Firebacks

Description: Rectangular with fillet edging (top and sides) formed from separate strips, possible from furniture; date split by letters in triad; number '1' has a central knob.

Notes: The initials are believed to relate to Thomas and Mary Manser, who occupied the Star Inn, Waldron, East Sussex, in the seventeenth century.

Inscription: 16 TMM 94

Description: Arched rectangular shaped central panel, nut-shell on fillet edging, narrow-necked vase on a ground, with flowers and pea pods issuing therefrom, a plant in a pot to each side; arched rectangular shaped border with fillet edging and descending quasi-symmetrical floral tendrils; on top, quasi-symmetrical swirled foliage; date split between bottom corners, with two looped 'W' figures between. A single plankline is evident to right of centre.

Notes: The fourth largest of six flower vase designs on a discrete series of firebacks from 1724. All incorporate the looped 'W' motif which may be intended to identify the pattern maker.

Inscription: 17 24

Description: Low-arched shape within broad fillet edging marked with a repeated leaf pattern ascending toward the top; on an incised criss-cross field a Tudor royal shield, quarterly France Modern and England, supported by a stylised, scaly dragon and greyhound and surmounted by a crown, all resting on a two-stepped compartment with cavetto- and astragal-moulded edging at the top.

Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. Another casting in this form is in Cheetham's Library, Manchester. A variant exists without the leaf pattern on the edging and the 'scales' on the dragon. Firebacks of the same armorial design within a different, arched rectangular, edging are also known.

Copies of this fireback are known.

Arms: Tudor royal

Description: Rectangular; twisted rope edging; top centre, inscription panel.

Notes: The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. In the will of John Weston, of Weston's Place, Warnham, are bequests to his kinswoman, Frances Forster, daughter of Robert Forster (one of the two sons of Anne Forster), and to John Forster, his godson (TNA, PROB 11/190/472); John Weston's wife was Bridget, grand-daughter of Anne Forster.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Arched rectangular; gadrooned edging (top and sides); three spondles as stamps - one centre top, and a different one on each side to left and right of arch base - initials and date split either side of top spimdle.

Notes: The distinctive edging and use of spindles or bobbins is seen on other firebacks; similar initials and date suggest a common source; the initials may relate to John Weston, of Warnham, Sussex (d. 1642). A rectangular fireback of the same date and also with three identical spindles is at Ewhurst Place, Ifield.

Copies of this fireback are known.

Inscription: I W / 16 32

Description: Quasi-arched rectangular shape; no edging; arched rectangular central panel edged with a garland within a cartouche between guilloche-moulded bands that extend vertically below to form two further panels separated by a similar but plain band; the two bottom panels each extend sideways to form simulated pedestals; below is a plain, borderless panel. Within the main panel, at each corner a cherub head facing towards the centre; within the border of the panel, a symmetrical strapwork band forms the edge of a cartouche that is scrolled at the bottom and which curves away from the edge of the panel at the sides to reveal scrolls from behind, and which forms a heart shape in front of each of the putti enclosing an indeterminate feature; in the centre of the panel, resting upon a scrolled cartouche with scallop shells to left and right, a gadrooned medallion enclosing the depiction of an empty mural monument, draped from above and with a lion's mask below. Resting upon the pedestal to the right, a consol enclosing an indeterminate circular feature with two descending bands; on the pedestal to the left a similar consol and indeterminate circular feature but with a single descending band; above each consol the head of a classical deity facing to right and left respectively, above which are rows of vertical figures, four on the left and two on the right, which may be caryatid figures possibly intended to depict the Daughters of Athens on the Parthenon; above the main panel symmetrical scrolls. In the lower panel, a central rectangular cartouche, scrolled at the top and bottom, between symmetrical vignettes.

Notes: Some of the detail is too indistinct to permit accurate description, but a fireback of untypical design features that are all characteristic of the early-17th century.

Description: Arched rectangular shape with quadrant extensions on top corners; twisted rope edging (top and sides); vertical rope line parallel to each side, forming two separate side panels; horizontal rope line joined to vertical lines enclosing the following: inside arch, initials IBA in triad; below initials, double fleur-de-lys stamp between split date 1693; below horizontal line, a double fleur stamp in each top corner of central lower panel; in each side panel, a single bead above a vertical sequence of squared cross stamps repeated nine times.

Notes: The distinctive squared cross and fleur stamps are seen on other firebacks; the initials in triad may relate to a husband and wife. The photograph had to be taken through a perspex sheet marked with bird droppings.

Inscription: IBA [triad] / 16 93

Description: Arched rectangular shape with ovolo canted top corners; fillet edging; within a cartouche, shield of the Worshipful Company of Barber-Surgeons - quarterly, first and fourth, Sable a Chevron between three Fleams Argent, second and third, Per pale of the second and Vert on a Spatter also Argent a Tudor Rose proper crowned Or; on a Cross Gules dividing the quarters a Lion passant guardant Or; the date is above the shield, which is surmounted by a vase from which are displayed a flower and leaf stems; the same occupy the spaces on each side of the shield, below which is a motto scroll.

Notes: The arms on this fireback were granted to the company in 1569.

Copies of this fireback are known.

Inscription: 1631

Arms: Worshipful Company of Barber-Surgeons

Description: Arched shape; fillet edging; shield, supporters, earl's coronet and motto.

Notes: The arms are those of William Herbert (1626-96), created 1st Earl of Powis in 1674, impaled with those of his wife, Lady Elizabeth Somerset, whom he had married in 1654. He was created Marquess in 1687, so the fireback dates from between 1674 and 1687. The blazon: Party per pale azure and gules three lions rampant argent armed and langued or (Herbert), quarterly 1st and 4th England 2nd and 3rd France Modern (Somerset); Supporters: Dexter: A Panther rampant guardant Argent spotted of various colours fire issuing out of the mouth and ears ducally gorged Azure; Sinister: A Lion rampant Argent ducally gorged Gules; Motto: Ung je serviray (One I will serve).

Inscription: Ung iay serviray

Arms: William Herbert, 1st Earl of Powis

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). Two editions of engravings of de Vos's drawings are known, by Jan Sadeler, dated 1585, and by Gregor Fentzel in about 1650.

Copies of this fireback are known.

Inscription: SHR