Firebacks

Description: Arched rectangular central panel with bead edging; standing figure of Abraham about to sacrifice a kneeling Isaac, Abraham's raised right hand holding a sword is retrained by an angel; behind Abraham is a ram; initials are placed in a triangle above behind and in front of the group; arched rectangular border with fillet edging and descending floral and fruit bunches on a ribbon, hanging from rings, foliate swirls at base; vases on rectangle shoulders and at top, between two putti

Notes: The initials appear to have been added subsequently.

Inscription: B / E A

Description: Rectangular central panel with elongated arch; bead edging; semi-nude figure of Poseidon/Neptune, a trident in his right hand, standing on two hippocampi (mythical sea horses). Rectangular border with elongated arch; fillet edging; two suspended festoons of fruit and leaves; at the bottom, the date and monogram. On top, two scrolls of foliage. On each shoulder of the fireback, a basket with fruit

Notes: A number of images of Poseidon on firebacks bear more than a passing similarity to fountain statuary. This is just such an example although the source of the design has yet to be identified. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: 16 NDW 97

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; figure of Hera/Juno, a sceptre in her right hand, with a peacock below to her left, clouds above left; arched rectangular border with fillet edging; symmetrical arrangement of wire-work swirls; on top, two mirrored serpents.

Notes: Similarities in the design and execution of the pattern suggest the work of the pattern-maker identified as ‘N’. Said to have been cast by Thomas Prickett (1727-95) at Gloucester Furnace, Lamberhurst.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been copied in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Rectangular central panel with top arch, bead edging; pictorial scene of a a kneeling man in a wide-brimmed hat reaching up the skirt of a milk maid, who in fending him off, leans forward, tipping the milk from the bucket on her head over the man; acanthus leaves over the top arch; side border with bead edging extending over shoulders of plate, surmounted by a floral vase each side; on top a floral vase between leaves.

Notes: Inscription on the back of the casting: 'Made from a casting lent to J. H. E[very] by Mr J. T. Ade of Hellingly'.

Copies of this fireback are known.

Description: Cavetto-arched rectangular central panel with bead-and-pellet edging, head and robed shoulders of a laureated man in left profile; cavetto-arched rectangular border with cavetto-moulded edging and arrangement of outward-facing acanthus leaves; on top, scallops on shoulders of border with cornucopiae over arch.

Notes: A pastiche of the 'Dutch' style of fireback. Formerly part of the J. H. Every collection.

Description: Arched rectangular central panel with cavetto-moulded edging; standing female figure holding a bunch of lowers in her left hand and a pot of flowers in her ight hand; to her left a ribbed, two-handled vase of tulips, to her right a fountain with a seated figure of Neptune/Poseidon holding a trident in the right hand; the words, Fruhling, split by the figure; above, clouds; on top a scallop shell between two descending sea serpents.

Notes: An iconic personification of Spring. Formerly at Swanborough Manor, Sussex.

Copies of this fireback are known.

Inscription: FRVH LING

Description: Rectanglular; flanged cavetto-moulded edging; pictorial scene of Christ and the woman of Samaria at Jacob's Well.

Notes: Stoveplate; the scene illustrates the story from John 4.

Description: Rectangular; flanged edge; central pictorial panel illustrating Mordecai arriving before King Ahasuerus, Haman hanging from the gallows behind; two floral side panels, at the top of each a monogram within a cartouche: on the left KS, on the right H?D.

Notes: Stoveplate; the scene illustrates a scene from Esther 7: 10 and 8: 1. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: KS H[?]D

Description: Rectangular with a square projection middle top; castellated top edging; top centre, stylised Calvary; upper section: pictorial scene, centre, house with tiled roof, windows, and chimney at each end, paths leading from house; left, possible forge building with four chimneys and three water wheels, and adjacent furnace stack?; above, shed with lean-to, barrow, and wheel structure, all between trees; right, figure of a man running towards the house, unidentified objects between trees; lower section: plain panel with central triple-grooved horizontal line.

Notes: A striking and unusual fireback with a scene suggesting a connection with iron-making. Formerly part of the J. H. Every collection.

Copies of this fireback are known.