Firebacks

Description: Arched rectangular central panel with bead edging; wickerwork Garden of Holland (Hollandse Tuin) within which is seated a berobed female figure holding a cap of freedom on the end of a long pole; before her is the crowned heraldic lion of the States General of the Netherlands, clutching a sheaf of arrows in its left front paw; above are the words, Pro Patria; arched rectangular border with fillet edging; central cartouche at top, with festoons of fruit, flowers and leaves suspended on each side from ribbons supported by rings; at the bottom, swirled ribbon around an oval compartment bearing the inscription 'L6C'; on top, a central cartouche from which descend a cornucopia on each side of the arch.

Notes: An overtly patriotic theme with symbols of Dutch nationhood; the inscription at the bottom indicates the style of border; other firebacks with the same inscription have the same border; similar inscriptions (e.g. L7C and L8G) indicate different borders.

Inscription: PRO PATRIA / L6C

Description: Arched shape; cavetto moulded edging; shield, crown, tassels and ribbons, of the combined kingdom of Castille, Aragon, Leon and Sicily.

Notes: Probably the arms of King Charles V of Spain; quarterly (1 & 4) Castille and Leon, (2 & 3) Aragon and Aragon-Sicily.

Inscription: 15 [?]0

Arms: Royal House of Trastámara (Spain)

Description: Arched rectangular shape; ovolo-moulded edging; shield, Garter, crowned helm and mantling of the English royal arms to 1603 with crowned lion and griffon supporters standing on separate rectangular cartouches containing the word 'ANNO' and the date '1662'; above the mantling are the initials 'I R'

Notes: The date appears to have been altered from 1602. The initials 'I R' for Jacobus Rex (James I of England) are inappropriate for the date in both its original and its altered form; also the griffon supporter on the sinister side is incorrect, a dragon being correct for the arms of Elizabeth I in 1602. There is a vertical plankline left of centre.

Inscription: I R / HONI SOIT QVI MAL I PENSE / ANNO 1662

Arms: English Tudor royal

Description: Arched rectangular shape; gadrooned edging (top and sides); initials, in separate stamps, at top of arch; date probably in separate stamps, below, split by spindle; spindle used as a stamp repeated three times, one between date and initial stamps, the other two below to left and right.

Notes: Makes use of the same backing board as other firebacks in this series, and the same three spindles but with other initials; it may originate in the Cuckfield area of Sussex, where most examples have been noted; illustration from Harper (1906). Previously at Riddens (now West Riddens) Farm, Ansty, near Cuckfield, Sussex.

Inscription: S WC / 16 22

Description: Arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; two rectangular side panels with twisted rope edging top and side.

Notes: The supporters are those of Henry VII or Henry VIII, but the initials suggest the fireback dates from the reign of Edward VI (1547-53). John Harvo (d. c1565) was a gunfounder who has been identified as occupying Pounsley furnace, Framfield, Sussex, possibly from as early as 1547; the fireback may have been cast originally during the reign of Henry VIII (1509-47), with the initials added to an early casting using the original pattern. The detail on the armorial back is good, showing little wear, so the casting was probably made not long after the original armorial fireback. The rivets are modern.

Inscription: E R / HONY SOIT QVE MAL Y PAYNCE / Made in Sussex by John Harvo / DV ET MOVN DROI

Arms: Tudor royal - Probably Henry VIII

Description: Rectangular; twisted rope edging on top and sides; inscription panel with repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, one vertical strip on right side (missing but probably repeated on left), at least ten short vertical strips below inscription.

Notes: Formerly at Fulling Mill Cottages, and possibly formerly at Wakehurst Place, Ardingly; it was moved to Ardingly church sometime after 1915. The inscription panel is identical to that on the memorial plate to Anne Forster in Crowhurst church, Surrey; at least ten other firebacks are known with the same inscription panel. Edward Culpeper (1561-1630), of Wakehurst, was fourth cousin, once removed, of Anne Forster. Assuming the vine strip and rope edging on the left side were of approximately the same width as on the right the overall original width of the fireback is estimated to have been 837mm.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Rectangular; composite: complex (cavetto/cyma recta/ovolo) moulded edging (top and sides), derived from domestic carpentry; two firebacks used as patterns: on the left, rectangular with mirrored floriate scrolled top, simulated overlapping tile edging at sides, with fillet bottom edge, a mythical salamander in the form of a dog with an arrow-shaped tongue, standing among flames, a stapled scroll inside the left and right edges; on the right, arched rectangular with fillet edging indented on the inner side, surrounding a circular clock face with Roman numerals, each interspaced with a bead, and a button outside each quarter, a triangular design of swirled foliage in each bottom spandrel; initials in triad between firebacks; below, stamp formed of a talbot statant guardant upon a wreath; date split: ‘1’s in top corners, ‘6’s above initials; bottom third of fireback plain.

Notes: The talbot crest, which in this instance has been over pressed and shows the shape of the backing, is seen on other firebacks indicating a common source; the 'salamander' fireback (see no. 851) is one of the Stapled Scroll series; composite firebacks (where the impression of one or more other firebacks are used as part of the decoration) are uncommon in England but less so in France.

Inscription: 16 61 / IBM [triad]

Description: Steeply canted rectangle; no edging; upper centre, square formed of twisted rope lengths inside which are what appear to be two lions passant in pale with a circle and two short sloping lines in inverted V form above; on either side of the square is an O and an R; below the square three lengths of twisted rope extend to the bottom edge, the central one vertically and the the outer two sloping away from the centre; along the bottom is the date, each numeral separated by one of the rope lengths.

Notes: Alleged to be a representation of the arms of the O'Rourke family, who held sway in Cavan and Leitrim, the initials said to be of Owen O'Rourke. Noted in a cottage at Arigna, County Roscommon.

Inscription: O O R / 1 6 8 8

Arms: O'Rourke

Description: Carved wooden fireback pattern. Arched rectangular shape; fillet edging to a rounded frame with sections of acanthus leaves at the corners and at the top of the arch, and blank campartments in between; astragal and fillet inside edging; arched rectangular inscription scroll suspended with faux ribbon from the top of the arch; below, a coronet over a large baroque cartouche containg two oval shields: Massenbach - azure two bars or, d'Helmstadt - argent a crow sable; on either side, lion rampant reguardant supporters; four vertical planklines.

Notes: A finely executed carving. Nicolas de Massenbach (1659-1722) and Francoise d'Helmstadt (d.1729) were married at Ourches-sur-Meuse, in Lorraine, in 1695.

Inscription: NDM 1710 FDH

Arms: Nicolas de Massenbach and Francoise d'Helmstadt

Description: Carved wooden fireback pattern. Canted arched rectangular shape with cavetto-moulded astragal edging; coronet in arch; oval shield with a crowned lion lion rampant, supported two griffons reguardant, the whole within a cartouche, the bottom of which terminates in two swirls between which is a human mask.

Notes: Theodore Agrippa d'Aubigné

Arms: Theodore Agrippa d'Aubigné