Firebacks

Description: Rectangular; ovolo moulded edging (top and sides), except for middle section on top, where twisted rope is used; quasi-symmetrical arrangement of twisted rope lengths in two rows of alternate diagonals, crossing in the middle on the top row, and crossing on the outside on the bottom.

Notes: The section of rope edging on the top suggests that an arch had been removed from the base pattern board. The arrangement of rope lengths may have apotropaic significance, the double 'v' alluding to the Virgin Mary.

Description: Rectangular with pediment; ovolo moulded edging inside top of pediment and inside top and sides of rectangle; central talbot crest within wreath and eight-pointed star, between four fleurs-de-lys.

Notes: The wreath and talbot crest are identical to those on a 1584 fireback in the Victoria & Albert Museum; one of the ‘Royal’ series.

Description: Rectangular with 5-facetted arch; twisted rope edging; centre top, rectangular stamp, over-pressed, with crown above initials in bottom corners; diamond shaped stamp with fleur-de-lys repeated each side of crown, both over-pressed; spillage blemish below left fleur.

Notes: Notable for the large size of the fleur-de-lys stamp; this casting differs from another (no. 1164) in the placement of the stamps.

Inscription: E R

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths (see Fig. 3); date in top corners; initials at bottom, below mantling; two planklines.

Notes: One of the hooked ‘1’ series; a copy from an evenly impressed original.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Repeated rectangular panels each bearing an anchor with coiled rope between two fleurs de lys, below which are two roses and a grape bunch beneath; the two rectangular side panels each comprise a vertical stem with six grape bunches surmounted by a smaller bunch; above, a semicircular arch contains the initials between two roses as in the central panel, with the date above; where the arch meets the central panel there is an arc across each corner; the top and sides panels are edged with simulated twisted rope.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with each vertical panel repeated.

Copies of this fireback are known.

Inscription: 1588 / IFC

Description: Arched shape with ovolo egg-and-dart edging; crown surmounting a shield, a quartered shield with an escutcheon impaling a crowned lion rampant with an escutcheon; text along the bottom.

Notes: The arms have not been identified; LOVEN is the town of Leuven, capital of the province of Brabant, which, in 1662, was in the Spanish Netherlands.

Inscription: LOVEN 1662

Description: Arched rectangular central panel with bead-on-fillet edging; central vase containg a variety of flowers and foliage; arched rectangular border with fillet edging containing two arrangements of fruit and leaves descending on each side from ribbons, and with ribbons at the shoulders; at the bottom, the monogram 'NDW' between the two halves of the date; above the arch, descending scrolled foliage.

Notes: This fireback differs in its form from others with the NDW monogram and is closer to an English form seen in the TAN series, albeit considerably smaller.

Inscription: 17 NDW 04

Description: Rectangular with complex quasi-arched rectangular top; fillet edging; shield with Royal arms of France in a cartouche; above, an English crown.

Notes: The combination of the English crown and French arms is common and may relate to the marriage of Charles I and Princess Henrietta Maria of France in 1625. A different version is no. 659. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: France modern

Description: Arched rectangular central panel with additional arch above; bead and fillet edging; pictorial scene of Solomon, rising from a scallop-backed, canopied throne, greeting the Queen of Sheba, with other figures in attendance; identical shaped border with cavetto-moulded edging; a vase on top with descending swags of drapery; at the sides, overlapping bunches of foliage suspended from ribbon bows; at the bottom, a central cartouche between fruit bunches; on top, a pomegranate with a descending serpent on each side, and a pomegranate on each shoulder of the plate.

Notes: Several contemporary paintings are of similar scenes; this design may have been derived from any of them. Close observation shows that the scene depicted, and some other decorative elements, are different to those on a similar fireback, no. 1289.

Copies of this fireback are known.

Description: Rectangular; multiple moulding on top and sides; inscription below moulding at top; three pointed crosses, one between inscription and date, one each side of date.

Notes: Purchased by J. H. Every in a sale at Groombridge Place, Kent in 1919. John Rivers was the husband of Isabella Packer, whose father Sir Thomas Packer, owned Groombridge Place. Bequeathed to the Sussex Archaeological Society in 1944.

Inscription: IOHN·RIVERS / 1643