Firebacks

Description: Rectangular; astragal edging; shield motto and crest of the family of Lawrence.

Notes: Blazon: Ermine, on a cross raguly gules an eastern crown or, on a chief azure two swords in saltire proper pomels and hilts gold between as many leopards' heads argent; crest: out of an eastern crown or, a cubit arm entwined by a wreath of laurel and holding a dagger, all proper. These arms apply to neither the baronetcy nor the two baronies awarded to members of the Lawrence family, the mottoes of which also differ. Copies of this fireback were advertised in Kings Worthy Foundry's (Winchester) catalogue in the mid-20th century.

Copies of this fireback are known.

Inscription: IN GOD IS MY TRUST

Arms: Lawrence

Description: Rectangular; cavetto-moulded edging; [?]fillet frame parallel with edging; on top, central date between two groups of initials in triad, with six 'daisy heads' above; on each side, vertical line of at least four squared cross stamps; inside frame, four fleurs-de-lys between two oval 'buttons' on a rectangular base at least five 'daisy heads' in a vertical line on each side.

Notes: A significant fireback, it comprises decorative stamps from at least three series of firebacks produced in the Forest of Dean area, linking their production to the same ironworks. The same fireback (or copies thereof), with and without the attached grate, was illustrated in catalogues issued c1910-21 by Arthur Todhunter, architectural antiques dealer, of New York (catalogue #919, $50). Leland Little auction, Hillsborough, North Carolina, 3 Mar 2018, lot 260, $400.

Inscription: THM [triad] 1669 THM [triad]

Description: Canted rectangle; double fillet edging (top and sides); top centre, date between two flower heads; initials in triad, repeated on each side, with two fleurs-de-lys between; flower head below each initial group; small stamp of the figure of a stag below the date.

Notes: The initials are likely to be those of a husband (P) and wife (M) whose surname begins N. Illustration from Lenygon, p. 245.

Inscription: 1689 / PNM PNM [both triads]

Description: Arched rectangular shape; fillet edging (top and sides); twisted rope cross in centre of arch; fillet-edged square below arch containing initials of uneven size; along the top, a line of five quatrefoils on each side of the initials; below, two symmetrically carved roundels and associated spandrels, each with a central flower.

Notes: The quatrefoils and roundels are likely to have been part of a redundant, probably medieval, furniture panel, perhaps from a chest. The life-size rubbing, reinforced with ink, is by W. R. Lethaby. The fireback was formerly property of the artist John Callcott Horsley RA (1817-1903) at Wilsley Green, Cranbrook, Kent.

Inscription: PC

Description: Quasi-rectangular shape; rope edging on top and sides; central inscription panel; repeated trailing vine decoration from impressed wooden strips — one horizontal line at top, three vertical strips at each side, one horizontal strip below panel, plain panel at base.

Notes: A series of firebacks all bearing the inscription carved onto a panel and included with other stamps in the casting of the iron graveslab covering the tomb of Anne Forster (Foster) in St George’s church, Crowhurst, Surrey. Formerly in the John H. Every Collection, for which it was purchased in 1921 at Isfield Place, Sussex.

Inscription: HER : LIETH : ANE : FORST/ R : DAVGHTER : AND : / HEYR : TO : THOMAS : / GAYNSFORD : ESQVIER / DECEASED : XVIII : OF: / IANVARI : 1591 : LEAVYNG / BEHIND : HER II : SONES : / AND : V : DAVGHTERS

Description: Fragment; left side only; twisted rope edging to left, canted moulded batten above; left hand print with dividers to its right.

Notes: An unusual combination of edging. The dividers may refer to the occupation of the person for whom this fireback was cast. Formerly in the collection of Dr C. L. Prince of Crowborough, Sussex.

Description: Rectangular; twisted rope edging (top and sides); top row, two square-within-a-square arrangements of twisted rope between three stamps formed of Gothic tracery cresting; 2nd row, two more tracery cresting stamps (the one on the right over stamping a fleur-de-lys) between two crowned, star-embossed butter mould stamps with a crowned rose-en-soleil stamp in the middle; 3rd row, three star-embossed butter mould stamps with two pairs of fleurs-de-lys between them; bottom row, seven fleurs-de-lys; plus interspersed short rope lengths, and a vertical, double zig-zag arrangement of rope lengths on each side.

Notes: The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol. Many of the stamps employed on this fireback are seen, with other stamps, on a wide variety of firebacks, suggesting a common source; similar gothic tracery stamps can be seen as pierced cresting on a rare late-Medieval, wooden Easter sepulchre at the redundant church of St Michael at Cowthorpe, North Yorkshire. Another fireback with an almost identical arrangement of the same stamps has also been noted (no. 713).

Description: Rectangular with canted top corners; twisted rope edging all round except on bottom; three impressions of two circular wafering irons: the central one with invected edge, a heart surmounted by a cross beneath which scroll-work is arranged symmetrically, inscription around edge; the two outer stamps comprise a central motif of four hearts arranged in a cross shape, their points facing the centre, within two concentric bands decorated with lace-like patterns. Above each of the two outer stamps is a simple four-pointed cross shape formed from short lengths of twisted rope.

Notes: The use of wafering irons or butter prints as stamps in casting firebacks is infrequent. Formerly part of the J. H. Every collection.

Inscription: ...N:YOU:NOT: REIVE:MY:HERT:IS:YOURES / [?]1562

Description: Rectangular, edged with twisted leather lengths on top and sides; a ballock dagger with hollow-ground cruciform blade, point down, impressed vertically three times and evenly spaced across the width of the back; between each, two short lengths of twisted leather, arranged in a cross; at either end, the same short lengths of dowel arranged in an inverted ‘V’.

Notes: The dagger (length approx. 38cm) dates from c1575-1625. The probable use of twisted leather is seen occasionally on other firebacks. The grouping of three daggers may also have apotropaic significance in relation to the Trinity.

Description: Quasi-rectangular; twisted rope edging (top and sides); a length of twisted rope stamped six times to form a saltire and two crosses across the width of the plate; surplus iron extends from all sides.

Notes: The surplus iron resulted from over filling of the mould. The crosses are likely to have Christian significance. Formerly part of the J. H. Every collection.