Firebacks

Description: Arched rectangular shaped central panel with fillet and bead edging, Neptune/Poseidon, holding a trident in his right hand, sitting in a scallop shell drawn by four mythical sea horses, behind are two mermaids blowing horns; arched rectangular shaped border with ovolo egg and dart edging; above, two symmetrical dolphins with a clam shell between.

Notes: Typical type of fireback produced in Germany by Dutch pattern makers; the central panel was made separately for insertion into different borders; this border is a relatively simple type. Mitford collection, Petworth House.

Copies of this fireback are known.

Description: Arched rectangular shape; cavetto-moulded edging; figure in mid-17th century armour, sword in belt, riding a prancing horse; initials split, below corners of arch, in front of horse’s head and behind rider’s back.

Notes: Probably intended to represent Charles I in memoriam, as other firebacks in this style date from the end of the Commonwealth period. Mitford collection, Petworth House.

Copies of this fireback are known.

Inscription: [C missing] R

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Quasi-arched rectangular shaped; unique, cavetto-moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree.

Notes: Other known variants are dated; this variant confirms that the dates were added to subsequent castings. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The figure is an allegory of Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: HH 1665 S

Description: Quasi-arched rectangular shape, semi-circular protrusions on top corners; cavetto-moulded edging; two mirrored scrolls inside arch; a phoenix in flames, its wings displayed and inverted.

Notes: A defaced variant of no. 895, which bears the date, 1650, and the initials, IM; a loop normally at the top is absent, and careless pouring of the iron has obliterated some of the detail down the right side of the casting.

Copies of this fireback are known.

Description: Rectangular; twisted rope edging (top and sides); top centre, crowned Tudor royal shield between, on the left, and angled lion passant guardant sinister and, on the right, an angled lion passant; in each of the top corners, a four petalled rose; below the shield, a crowned shield bearing the initials above a small fleur-de-lys, between two crowned four-petalled roses; outside each of the roses, a pair of ‘imp’ figures, one with an arm raised, the other with both arms lowered.

Notes: A copy; one of the ‘Royal’ series. Sold at Christie's Masters and Makers auction, 30 November 2010, lot 522 (£2,125).

Copies of this fireback are known.

Inscription: KH

Arms: Tudor royal arms of England

Description: Rectangular; astragal edging; leopard passant guardant sinister canted, facing a leopard passant, with a crowned shield between bearing the initials, KH, above a fleur-de-lys.

Notes: One of the Royal series with uncommonly few stamps.

Copies of this fireback are known.

Inscription: KH

Description: Arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; two rectangular side panels, each with a bird stamp (probably a swan, a Lancastrian badge) above a vine strip stamp repeated three times vertically.

Notes: One of two known variants of the John Harvo fireback incorporating extension panels with vine strips and 'swans'; the positions of the swans vary slightly between the two variants.

Copies of this fireback are known.

Inscription: E R [+ Garter, Harvo and royal mottoes, all illegible]

Arms: Tudor royal - prob. Edward VI

Description: Rectangular; cavetto edging all round; seated lion on right, its tail rising above its back and its head turned to face the viewer; a seated sheep on the left; date split across top.

Notes: Intended to represent the saying, ‘The lion shall lie down with the lamb’, a popular misquotation of Isaiah 11: 6.

Copies of this fireback are known.

Inscription: 1679