Firebacks

Description: Rectangular with triangular pediment; stepped fillet and ogee moulded edge; initials in rectangular panel (F reversed); date in pediment.

Notes: The triangular top is a separate element, in this instance impressed before the lower panel. A variant at Hastings Museum (no. 118) has the letters positioned slightly differently.

Inscription: 1586 / FM

Description: Cavetto canted arched rectangle; astragal edging; oval inscription surrounding a central battlemented shield bearing an open book, with a baronet's escutcheon above; above, a helm with a crest of an arm and hand holding a wreath; on each side, a druid supporter holding a harp, each upon a horizontal fillet; below, intertwined bell flowers behind a tripartite motto scroll.

Notes: The motto appears to have been incorrectly spelled; the Conroy baronetcy was created for Sir John Conroy, comptroller of the household of the Duchess of Kent, and much hated by her daughter, Princess (later Queen) Victoria; the 3rd (and last) baronet succeeded to the title in 1869.

Inscription: FIDELITER ET CONSTANTER [Faithfully and constantly] / L'ANTIQIVITE NE PEVX PAS L'ABOLIR [Antiquity cannot abolish it]

Arms: Conroy, baronet, of Llanbrynmair (Sir John Conroy, 3rd baronet, 1845-1900)

Description: Arched shape with bead edging; from top, large bead with four pairs of small beads in a cross shape, text with pellet surrounded by eight beads on each side of 'G', and at bottom.

Notes: Made by, and bearing the initials of Eric Gill and his wife, Mary, in 1930.

Inscription: E&M / G / MCM / XXX

Description: Arched rectangle; ovol-moulded edging; pictorial scene of a begowned figure waving to figures standing beneath a portico with a sun behind, other figures opening a door to his left, above which is the shape of the man in the moon; blottom left, a computer; bottom right, a painter's palette.

Notes: A farewell gift to William Vaughan, Reader in Art History at University College, London (later professor of the History of Art at Birkbeck College).

Inscription: WILLIAM VAUGHAN / 1972 UNIVERSITY 1986 / COLLEGE

Description: Stove-plate; poss. fragment; rectangular; flanged edging on top and sides; pictorial scene illustrating the biblical tale of Joshua and the five kings.

Notes: Joshua 10.

Description: Rectangular; cavetto-moulding within a flanged edge; floriate arch above a female figure with a child in her left arm and another by her right side, initials split by the group; below a simulated rope-twist fillet, elaborate floriate cartouche containing the word, CHARITAS.

Notes: A late stove-plate, illustrated in von den Driesch p.484.

Copies of this fireback are known.

Inscription: G S / CHARITAS

Description: Arched rectangular central panel with bead edging; image of two helmeted men in 17th century dress, on a ground, carrying a huge bunch of grapes slung from a pole between them, behind are vine leaves; the initials located below the top corners; arched rectangular border, fillet edging, containing vine leaves and grapes; above, symmetrical swirling foliage descending from a scallop shell; bottom of the image obscured by corrosion damage.

Notes: The scene, drawn from the Old Testament, represents Joshua and Caleb carrying the bunch of grapes from the valley of Eshcol in the land of Canaan, back to Moses and the children of Israel (Numbers 13: 23-4); a popular subject on a variety of media in the period.

Inscription: I N

Description: Fragment; rectangular shape; ovolo-moulded edging (top and sides); six stamps, in two columns of three, taking the form of a long-pointed arrow head within a circlet of small curls.

Notes: The stamps are of an unfamiliar type with some similarity to the heraldic symbol for ermine. Because only the left part of the fireback has survived it is not known how many original columns of this stamp there were.

Description: Arched rectangular shape with arch on top; rebated fillet edging; below mirrored putti holding crossed fronds, the figure of St George slaying the dragon; on each side a flame-topped column.

Notes: The central panel of what would otherwise have been a typical bordered fireback intended for the Dutch market.

Description: Rectangular shape with ovolo-moulded edging; within the collar of the Order of the Golden Fleece, a central shield of the arms of Spain: quarterly Castile and Leon, Aragon and Aragon-Sicily, with an escutcheon of Portugal; in base Austria, Burgundy ancient, Burgundy modern and Brabant with an escutcheon of Flanders impaling Tyrol; above, a crown; supporters: two golden lions rampant; below the shield, the date, 1595; above the crown, the inscription: Dominus mihi adiutor (the Lord is my helper).

Notes: The arms of King Philip II of Spain following the unification with Portugal, as used in the Spanish Netherlands. Part of the bequest to the Victoria and Albert Museum by Lieut. Colonel G. B. Croft-Lyons in 1926.

Copies of this fireback are known.

Inscription: DOMINVS MIHI ADIVTOR

Arms: King Philip II of Spain (Spanish Netherlands)