Firebacks

Description: Rectangular with fillet edging (top and sides) formed from separate strips, possible from furniture; date split by letters in triad; number '1' has a central knob.

Notes: The initials are believed to relate to Thomas and Mary Manser, who occupied the Star Inn, Waldron, East Sussex, in the seventeenth century.

Inscription: 16 TMM 94

Description: Arched rectangular shaped central panel, nut-shell on fillet edging, narrow-necked vase on a ground, with flowers and pea pods issuing therefrom, a plant in a pot to each side; arched rectangular shaped border with fillet edging and descending quasi-symmetrical floral tendrils; on top, quasi-symmetrical swirled foliage; date split between bottom corners, with two looped 'W' figures between. A single plankline is evident to right of centre.

Notes: The fourth largest of six flower vase designs on a discrete series of firebacks from 1724. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

Inscription: 17 24

Description: Arched rectangular shape with ovolo canted top corners; fillet edging; within a cartouche, shield of the Worshipful Company of Barber-Surgeons - quarterly, first and fourth, Sable a Chevron between three Fleams Argent, second and third, Per pale of the second and Vert on a Spatter also Argent a Tudor Rose proper crowned Or; on a Cross Gules dividing the quarters a Lion passant guardant Or; the date is above the shield, which is surmounted by a vase from which are displayed a flower and leaf stems; the same occupy the spaces on each side of the shield, below which is a motto scroll.

Notes: The arms on this fireback were granted to the company in 1569.

Copies of this fireback are known.

Inscription: 1631

Arms: Worshipful Company of Barber-Surgeons

Description: Arched shape; fillet edging; shield, supporters, earl's coronet and motto.

Notes: The arms are those of William Herbert (1626-96), created 1st Earl of Powis in 1674, impaled with those of his wife, Lady Elizabeth Somerset, whom he had married in 1654. He was created Marquess in 1687, so the fireback dates from between 1674 and 1687. The blazon: Party per pale azure and gules three lions rampant argent armed and langued or (Herbert), quarterly 1st and 4th England 2nd and 3rd France Modern (Somerset); Supporters: Dexter: A Panther rampant guardant Argent spotted of various colours fire issuing out of the mouth and ears ducally gorged Azure; Sinister: A Lion rampant Argent ducally gorged Gules; Motto: Ung je serviray (One I will serve).

Inscription: Ung iay serviray

Arms: William Herbert, 1st Earl of Powis

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585).

Copies of this fireback are known.

Inscription: SHR

Description: Rectangular with arched, mirrored, scrolls on top, surmounted by the winged face of a cherub; fillet edging continued into mirrored scrolls over the top; on either side, scrolled stylised seed pods; central scene of King David beneath a baldachin standing on a plinth, playing a harp to his left; to his left a child plays the violin, to his right another plays a trumpet, both stand on low plinths; at the bottom, a rectangular panel with an oval within a cartouche between swirled foliage.

Notes: An untypical religious-inspired subject with notably rococo design elements.

Copies of this fireback are known.

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents. A recasting.

Notes: Similar to other designs incorporating figures in chariots, though not from the same series; a recasting has the date, 1702, superimposed

Copies of this fireback are known.

Description: Arched rectangular shape with small triangular protrusions in each top corner; fillet edging (top and sides); top centre, date stamp, over-pressed on right side; top corners, single fleur-de-lys stamp; below date, initials in triad.

Notes: The fleur-de-lys is of a distinctive form; the small triangular protrusions are not seen on other firebacks. Wilkinson's, Doncaster, auction 26 Feb 2017 lot 272. A fireback with the same date stamp is at Newark Park, Ozleworth, Gloucestershire.

Inscription: 1634 / RCS [triad]

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; pictorial scene of a figure in a chariot drawn by birds, above a ground, and with clouds over; arched rectangular border with fillet edging; alternating acanthus leaves with symmetrical curled lines, monogram centre bottom; on top, two mirrored sea serpents; extension panels to each side.

Notes: The figure is that of Jupiter, holding a bolt of lightning, who is sometimes portrayed in a chariot drawn by eagles; width without extension panels - 477mm.

Inscription: [?]WH

Description: Arched rectangular central panel with bead edging; caped naked male figure standing on clouds, head turned over his right shoulder and holding a coronet of five raised baubles aloft in his right hand, on his left hand a bird perched, its wings displayed; above left a cloud; arched rectangular fillet border containing symmetrical, regularly-spaced 'daisy' flowers and festoons of leaves descending there from; on top of the arch, a central cartouche with a mirrored eagle and scrolls on each side.

Notes: The bottom panel of the border is missing, perhaps through breakage, the bottom flower on each side being incomplete and the fillet edging discontinued. The figure, which has yet to be identified, is probably iconic or mythological. The form of the arch suggests an English origin.