Firebacks

Description: A composite recasting placing, on a plain background with symmetrical rope saltires, a recast variant of the ‘Armada’ fireback, with changed initials, a single anchor panel, and the addition of plain base and borders, the latter each with a twisted rope saltire, upper middle.

Notes: It is likely that an original four-panel fireback was used to cast an early copy with additional side and base panels. In the 19th century this second fireback was used to cast this third fireback with an additional full-width extension on top bearing four symmetrical rope saltires, the outer two larger than the inner two. The image of this fireback has been reconstructed by computer, combining photographs of the two fragments into which it had been broken.

Inscription: 1588 / IK

Description: Arched rectangular shaped central panel with solid and hollow bead on fillet edging, grouped alternately in threes and twos respectively, on a wide fillet; on a Tuscan pedestal rising from waves, a narrow waisted, gadrooned flower vase with two scrolled handles and a horizontal banded decoration from which issue tendrils bearing flowers, berries and seed pods; arched rectangular shaped border with fillet edging, wide at the sides, symmetrical floral fronds descending from a scallop shell, top centre, with a scallop shell inside each shoulder; at base, date split between two looped 'W' figures; on top, symmetrical scrolled plant tendrils descending from a central scallop shell.

Notes: The third largest of six flower vase firebacks designed and made in the same year, larger ones of which include a religious inscription in Welsh. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. Cheffins auction, Cambridge, 13 Jun 2018, lot 738 (£240).

Copies of this fireback are known.

Inscription: 17 24

Description: Arched rectangular shape; astragal and fillet edging; shield, motto, earl’s coronet and supporters (a talbot erm. and a wolf or, ducally crowned gu.) of Stanhope impaling Pitt: quarterly (1st & 4th) erm. (2nd & 3rd) gu. (Stanhope); sa., a fess chequy az. and ar. between three bezants (Pitt); motto: A DEO ET REGE.

Notes: James Stanhope was created 1st Earl in 1718; he had married Lucy Pitt in 1714. The Stanhope seat was Chevening, near Sevenoaks.

Inscription: A DEO ET REGE

Arms: Stanhope impaling Pitt; James, Ist Earl Stanhope

Description: Arched rectangular shape; astragal and fillet edging; shield, motto, earl’s coronet and supporters (a talbot erm. and a wolf or, ducally crowned gu.) of Stanhope impaling Pitt: quarterly (1st & 4th) erm. (2nd & 3rd) gu. (Stanhope); sa., a fess chequy az. and ar. between three bezants (Pitt); motto: A DEO ET REGE.

Notes: James Stanhope was created 1st Earl in 1718; he had married Lucy Pitt in 1714. The Stanhope seat was Chevening, near Sevenoaks.

Inscription: A DEO ET REGE

Arms: Stanhope impaling Pitt; James, 1st Earl Stanhope

Description: Arched rectangular shape; astragal and fillet edging; shield, motto, earl’s coronet and supporters (a talbot erm. and a wolf or, ducally crowned gu.) of Stanhope impaling Pitt: quarterly (1st & 4th) erm. (2nd & 3rd) gu. (Stanhope); sa., a fess chequy az. and ar. between three bezants (Pitt); motto: A DEO ET REGE.

Notes: James Stanhope was created 1st Earl in 1718; he had married Lucy Pitt in 1714. The Stanhope seat was Chevening, near Sevenoaks.

Inscription: A DEO ET REGE

Arms: Stanhope impaling Pitt; James, 1st Earl Stanhope

Description: 'Dutch' style; arched rectangular shaped with bead edging; figures of a man and woman walking, in dress of the mid-17th century, a page holding the woman's train. followed by a man holding a parasol, and by a horse; they pass between the bases of two columns; above is foliage and clouds. On top are two serpents and three pomegranates arranged symmetrically.

Notes: The pictorial scene is based on an engraving c.1642 of Friedrich Wilhelm, Elector of Brandenburg, and his wife, Luise Henriette of Oranje-Nassau, by Mathias Czwiczek; one of series of firebacks depicting allegories of the four continents.

Copies of this fireback are known.

Description: Rectangular; twisted rope edging (top and sides); along upper half of plate, date split with initials in between.

Notes: The initials are likely of William Yalden (d.1674), an ironmaster who was active in north-west Sussex and south-west Surrey where this and other similar firebacks have been noted.

Inscription: 16 WY 68

Description: Rectangular shape without edging; date in an elegant Roman style split between top and bottom corners; top centre, beaded initials WL.

Notes: The dotted initials are unusual, in all probabiltiy the dots being individually pressed into the moulding sand.

Inscription: I W L 8 / 1 8

Description: Arched rectangular shape; astragal edging (top and sides); top centre, initials RT, widely split date below.

Notes: Simple fireback with a pair of initials and date. The '3' of the date is from a different set of numerals from the others.

Inscription: RT / 17 63

Description: Quasi-arched rectangular shape, with 5-facetted arch; cyma recta moulded edge; oval Tudor royal shield on a cartouche surrounded by a garter, a crown above separating the initials, ER, all on a larger cartouche; on either side a circular Tudor royal shield within a garter, with a crown above each.

Notes: The word ‘PENSE’ in the garter mottoes is differently spelled on the central stamp — ‘PENCE’ - and the outer stamps — ‘PANSE’ (where the ‘N’ is reversed). The outer stamp has been noted on three firebacks dated 1589. Three horizontal planklines on central cartouche.

Copies of this fireback are known.

Inscription: ER [and Garter mottoes]

Arms: Tudor royal