Firebacks

Description: Fragment (left quarter missing - symmetrical design assumed); rectangular; twisted rope edging (top and sides); top centre, crowned Tudor shield between two lions passant, the left lion guardant sinister; below each lion, two leftward heading ‘imp’ stamps, the left one of each with arms down and head facing right, the right with right arm raised; in the top corner(s), a crowned rose stamp with a ‘daisy’ stamp towards the middle.

Notes: Assuming the crowned shield is central, the fireback would have originally measured 1160mm wide; one of the ‘Royal’ series.

Arms: Tudor royal arms of England

Description: Arched rectangular central panel with arch and bead-on-fillet edging; pictorial representation of a popinjay, or parrot, perched on a ring suspended by a ribbon from a bow, the bird is clutching an olive twig, other sprigs are below; arched rectangular border with arch and fillet edging; mirrored festoons of flowers and fruit suspended from roses, scrolled foliage at the bottom; on top, central scallop shell between descending dolphins.

Notes: The parrot on the ring perch is a popular design on Dutch firebacks.

Copies of this fireback are known.

Description: Rectangular with curved top corners; Arched rectangular extension on top; ovolo edging; mounted figure in 17th cent. armour riding down a dragon to the left and below, sword in hand; inscription across top and either side of horseman; date below left; initials below right.

Notes: Probably a representation of St George and the Dragon, with political undertones, given the date. Cursius may be a mis-spelling of Marcus Curtius, who sacrificed himself for the good of Rome. Nil Desperandum - Despair not. Other firebacks also bear the initials, IM, which probably relate to the pattern maker, some with a similar style of lettering.

Copies of this fireback are known.

Inscription: CVRSIVS / NIL DESPERANDVM / 1650 / IM

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, ‘daisy’ plant stamp; top panel, date between ‘daisy’ stamps, between initials in triad at each end; side panels, swirling foliage stamp repeated each side above a fleur-de-lys, above initial 'I' on left and 'B' on right; centre panel, stamp of ‘Indian’ smoking a pipe at top left, stamp of seated ‘gentleman’ smoking a pipe and holding another, at top right; below each, a seated monkey stamp, that on the left seated facing right, its paws in front of it and its tail below, that on the right seated facing left, its tail drawn across its chest.

Notes: The IB initials are identical to those on similar firebacks dated between 1703 and 1721, probably indicating the same founder. The number 3 of the date and the fleur-de-lys on the lower left side have been over-pressed showing the backs of the stamps. The use of stamps relating to tobacco smoking may suggest an origin near Bristol, the main entry port for the tobacco trade at that time.

Inscription: IES [triad] 1703 IES [triad] / I B

Description: Carved wooden fireback pattern. Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two 'sea horses' and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; at the bottom, between looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side. Two vertical planklines left and right of centre.

Notes: Carved on three vertical oak planks, battened together, from a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated from the Welsh as 'GOD is our strength', is a paraphrase of Psalm 46: 1; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A casting made from this pattern is no. 271.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Carved wooden fireback pattern. Arched rectangular central panel with cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by armadillos, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, on one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677); reputedly from Mayfield; presented to Brighton Museum by Henry Willetts. A casting from this pattern is no. 215.

Description: Rectangle with curved shoulders and low arch joined with concave curves; fillet and ogee moulded edging; central Tudor royal shield surrounded by garter, with crown above and lion and dragon supporters; royal initials either side of crown; lower right, inclined rectangular stamp of a dog; extended variant.

Notes: On clearer examples the garter motto has ‘EQVI’ instead of ‘HONI’, making it meaningless; possibly ‘EQVI’ was a mis-transcription of ‘HONI’; the crown is distinctly continental in form; a much-copied fireback.

Copies of this fireback are known.

Inscription: E R [Garter motto illegible]

Arms: Tudor royal - Elizabeth I

Description: Rectangular; astragal and fillet edging; two heater-shaped shields side by side, with a stag trippant crest above centre.

Notes: The dexter shield: quarterly first and fourth - Mostyn baronet - Gules a saracen's head erased proper wreathed about the temples sable and argent; second and third, within a bordure a fess fusily (or three lozenges in fess); a baronet's inescutcheon in the centre chief. The sinister shield - Sale - Argent on a bend cotised three gryphons' heads erased. Crest (Mostyn), a stag trippant proper.

Arms: Left: Mostyn with unknown quartering; right: Sal, Sale, Salle or Salley

Description: Arched rectangular shape on a plain plinth; scalloped cavetto-moulded edging (top and sides); initials in triad within arch; date split in top corners; unidentified stamp top centre; hound stamp above letter 'R', stag stamp above letter 'A'; annulet stamp repeated inside each half of the date; flat scrolled protuberance on each side of arch; smaller protuberance above each shoulder.

Notes: The initials are likely to be those of a husband and wife, the stag and hound possibly associated with the husband's occupation. The protuberances are seen in different forms on few firebacks of the same period.

Inscription: RHA / 16 66

Description: Arched rectangular central panel; fillet edging; pictorial scene of a phoenix rising from a fire; above right, a human mask at the centre of a sunburst; arched rectangular border with fillet edging, the date between initials along the bottom; down each side, a floral festoon hanging from a ring; over the arch, the inscription; on top, floral scrolls.

Notes: The inscription translates as 'out of death, immortality'; the initials NL are likely to be those of the pattern maker. Skinner's, Marlborough, Massachusetts, auction 14 Aug 2016 lot 226.

Inscription: EX MORTE IMMORTALITAS / N 1696 L