Firebacks

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular shaped border with fillet edging, containing floral swags suspended from a wreath; on top, a scallop shell between two dolphins.

Notes: The figure represents Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Description: Rectangular with cavetto curves rising to corners and a ‘portico’ top; fillet edging with bas-relief, alternate regularly spaced semi-circles and triangles inside; two-handled flower vase with acanthus bas-relief, trailing vines issuing from top, with pomegranate and hop(?), descending through handles to base; lion’s head at top; date split either side of vase base.

Notes: The bas-relief edging also appears on other firebacks, suggesting the same pattern maker. The date was probably added separately. Formerly in Dallington, East Sussex. Burstow & Hewett auction, Battle, 3 Apr 2019, lot 1706 (£35).

Copies of this fireback are known.

Inscription: 1662

Description: Carved wooden fireback pattern. Rectangular shape with fillet edging; pictorial scene with three nymphs playing cymbals and tambourine, and dancing in the shade of two trees, with three satyrs play pipes behind; a jug stands on a pedestal; in the foreground a putto fills a jug from a barrel.

Notes: From the Fonderie Salan, Dammarie-sur-Saulx (Meuse).

Description: Arch-shaped, the arch consisting of eight, straight, ovolo-moulded sections; longer ovolo-moulded pieces form the lower sides of the fireback; in the centre a circular garter enclosing the Tudor arms of England; above, a crown; the date was carved on a single stamp and placed left of the crown.

Notes: From other examples it is apparent that the crown is formed from a separate stamp to the shield and garter. Formerly at Knole, Sevenoaks, and later at Horton Court Lodge, Monks Horton, Kent.

Copies of this fireback are known.

Inscription: 1589 / HONI SOIT qVI MAL I PANSE

Arms: Tudor royal

Description: Canted rectangle; stepped edging; unidentified shield with 12 quarterings, helm and crest; arms carved on rectangular back board.

Notes: Two horizontal plank lines; arms over-stamped. Photographed at Messrs. C. Pannett & Sons, Highgate, Hawkhurst, Kent; from an album of photographs of firebacks by W. Galsworthy Davie c.1912 (National Art Library, Victoria and Albert Museum, London).

Copies of this fireback are known.

Arms: Not known

Description: Arch-shaped, the arch consisting of eight, straight, ovolo-moulded sections; longer ovolo-moulded pieces form the lower sides of the fireback; in the centre a circular garter enclosing the Tudor arms of England; above, a crown; irregularly spaced each side of the shield, a crossed staple stamp (the left one over-pressed).

Notes: The crossed staple stamp suggests a connection with the Nevill family. The crown is formed from a separate stamp to the shield and garter. Other variants are dated 1589. Recorded at Penshurst Place in 1903; illustration from Dawson 1903.

Inscription: HONI SOIT qVI MAL I PANSE

Arms: Tudor royal

Description: Rectangular; twisted rope edging (top and sides); top centre, crowned Tudor royal shield (over-pressed) between a leopard passant guardant sinister (on the left) and a leopard passant (on the right); below, crowned shield bearing initials, KH, above a fleur-de-lys, between two further leopards, styles as above; below the lower shield, two 'imp' figures, the left one with both arms lowered, the right with its right arm raised; outside each lower leopard, a crowned rose (over-pressed); each top corner, a pair of ‘imp’ figures styles as before.

Notes: One of the 'Royal' series. Illustration from Dawson 1903. Formerly in the collection of Dr C. Prince, of Crowborough, Sussex. Further deterioration at the bottom of the casting has caused some loss of metal.

Inscription: KH

Arms: Tudor royal arms of England

Description: Rectangular; cavetto moulded edging; shield, garter, coronet, helm, crest, supporters and motto of Villiers, 1st Duke of Buckingham.

Notes: The arms are those of George Villiers (1592-1628), created Duke of Buckingham in 1623. Blazon: Quarterly 1, Villiers (modern) - argent, on a cross gules five scallops or; 2, Villiers (ancient) - sable, a fess between three cinquefoils argent; 3, Pakeman - gules, a chevron between three crosses botonnee fitchee argent; 4, Bellers - per pale gules and sable, a lion rampant argent crowned or; 5, Hoby - azure, a bend between six mullets argent; 6, Kirkby - argent, a cross between two annulets vert.

Copies of this fireback are known.

Inscription: HONI SOIT QVY MAL Y PENSE / FIDEI COTICULA CRUX [The cross is the touchstone of faith]

Arms: George Villiers, 1st Duke of Buckingham

Description: Arched; cavetto edging; crowned plain shield bearing a Tudor rose, with crowned lion and dragon supporters, with garter and motto; date split by crown.

Notes: The numerals are more typically 16th century in form than are found on copies produced from the late-19th century (see no. 178), suggesting this may be the original design; illustration from Dawson (1903).

Inscription: 15 71 / T K; [English royal, and garter, mottoes].

Description: Arched rectangular shaped central panel, bead-and-pellet on fillet edging; beneath swagged curtains, a basket containing a variety of fruit - plums, apples, pears and grapes - resting on a table draped with a fringed cloth; arched rectangular shaped border with fillet edging and symmetrical foliate tendrils; date in bottom corners split betwen foliate tendrils incorporating looped 'W' shapes; on top, symmetrical scrolled plant tendrils.

Notes: One of a series of firebacks made originally in 1724. The basket of fruit was probably inspired by still-life paintings by European artists of the first half of the 17th century. Formerly at Salem, Massachusetts.

Copies of this fireback are known.

Inscription: 17 24