Michelham Priory, Arlington, East Sussex, England.

    Museum number: 1944.24.068 (part of the Sussex Archaeological Society museum group)

    Citation: Dawson, C., 1903, 'Sussex Iron Work and Pottery', Sussex Archaeological Collections, 46, pp. 1-54.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Phillips, C. T., 1894, 'Interesting additions to the museum', Sussex Archaeological Collections,39, pp. 214-5.

  2. 1131

    milton_common,_three_pigeons_02a.jpg
    510 x 775 mm

    Description: Arched rectangular shaped central panel with 'nutshell' edging; pictorial: Mercury in his chariot drawn by two birds (possibly ravens) across the clouds, his caduceus held aloft; above are clouds, below is a landscape with plants; arched rectangular shaped border with fillet edging, a scallop shell top centre with descending symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; on top is a symmetrical design of scrolled floral tendrils. One vertical plankline right of centre.

    Notes: The design is based on a personification of the planet Mercury in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). The holes were for fixing to a grate.

    Inscription: SHR

    Manufactured: in the late 17th to early 18th century in England.

    Current location: Lassco, Three Pigeons, Milton Common, Great Milton, Oxfordshire, England.

  3. 866

    new_york, met museum 01.jpg
    692 x 597 mm

    Description: Rectangular with a sinuous arch and three simulated loops, one top centre, the other two to each side; two-handled flower vase with gadrooned upper surface and acanthus bas-relief below, trailing fruited vines issuing from top descending through handles to base; lion’s mask at top; date split either side of vase base; ball on each shoulder of the plate; broadened side edges.

    Notes: The simulated loops are seen on a small number of other firebacks, suggesting a common pattern-maker; a variation on a design typical of this period.

    Inscription: 16 77

    Manufactured: in 1677 possibly in the Weald area of England.

    Current location: Metropolitan Museum of Art, 1000, Fifth Avenue, New York, New York, United States of America.

    Museum number: 08.81.1 (part of the Metropolitan Museum of Art museum group)

  4. 867

    new_york, met museum 02.jpg
    457 x 711 mm

    Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure, standing on a ground with trees and animals, with a quiver of arrows and holding a bow in his left hand; clouds above; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top symmetrical leaves between two mirrored serpents.

    Notes: The figure is probably that of Apollo.

    Manufactured: in the early 18th century in England.

    Current location: Metropolitan Museum of Art, 1000, Fifth Avenue, New York, New York, United States of America.

    Museum number: 08.81.2 (part of the Metropolitan Museum of Art museum group)

  5. 868

    new_york, met museum 03.jpg
    356 x 597 mm

    Description: Rectangular with arched, mirrored scrolls on top and central scallop shell, below which are swagged drapes with a central tassel; fillet edging; in a grove, to the left a putto blowing a horn, to the right a semi-naked female figure seated, holding the tail of a fish, with two ?dogs at her feet; at the bottom, narrow panel with symmetrical scrolled foliate decoration.

    Notes: Like others in the series, the scene is not immediately identifiable with a scene in classical mythology.

    Copies of this fireback are known.

    Manufactured: in the early 18th century in England.

    Current location: Metropolitan Museum of Art, 1000, Fifth Avenue, New York, New York, United States of America.

    Museum number: 08.81.6 (part of the Metropolitan Museum of Art museum group)

  6. 549

    new_york,_met_museum_05_a.jpg
    381 x 610 mm

    Description: Arched rectangular shaped central panel, bead on fillet edging, narrow-necked urn with flowers issuing therefrom; arched rectangular shaped border with fillet edging and symmetrical floral festoons; on top, stylised fish with floral accessories; at bottom, two looped 'W' figures between date split between bottom corners.

    Notes: The smallest of five flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

    Copies of this fireback are known.

    Inscription: 17 24

    Manufactured: in 1724 in England.

    Current location: Metropolitan Museum of Art, 1000, Fifth Avenue, New York, New York, United States of America.

    Museum number: 08.81.3 (part of the Metropolitan Museum of Art museum group)

  7. 500

    newbury_museum 01.jpg
    510 x 760 mm

    Description: Arched rectangular shaped central panel with astragal and fillet edge, pictorial, a bald, naked man, standing on a mound, holding a baton in his left hand, surrounded by leaf fronds to left and right, and clouds above; arched rectangular shaped border, fillet edging, hanging leaf clusters to left and right, swirled lines above, and draped foliage with monogram at base; on top are two serpents and draped foliage.

    Notes: The figure may represent Pheidippides, the messenger between Athens and Sparta during the Battle of Marathon in 490BC.

    Copies of this fireback are known.

    Inscription: TAN

    Manufactured: in the early 18th century probably at Ashburnham Furnace in the Weald area of England.

    Current location: West Berkshire Museum, Newbury, Berkshire, England.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Lloyd, N., 1925, 'Domestic Ironwork I', Architectural Review, 58, pp. 58-67.

  8. 1144

    norton,_norton manor a.jpg
    1000 x 670 mm

    Description: Composite; arched rectangular shaped, armorial fireback, cavetto edging, with Stuart Royal arms, garter, supporters, crown and motto, and 1662 date above crown; this overlies a rectangular plate with fillet edging; top centre in the space each side of the central shield, an initial letter - A to left, B to right - each above a fleur-de-lys, its stem terminating in a small buckle.

    Notes: Several firebacks have incorporated the same Stuart royal shield, which probably originally dated to 1619, but with the date altered. A similar fireback, but without the initials and fleurs-de-lys, dated 1661, and reputed to have come from the Totsey, the old guildhall at the market cross in Gloucester, is illustrated in Ames, 1980, 23; possibly the same fireback was reported by the late David Bick to be at The Grange, Minsterworth, Gloucestershire (demolished in the late 1960s).

    Inscription: 16 62 / [Garter motto (illeg.)] / A B

    Arms: English Stuart royal

    Manufactured: in 1662 possibly in the Forest of Dean area of England.

    Current location: in private hands, Norton, Wiltshire, England.

    Citation: Ames, A., 1980, Collecting Cast Iron (Ashbourne, Moorland Publishing).

    Citation: Badeni, J., 22 Sep 1983, 'Whose Fireback?' [letter], Country Life, 174, 4492, p. 772.

  9. 1161

    panxworth,_norfolk_reclamation_02.jpg
    750 x 1030 mm

    Description: Arched rectangular central panel with bead-and-pellet edging (top and sides); on a ground between two plants, their flowers upstanding, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents; at the sides, a narrow vertical extension bordered with a fillet and with bead infill; at the base, a plain extension panel.

    Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced there rather than on the Continent. One of several very similar designs, varied by the forms of the vases, the style of the flowers and by their dimensions.

    Copies of this fireback are known.

    Manufactured: in the late 17th century in England.

    Current location:, not known.

  10. 211

    penhalvean,_kernow_furniture_530x560.jpg
    530 x 560 mm

    Description: Rectangular with arched, mirrored, scrolls on top, a cartouche scallop shell between; fillet edging; between two trees, three soldiers in Roman dress, holding either pikes, swords or shields, one on a plinth; at the bottom, a separate rectangular panel with mirrored scrolled foliage.

    Notes: Possibly intended to represent the Horatii who, according to Livy, defeated the Curiatii.

    Copies of this fireback are known.

    Manufactured: in the early 18th century in England.

    Current location: Kernow Furniture, Penhalvean Pottery, Penhalvean, Cornwall, England.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).