Firebacks

Description: Rectangular with moulded edging; shield, forward-facing helm, lion's head crest, mantling, lion supporters, and collar of the Order of St Michael

Notes: The arms are probably those of Jean Bouchu (1597-1653), French parliamentarian: azure, a chevron between, in chief, two crescents and, in base, a lion rampant sinister or.

Inscription: 1641

Arms: Bouchu

Description: Quasi-arched rectangular shaped; unique, cavetto moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree, on either side of which the date is stamped. Two plank-lines.

Notes: Whole pattern with added date; one of a series of firebacks where the number ‘1’ is hooked at both ends. Damage and subsequent repair to the bottom right corner has obliterated a letter 'M' seen on another casting; presumably part of 'IM'. A variant, at Lewes, is incorrectly dated 1550.

Copies of this fireback are known.

Inscription: 1650

Description: Rectangular joined to pediment by symmetrical scrolls; fillet edging with embattling inside; shield, helm, crest, supporters and mantling of the city of Bristol; date split by bottom of shield; inscription in an oval cartouche below shield.

Notes: Both '3's in the date are a substitution, with another casting suggesting an original date of 1614 or 1624. The pattern-maker was also responsible for carving royal coats of arms in three West Country churches and a small number of series of firebacks in the first quarter of the 17th century. A variant with side extension panels is no. 952.

Copies of this fireback are known.

Inscription: 16 33 / [ARMES] BRISTOLL

Arms: City of Bristol

Description: Rectangular; twisted rope edging (top and sides); to each side, two saltires formed of crossed lengths of twisted rope; in between, and repeated seven times, a circular stamp decorated in low relief with a central disc perforated in the centre, surrounded by a circle inside a square looped at each corner, the sides of which are echoed twice on each side; the stamps are arranged in two rows, of three and four, in the upper part of the plate.

Notes: A boldly cast fireback with an excrescence top centre caused by disturbance of the casting sand by the pouring of the iron.

Description: Central panel of arched rectangular shape with cavetto canted corners and bead edging; figure seated astride a triumph of weaponry (cannon, spears, drums), holding a laurel wreath in his right hand, surrounded by martial objects (flags, cannon, drums etc.), symmetrical hanging drapery above; same-shaped border with fillet edging and suspended ribbons with floral bunches

Notes: Possibly a depiction of an allegory of Victory. Other firebacks have the same distinctively shaped central panel and border shape, suggesting the same pattern maker. A reduced variant of a more elaborate fireback (no. 456) but missing mirrored serpents on top and probable reed decoration at the base.

Description: Carved wooden fireback pattern. Arched rectangular shape with fillet and astragal edging; pictorial scene of The Three Graces in an exotic rural setting, with a palm tree, roses and ?doves.

Notes: The detail of the carving is very fine

Description: Canted rectangle; twisted rope edging (top and sides); bearded face stamp repeated in top corners and below inscription; date along top edge; initials split by date and slightly below.

Notes: The distinctive style of the ‘4’ in the date and the bearded mask stamp have also been noted on a fireback at Callow Farm, Dymock, Gloucestershire, associated with the operator of the Newent furnace.

Copies of this fireback are known.

Inscription: E 1641 M

Description: Stove side plate; ovolo moulded edging; upper panel, pictorial scene of Jesus and the woman of Samaria (John: 4), with inscription below; lower panel, two circular frames, each with a figure, male to the right, female to the left, decorative scroll work between.

Notes: Stove plates were often used as firebacks once the stoves had been replaced by more efficient ones.

Inscription: VON DEN FREWLEIN VON SAMARIA IOHAN 4

Description: Arched rectangular central panel with bead edging on a broad fillet; standing on a ground with a peacock behind her, a classically-dressed figure of a female, wearing a crown and holding a sceptre in her right hand, her left hand across her chest; above her, swagged drapery; arched rectangular border with fillet edging; central scallop shell at the top with a descending arrangement of swirled and interlinked lines; at bottom centre, a cartouche bearing the letter ‘N’; on top, two mirrored serpents.

Notes: The figure is that of Hera/Juno. The pattern maker identified as ‘N’ is likely to have been working in collaboration with pattern makers whose fireback designs are identified with the initials, SHR and EB, and with the maker responsible for patterns made in 1724, some of which bore inscriptions in Welsh.

Inscription: N

Description: Arched; cavetto-moulded edging; English royal Stuart shield, garter, crown, supporters, and motto on a cartouche; a monogram of S and C lies to the left of the Garter buckle; a small rose stamp is repeated each side of crown; date split each side of top of crown.

Notes: Although English arms, the design is in a continental style, arched firebacks being typical of Lorraine. In some later recastings the proportions have been distorted, making them narrower, and the '16' of the date is missing. The fireback illustrated was formerly in the city museum of Vlissingen in the Netherlands.

Copies of this fireback are known.

Inscription: 16 21 / HONI SOIT QVI MAL I PENSE / SC / DIEV ET MON DROIT

Arms: English Stuart royal (James I)