Firebacks

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a fluted flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; narrow, curved shouldered side panels with beads in oval depressions; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent; this is the smaller of two versions of this fireback.

Copies of this fireback are known.

Description: Arched rectangular; fillet edging with darts on the inside; circular arms of France within the chains of the Ordre d'Esprit and the Ordre de St Michel, with crown above, all resting on a framework compartment, with olive leaf sprays on each side ofn the shield.

Notes: Typical form of the arms of France of the period of Louis XIV.

Arms: France modern

Description: Arched rectangular central panel with bead edging; image of two helmeted men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage descending from a scallop shell; bottom of the image obscured by corrosion damage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a popular subject on a variety of media in the period.

Inscription: I N

Description: Rectangular shape; fillet edging; arrangement of five shields: centre, arms of the kingdom of France surmounted by a crown and, below, the word FRANCE on a fillet edged rectangular block over a cartouche; top left, arms of the duchy of Lorraine surmounted by a bishop's mitre and crozier separating a largely illegible text; top right, arms of the kingdom of Spain surmounted by a crown with the letters SPA to the left; bottom right, arms of the duchy of Nevers surmounted by a coronet below a fillet edged rectangle with the word NEVERS; bottom left, arms of the kingdom of England surmounted by a crown below a fillet edged rectangle with the word ANGLIA; bottom centre, the date 1623.

Notes: A taque de foyer or takenplatte; the arms in the corners are likely to be of (from top left): Louis III of Lorraine, Archbishop of Reims; King Philip III of Spain; Charles I, Duke of Nevers and Rethel; and Queen Elizabeth I of England. A similar fireback with the same arms, illustrated by von den Driesch (1990, p.181), has the date 1611, but the absence of a cardinal's hat over the arms of Louis of Lorraine suggests that the fireback originally dates from before 1605.

Inscription: [LORR]AI[NE] SPA / ANGLIA NEVERS / FRANCE / 16z3

Arms: Louis of Lorraine; Kingdom of Spain; Kingdom of France; Kingdom of England; Charles Gonzaga, Duke of Nevers

Description: Arched rectangular central panel with bead on fillet edging, pictorial scene of Hercules standing, right arm akimbo and left hand holding a club that rests on his shoulder; to his right the allegorical female figure of Virtue, clothed and resting her left hand on Hercules's right shoulder; to his left the female allegorical figure of Volupta, the pair symbolising the 'crossroads' where Hercules has to decide which path in life to take; below them the text VIRTUS HERCULES VOLUPTA; above, seated above clouds, Jupiter surveys the scene, the word IVPITER below; arched rectangular border with fillet edging, from a central bunch of grapes at the top of the arch, a ribbon on each side suspends bunches of fruit and flowers; at the bottom a central cartouche containing the inscription 'L7G', with flowers on each side;; on top are two mirrored dolphins, their tails covering a bunch of grapes.

Notes: The pictorial scene is loosely based on a painting c.1636-7 by Nicholas Poussin. The inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L6C and L8G) indicate different borders. Image from von den Driesch (p. 512).

Copies of this fireback are known.

Inscription: IVPITER / VIRTVS HERCVLES VOLVPTA / L7C

Description: Rectangular with fillet edging (top and sides) formed from separate strips, possible from furniture; date split by letters in triad; number '1' has a central knob.

Notes: The initials are believed to relate to Thomas and Mary Manser, who occupied the Star Inn, Waldron, East Sussex, in the seventeenth century.

Inscription: 16 TMM 94

Description: Arched rectangular shaped central panel, nut-shell on fillet edging, narrow-necked vase on a ground, with flowers and pea pods issuing therefrom, a plant in a pot to each side; arched rectangular shaped border with fillet edging and descending quasi-symmetrical floral tendrils; on top, quasi-symmetrical swirled foliage; date split between bottom corners, with two looped 'W' figures between. A single plankline is evident to right of centre.

Notes: The fourth largest of six flower vase designs on a discrete series of firebacks from 1724. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

Inscription: 17 24

Description: Arched rectangular shape with ovolo canted top corners; fillet edging; within a cartouche, shield of the Worshipful Company of Barber-Surgeons - quarterly, first and fourth, Sable a Chevron between three Fleams Argent, second and third, Per pale of the second and Vert on a Spatter also Argent a Tudor Rose proper crowned Or; on a Cross Gules dividing the quarters a Lion passant guardant Or; the date is above the shield, which is surmounted by a vase from which are displayed a flower and leaf stems; the same occupy the spaces on each side of the shield, below which is a motto scroll.

Notes: The arms on this fireback were granted to the company in 1569.

Copies of this fireback are known.

Inscription: 1631

Arms: Worshipful Company of Barber-Surgeons

Description: Arched shape; fillet edging; shield, supporters, earl's coronet and motto.

Notes: The arms are those of William Herbert (1626-96), created 1st Earl of Powis in 1674, impaled with those of his wife, Lady Elizabeth Somerset, whom he had married in 1654. He was created Marquess in 1687, so the fireback dates from between 1674 and 1687. The blazon: Party per pale azure and gules three lions rampant argent armed and langued or (Herbert), quarterly 1st and 4th England 2nd and 3rd France Modern (Somerset); Supporters: Dexter: A Panther rampant guardant Argent spotted of various colours fire issuing out of the mouth and ears ducally gorged Azure; Sinister: A Lion rampant Argent ducally gorged Gules; Motto: Ung je serviray (One I will serve).

Inscription: Ung iay serviray

Arms: William Herbert, 1st Earl of Powis

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). Two editions of engravings of de Vos's drawings are known, by Jan Sadeler, dated 1585, and by Gregor Fentzel in about 1650.

Copies of this fireback are known.

Inscription: SHR