Firebacks

Description: Canted rectangle; fillet edging (top and sides); date to full width across centre of plate.

Notes: Bold, evenly-spaced numerals.

Inscription: 1688

Description: Arched rectangular shape with cyma recta shoulders; astragal edging (top and sides); top centred, date split by a mirrored 'TC' monogram.

Notes: A bold, simple design, its dimensions reflecting the reduced size of fireplaces in the period.

Inscription: 16 TCTC 93

Description: Canted rectangle; stepped fillet edging (top and sides); straight twisted rope lengths parallel to top and parallel to each side, forming inner rectangle with rope quadrants across top corners; side compartments: line of 12 beads along top inside rope line, 3 semi-circular at corners, with a single bead in each corner quadrant, and 8 down each side; top centre, date with single bead above; cross with a cross stamp repeated 10 times to right of date and 9 time to left, one in each corner, and 13 down the left side and 12 down the right.

Notes: The quadrant arc and use of repeated beads suggests a common source with other firebacks of the same period.

Inscription: 1686

Description: Arched rectangular panel with a Salomonic column on each side enclosing a scene of Abraham about to sacrifice Isaac but being restrained by an angel; below, bottom panel of indeterminate decoration (due to corrosion); above each column a burning torch, with symmetrical floriate scrolls over the arch.

Notes: Given the biblical subject, this is probably of German manufacture although the Salomonic columns are more often encountered on English pastiches of the 'Dutch' style.

Description: Arched rectangular shaped central panel with bead edging; pictorial scene of a seated female figure resting against a hurdle, holding an anchor, a child on each side of her, the one on the left standing clutching corn stalks, the one on the right sitting also holding the anchor and a circular object; a bird sits on a post; arched rectangular border with bead edging; fructal and floral festoons suspended on ribbons with two putti at the top and two on each side; in the left and right bottom corners, the initials 'HH' and 'S' respectively; at the bottom, a central cartouche with date, between floral swags; on top, twin spirals between descending floral festoons.

Notes: The figure is an allegory of Hope. The theft in 1699 from a Thames-side warehouse of several firebacks, including '3 of Hope with an Anchor' may refer to this type (Post Boy 11-14 Nov. 1699). A recasting.

Copies of this fireback are known.

Inscription: [?H]H ...

Description: Canted rectangle; inset twisted rope edging (top and sides); stamp formed of a statuette of an standing angel with left hand at the waist, and holding a sceptre in the right hand; date split either side of angel; initials 'RD' split above date; initials 'IDA' in triad above angel; small face stamp in each top corner.

Notes: The identity of those to whom the initials refer is not known; the use of the angel statuette is a rare inclusion of a religious motif on an English fireback. A variant of this fireback is at Flaxley Abbey, Gloucestershire (no. 293).

Inscription: IDA [triad] / R D / 16 32

Description: Arched rectangular shape; twisted rope edging (top and sides); date in arch; initial triads in top shoulders of plate; small mask patera repeated once above date and on each side of 'H' initials.

Notes: The small mask patera has not been seen on other firebacks.

Inscription: 1631 / WHK [triad] WHK [triad]

Description: Arched rectangular shape; cavetto-moulded edging; shield, supporters, earl's coronet and motto scroll.

Notes: The arms are of the Hyde family: azure, a chevron between three lozenges or; the supporters: two eagles, wings endorsed sable, ducally crowned and charged on the breast with a cross or; Edward Hyde (1609-74) was created earl of Clarendon in 1661. An excrescence over the sinister supporter indicates where the iron was poured clumsily into the open sand mould.

Arms: Hyde, earls of Clarendon

Description: Arched rectangular shape; ‘egg and dart’ ovolo moulding visible on top and sides; shield, helmet, crest, mantling and supporters of the Mohun family; above the crest, the initials 'EM'; date separated by the crest.

Notes: Cast from a finely carved pattern, the supporters denote these are the arms of a peer. The crest is: Gules, a maunch ermine, with a hand proper holding a fleur de lys or. An incomplete casting (without the initials or date) from Sidney Farm, Alfold, Surrey, is in Guildford Museum. Reginald Mohun (pron. Moon) of Dedisham, Slinfold, Sussex, married Elizabeth Blounte of Dedisham at Slinfold 21 Dec 1618. The Mohun barony of Okehampton, Devon was created in 1628. The fireback design probably dates from after that, the initials and date being added when this copy was cast in 1676. Bellmans auction, Wisborough Green, 1 Oct 2020 lot 3084 (£45).

Copies of this fireback are known.

Inscription: EM / 16 76 / [indecipherable motto]

Arms: Mohun family, barons of Okehampton

Description: Low-arched shape with bevelled edging (top and sides); in each top corner, capital letter 'P' below a stylised earl's coronet, the serif at the foot of the P facing outwards on each side of the fireback.

Notes: Evidently intended to relate to the property of, or commemorating, an earl; the earldom in question has not been identified.

Inscription: P P