Firebacks

Description: Arched rectangular; ovolo edging (top and sides only); arms of the Barony of Ashburnham: (1st & 4th) gu. a fess between six mullets ar. (Ashburnham), (2nd) az. a lion rampant between eight fleurs de lys ar. (Holland), (3rd) erm. three crescents gu. (Kenn); on an escutcheon of pretence a chevron between three boys heads couped at the shoulders each entwined around the neck with a snake (Vaughan). Supporters: two greyhounds sa. their faces, breasts, and feet ar. collared and lined or; on either side of the arms is a winged cherub’s head; below each is a monogram of ‘B J’ beneath a baron’s coronet.

Notes: The arms are those of John, 1st Baron Ashburnham (1656-1710), who married Bridget Vaughan, but the fireback dates from the time of his son, John, the 3rd Baron, created Earl in 1730.

Copies of this fireback are known.

Inscription: LE ROY ET L’ESTAT / 17 13

Arms: John, 1st Baron Ashburnham

Description: Rectangular with fillet edging; central, oval panel with fillet edging containing the semi-reclining, begowned figure of Cleopatra, a mirror/sceptre in her right hand and an asp in her left hand; oval border with astragal and fillet edging and undulating foliage; in each of the top spandrels, a face of a putto; in the bottom spandrels, a triangular design of swirled foliage; at the centre of each side, overlapping the central oval border, an oval cartouche with scrolls in the inward facing side; four horizontal plank lines regularly spaced.

Notes: The naivety of the figuration and the similarity of the scrolled designs suggest that this may be the work of the same pattern-maker as the Lenard fireback. Three tapestries of the death of Cleopatra, one of them made for the Swedish royal court, were inspired by artwork by Karel van Mander II (1579-1623), which is likely to have been the inspiration for this fireback as well.

Description: Canted rectangle; ovolo moulded edging (top and sides); seven shields of Ayloffe impaling Sulyard - two rows with three on top and four on the bottom; two parallel vertical cuts for the insertion of firedogs.

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; astragal and fillet moulding on top and side edges; symmetrical layout of date and initials; date split between left and right sides, initials in middle, central letter in line with date, outer letters lower.

Notes: One of a series of backs dating to the 1730s and 40s using very similar sets of letters and numerals. K may relate to the surname, while the F and S may relate to the initials of husband and wife respectively. Sold at Christie's Masters and Maker auction, 30 November 2010, lot 521 (£1000 part with no. 623, no. 634 and no. 637). Mander Auctioneers, Sudbury, Suffolk, 2 Dec 2023, lot 455 (ns); 20 Jan 2024, lot 289 (£30 part).

Inscription: 17 K 38 / F S

Description: Canted rectangle; twisted rope edging (top and sides); roughly symmetrical arrangement of two large saltires formed of twisted rope inside and below the top corners, with two small saltires, also of rope, between the large ones and the lower ends of the canting.

Notes: The simple arrangement, while likely to be early, is difficult to date with any precision. Christie's Masters and Makers Sale, South Kensington, 30 Nov 2010, lot 532 (£500).

Description: Arched rectangular with curved shoulders; cavetto-moulded edging (top and sides) with twin scrolls on inside corners, and scalloped bottom edge; armorial; shield (32 quarters), mantling, supporters (bull and crowned lion), coronet, motto, 2 helms and crests (a bear’s head erased and ducally gorged, and a bear and ragged staff).

Notes: The impaled arms appear to be those of the Earldom of Huntingdon. The crests are of Hastings and Dudley, suggesting they are of Henry, 3rd Earl (c.1535-95), and his wife, Katherine (1548-1620), daughter of John Dudley, Duke of Northumberland. She was a child when they married in 1553. This is an incomplete casting, the full version of which includes a bottom panel with a repeated guilloche design. Christie's Masters and Makers Sale, South Kensington, 30 Nov 2010, lot 516 (£4,375).

Copies of this fireback are known.

Inscription: IN VERITATE VICTORIA (illegible, but verified on other castings)

Arms: Hastings, earl of Huntingdon, impaling Dudley

Description: Canted rectangle; twisted rope edging (top and sides); seven shields of Ayloffe impaling Sulyard in two rows (3-4); Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular; ovolo-moulded edging (top and sides); shield of the Worshipful Company of Masons: Sable, on a chevron, engrailed argent between 3 castles of the second, with doors and windows of the field, a pair of compasses extended of the first; above, the letter ‘C’, the letters ‘H’ and ‘M’ split by the shield.

Notes: The arms of the Masons’ Company were granted in 1473. Sold at Christie's Masters and Maker auction, 30 November 2010, lot 523 (£500).

Copies of this fireback are known.

Inscription: HCM [triad]

Arms: Worshipful Company of Masons

Description: Rectangular with plait-effect border and a column of beads down each side; pictorial scene of a male figure in gown and full-bottom wig, holding a fool’s cap in his right hand, standing behind a seated male figure, bald and bearded, with the papal triple crown falling off his head; he is seated at a desk on which are two books; behind him and to the right, three books are on a small shelf. Above the figures, a longer shelf, the width of the plate, supports other books and papers, together with the figure of a dog, from whose mouth a scroll issues bearing an unreadable inscription. On top, two putti hold hands in front of a flaming grenade.

Notes: The design is copied from a cartoon of c.1672 showing Titus Oates, the instigator of the popish Plot, presenting a fool’s cap to the Pope (see Hodgkinson 2010, p.209).

Copies of this fireback are known.