Firebacks

Description: Rectangular; twisted rope edging (top and two-thirds down sides); rope length across each top corner.

Notes: The twisted rope lengths are particularly well defined.

Description: Fragment; canted rectangular; twisted rope edging (topand sides); central cross of twisted rope.

Notes: Sections missing at both ends.

Description: Plain rectangular plate; no edging; top centre, date with '7' reversed; below date, initials in triad.

Notes: The reversed '7' indicates that the numerals, and probably the letters, had no backing; the initials are probably those of a husband and wife whose surname began with 'H'.

Inscription: 1676 / BHM

Description: Composite; canted arched rectangular shape; armorial fireback, cavetto edging, with Stuart Royal arms, garter, supporters, crown and motto, and 1620 date above crown; this overlies a canted rectangular plate, with twisted rope edging, fillet; two quasi-horizontal fillets from the tops of the vertical sides to the middle of the armorial fireback separate the back into two uneven parts, the date in the top part, split by the armorial, and a fleur-de-lys at the top of the lower part, also separated by the armorial.

Notes: The use of the armorial back is seen frequently and probably dates from 1619, though the date is usually altered; in this case the alteration does not match the more prominent date for the fireback; photograph ex T. Crowther & Son Ltd, 1985.

Inscription: 16 29 / HONI SOIT QUI MAL Y PENSE / 16 37 / DIEV ET MON DROIT

Arms: English Stuart royal

Description: Rectangular shape with cavetto-moulded edging; top centre, initials in triad with date below; on each side, stamp formed of a small, wavy-arched rectangular fireback bearing a lion rampant between pilasters surmounted by burning cauldrons, beneath two mirrored putti holding branches; beneath the date, a stamp formed of a small arched-rectangular fireback laid on its left side with a burning cauldron on each shoulder and the faint figure of a bird in the centre.

Notes: The two identical fireback stamps on either side of the inscription have been noted elsewhere (see no. 210 Late Pictorial series 5); the centre and right fireback stamps have been impressed insufficiently; illustration from Country Life advertisement by T. Crowther & Son Ltd, 18 Oct 1984.

Inscription: TFE [triad] / 1701

Description: Canted rectangular shape with canted arch; probable twisted leather edging (top and sides); top centre, initials RB formed of individual carved letters; centre, widely spaced, letters M H formed of short lengths of probable twisted leather.

Notes: An unusually shaped fireback

Inscription: RB / M H

Description: Quasi-rectangular shape; top, crowned robed statuary figure holding a book, repeated three times, interspersed with a naked child statuary figure playing a flute; bottom, shield and coronet to left, small shield, helm and crest to right, all between a crude dog figure repeated on each side; the whole plate dotted randomly with a repeated small gadrooned bead stamp.

Notes: The figures are from wall-mounted statuary. The shield and coronet are those of the Duchy of Lorraine prior to 1538; blazon: Quarterly, 1. barry of eight gules and argent (Hungary) impaling azure semy-de-lis Or a label gules (Naples); 2. argent a cross potent and four crosslets Or (Jerusalem) impaling Or four pallets gules (Aragon); 3. azure semy-de-lis Or a bordure gules (Valois-Anjou); 4. azure crusilly fitchy, two barbels addorsed Or (Bar); overall an inescutcheon Or a bend gules three alerions argent (Lorraine). The figure holding the book is that of St Catherine of Siena (see von den Driesch, pp. 220, 222).

Arms: Duchy of Lorraine

Description: Arched rectangular shape with a 'flame' on each shoulder and a broken one on top of the arch; fillet and cavetto-moulded edging; lower centre, shield with impaled arms, dexter two bars in high relief, sinister a crowned lion rampant, all in front of a foliate cartouche terminating in mirrored swirls below the shield; above, a beaded coronet; in the arch, the date split either side of mirrored foliate swags suspended from a bow and from a flower in each shoulder, with a short central vertical swag above the coronet.

Notes: A fireback in high relief with an inserted date.

Inscription: 16 62

Arms: not known

Description: Quasi-arched rectangular shape upon a moulded plinth; on a background comprising foliate swirls, a central shield, helm, coronet and elaborate mantling, with a crest of a forward facing centaur armed with a drawn bow pointed to the sinister side, and behind which are six pennons, three each side display in a v-shape; to the left, a triumph comprising a drum, draped flag on pole, concealing an arquebus, halberd and breastplate, and a broad-brimmed hat with feather; to the right, a triumph comprising a drum, a breast plate and tassets, a powder horn, and partially concealed arquebus, sword and spear, and a broad-brimmed hat with feather; at the base, a horizontal fillet with scrolled ends and squatting 'rodents'.

Notes: An uncharacteristic fireback designed and cast for the family of Joan Huydecoper (1625-1704). A variant without the base plinth and 'rodents' is in the collection of Museum Rotterdam (inv. 15224).

Inscription: ANNO 1647

Arms: Joan Huydecoper

Description: Arched rectangular central panel with overlapping leaf bud edging; prancing equestrian figure of a man in late-seventeenth century dress, with a plumed tricorn hat, his head turned to his left, his left hand holding the reins and his right hand pointing a baton beside the horse's head; quasi-arched rectangular border with overlapping leaf bud edging enclosing martial emblems (cannon, helmets etc.) to left and right, and surmounted by two reclining female figures, that to the left blowing a hunting horn, and that to the right supporting a cornucopia; between them, a sun in splendour, above which is a royal crown; at the bottom corrosion through use and damage has rendered the decoration indistinct.

Notes: The sun in splendour suggests that the figure is that of Louis XIV, of France, but the 'Dutch' style makes this less likely; an alternative identification might be Crown Prince Frederick (later King Frederick IV) of Denmark, of whom other fireback representations exist in a similar pose and with similar martial accoutriments.