Firebacks

Description: Rectangular; twisted rope edging (top and sides); narrow top panel and two narrow side panels, each separated by twisted rope; top panel with symmetrical inscription line begun and ended with a stamp formed of four spots in square, the same stamps separating the date, each of the initials and a central rose stamp, the date being repeated at each end; plain side panels; central panel comprising three shields bearing a rose and crown, one on the top line between two rectangles, each bearing a griffin passant, and two shields on the ends of the lower line with two rectangles with griffins between, the bottom half of the plate is plain.

Notes: The shield and griffin stamps appear on two firebacks at Hastings Museum, in each of which the shields are inverted.

Inscription: 1569 HB AB 1569

Description: Rectangular shape with twisted rope edging (top and sides); date split between top corners.

Notes: The central button on the number 1 is consistent with a date in the first half of the seventeenth century. Hall's auction, Shrewsbury, 28 Oct 2015, lot 127 (£190).

Inscription: 16 37

Description: Arched rectangular central panel with bead-on-fillet edging; pictorial scene of Jesus sitting at the well with the woman of Samaria standing opposite, a rural scene behind, trees on each side and clouds with sunrays above; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: The scene, seen on many German firebacks and stoveplates, is from St John's gospel, chapter 4; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Copies of this fireback are known.

Inscription: L6C

Description: Arched rectangular shape; simulated twisted rope edging (top & sides); symmetrical triad arrangement of fleurs de lys (two types - 2 and 1), diamond shapes (2) and cross-cut squares (4) includes the monogram in which the letters I and F are separated by a small, hollow diamond stamp, the M being above between I and reversed B; interspersed symmetrical arrangement of raised spots (8).

Notes: The initials, IMF, as with other triple-lettered forms, in which the middle letter is set apart from the other two, may relate to a married couple where their surname initial is M; a variant of the more common version but with additional letters I and B separately stamped. Life-size pencil drawing (anon.) in Historic England Record Centre, Swindon, Wiltshire (MD96/06202) of a fireback originally at 124 Heath Street (formerly the Upper Flask Tavern), Hampstead, London.

Inscription: 1613 / I M B / I F

Description: 'Dutch' style; cavetto-canted arched rectangular shaped central panel, double fillet and bead edging, figure of Poseidon/Neptone, trident in right hand, standing on three scallop shells, within a niche with a demi-hemispherical roof and two sloping supporting walls, on either side is a mythical seahorse, below is a walled fountain base with two mermaids at the front; cavetto-canted arched rectangular shaped border with scallop and clam shells separated by swirled foliage, monogram at base between scrolled foliage; on top, scrolled foliage.

Notes: From a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot.

Copies of this fireback are known.

Inscription: EB

Description: Rectangular with triangular arch; stepped fillet edging; eleven columns of fleurs de lys, maximum seven in column, but varied according to space, with fleurs alternated for spacing.

Notes: Whole pattern with five vertical planklines; a field of small fleurs de lys, France Ancient in royal heraldry, might suggest a continental origin.

Copies of this fireback are known.

Description: Quasi-arched rectangular shaped, with sides leaning slightly towards the top; wide ovolo edging (top and sides) with twisted rope relief; Tudor shield, garter, crown and supporters (crowned lion and dragon); motto along base; irregular ribbon behind.

Notes: Whole pattern; strong stylistic similarities with a Buckhurst arms fireback (no. 491), an example of which is at Michelham Priory, near Hailsham, East Sussex, suggest a common pattern maker and possibly furnace.

Inscription: DIEV ET MON DROI

Arms: Tudor royal (prob. Elizabeth I)

Description: Rectangular; ovolo moulded edging (top and sides); eight impressions of a fleur de lys, arranged in three horizontal rows (3-2-3), carefully spaced.

Notes: The same fleur de lys stamp has been noted on several firebacks, indicating a common source.

Copies of this fireback are known.

Description: Arched rectangular shaped; paternost bead edging (top and sides); Stuart royal arms: shield, garter, helm, crown, crest, supporters and motto; date split between top corners; initials split beneath supporters.

Notes: Firebacks with royal arms attributable to the reign of James II are, inevitably, uncommon owing to the brevity of his reign. Paternost beads are more usually found as edging on ‘Dutch’ types of fireback. A polychrome casting of this fireback is displayed as the royal arms in St James's church in North Cray, Kent.

Copies of this fireback are known.

Inscription: 1687 /HONI SOIT QUI MAL Y PENSE / I R / DIEU ET MON DROIT

Arms: English Stuart royal (James II)

Description: Arched rectangular centrel panel with bead on fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the back, holding aloft a branch in its left hand, all on a ground with a tree behind to the right; arched rectangular border with fillet edging; at the top of the arch a cartouche from which are suspended two ribbons, each held by a putto, from which cascade flowers and fruit, each lower part hung from a ring; two putti are on each side, one climbing on the suspended ribbon, the other at its foot; at the bottom, a cartouche containing the monogram between two clusters of flowers each suspended on a ribbon tied to a scroll; on top, two descending cornucopiae.

Notes: The scene portrays Charity; the same central panel can be seen with different borders, and also exists in other versions.

Copies of this fireback are known.

Inscription: HIS