Firebacks

Description: Damaged; top missing; arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; border with fillet edging; two suspended festoons of fruit and leaves; date and monogram in rectangular panel below central panel; rectangular panel at the bottom, with the inscription, PALLAS VND VENVS.

Notes: The three goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). Examples of this fireback have been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram.

Inscription: 16 NDW 97 / PALLAS VND VENVS

Description: Arched rectangular shape; cavetto-moulded edging; central, two handled, fluted vase with swirled, fruited vines issuing from the neck, and a bird on each side perched within the vines; out of the neck, a naïve human figure with arms outstretched, grasping vines on each side.

Notes: The figure emerging from the vase has a symbolism which has yet to be explained.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two symmetrical, coiled serpents; narrow, curved shouldered side panels with beads in oval depressions.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.

Description: Rectangular with two-stepped top; twisted rope edging (top and sides); twisted rope extensions enclosing intermediate step with rope continued parallel to sides; central rope octagram with reversed date above between repeated inverted shield shapes off-set (left higher than right); the shield blazon: barry wavy impaling quarterly, overlaid with a small bird stamp and an indistinct ?bird shape in the top left quarter as viewed; within the rope, a roughly parallel arrangement of 23 double-loop-patterned stamps, with the faint impression of an additional stamp in the top right corner of the arrangement; outside the loop stamps and partially overlying the vertical rope extensions, the impressions of two classically designed firedogs with Ionic capitals and fluted pilasters, bearing the date 1594, but with the '1' missing; the fluting on the pilasters has been overlaid by the repeated impression of a turned peg.

Notes: A large and remarkably elaborate fireback: the octagram, a device seen more commonly on French firebacks than on English ones, suggests an apotropaic purpose; the impression of the firedogs was clearly made after the laying of the rope lengths and impressed less deeply as the rope impression has not been obliterated by the firedog on the left side. A fireback with the same loop stamps bears the same date using the same numerals but impressed the correct way round. Currently obscured behind a wood stove.

Inscription: 4951 [5 reversed] / 594 594

Description: Rectangular with curved top corners; Arched rectangular extension on top; ovolo edging; mounted figure in 17th cent. armour riding down a dragon to the left and below, sword in hand; inscription across top and either side of horseman; date below left; initials below right.

Notes: Probably a representation of St George and the Dragon, with political undertones, given the date. Cursius may be a mis-spelling of Marcus Curtius, who sacrificed himself for the good of Rome. Nil Desperandum - Despair not. Other firebacks also bear the initials, IM, which probably relate to the pattern maker, some with a similar style of lettering.

Copies of this fireback are known.

Inscription: CVRSIVS / NIL DESPERANDVM / 1650 / IM

Description: Canted rectangular shape; stepped fillet edging; indistinct pictorial scene of two men on the prow of a sailing ship, their arms in the air, passing a naked figure, arms also in the air.

Notes: Possibly a representation of Odysseus and one of the Sirens.

Description: Rectangular with complex quasi-arched rectangular top; ovolo moulded edging; shield with Royal arms of France in a cartouche; above, an English crown.

Notes: A different version of no. 488. The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625; probably the work of the same pattern maker. Many copies exist of this fireback.

Copies of this fireback are known.

Arms: French royal

Description: Rectangular; plain plate; central, vertical cross-hilt dagger stamp; left side, fleur de lys stamp repeated five times, irregularly arranged in three rows, two above and below and one in the middle; right side, fleur de lys stamp repeated six times, four in a star above two in a row.

Notes: The dagger (length approx. 35cm), seen on two other firebacks (no. 595 and no. 1100), may have beeen of Italian manufacture. The form of the fleurs-de-lys identifies this fireback as one of the ‘Royal’ series, a large group bearing heraldic stamps.

Description: Fragment; quasi-rectangular; twisted rope edging (top and sides), cavetto edging at bottom; originally, probably a symmetrical arrangement comprising a central, crude crowned, Tudor royal shield, with a standing human figure, its right arm bent at the elbow and its left arm crossing its waist, repeated in upper and lower positions on each side of the shield; to left and right, a twisted rope length repeated in the form of a cross, with the human figure placed above each transverse end and another below the cross and towards the shield; in the bottom corner(s), a (left) hand print.

Notes: The same crowned shield and use of hand print can be seen on a fireback at Etchingham (no. 60), indicating a common source.

Arms: Tudor royal

Description: Rectangular; fillet edging (top and sides, except c.100mm at bottom of each side); arrangement of a circular butter print with fleur de lys design, repeated four times: one in each top corner, and two evenly spaced across the middle of the plate; a single circular butter print stamp with a heart-shaped design in the middle top position.

Notes: The fleur de lys stamp can also be seen on a fireback at Nymans, Handcross (no. 96); one of the Pounsley series of firebacks.