Firebacks

Description: Central arched rectangular shape with rounded corners; ovolo moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; all details below shield illegible; rectangular extension panels on each side, with twisted rope edging; quasi mirrored arrangement of twisted rope lengths to form (from the top) a cross, a vertical pointing arrow, and a diamond shape with a central vertical line.

Notes: The detail of the extension panel is sharper than the armorial, indicating that the panel was cast with a worn copy of the armorial. Illustrated in Weaver, 1914, p. 16.

Inscription: E R [+ Garter, Harvo and royal mottoes, all illegible]

Arms: Tudor royal (prob. Henry VIII)

Description: Quasi-rectangular; grooved dowel edging (top and sides); four impressions of a rondel dagger (c.330mm) saltirewise between two dowel crosses; two vertical lengths of dowel in line along right edge.

Notes: Rondel daggers were common in the 15th and 16th century. Grooved lengths of dowel are to be seen on other firebacks suggesting a common source. The arrangement of the daggers (each approx. 35cm long) in a saltire may also have apotropaic significance.

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Illustrated in Lloyd (1925).

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Double arched rectangular shaped; ovolo edging; central clock dial with Roman numerals separated by stops, sunburst inside, single hand with fleur de lys pointer; teardrop weights suspended from each side; symmetrical tendrils above.

Notes: One of the ‘hooked 1’ series of firebacks - the number ‘1’ is just discernable bottom left; two versions exist of this fireback, the other having finials above the suspended weights.

Copies of this fireback are known.

Inscription: I · II · III · IIII · V · VI · VII · VIII · IX · X · XI · XII / 16...

Description: Quasi-arched rectangular shape, semi-circular protrusions on top corners; cavetto-moulded edging; two mirrored scrolls inside arch; a phoenix in flames, its wings displayed and inverted.

Notes: A variant (no. 895) bears the date, 1650, and the initials, IM; a loop normally at the top is absent, and careless pouring of the iron has obliterated some of the detail down the right side of the casting.

Copies of this fireback are known.

Description: Arched rectangular shaped; cavetto-moulded edging; on each side a column of large overlapping leaves above a pedestal with a single rose; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in 1675-8. Another version (no. 575), probably by the same pattern maker, has a central finial on top and different proportioned fruit and figures.

Copies of this fireback are known.

Description: Flattened arched rectangular shape with rebated concave shoulders; double fillet edging; 11 x 9 grid portcullis with symmetrical chains in ‘S’ arrangement ending in a ring, from top corners, surmounted by an arched royal crown.

Notes: Whole pattern; the portcullis has a realistic, rather than symbolic, appearance.

Copies of this fireback are known.

Description: Rectangular, cavetto moulded edging; Stuart royal shield, garter, supporters and crown.

Notes: Four clear vertical plank lines indicate that the pattern for this fireback was formed of a series of boards probably secured by horizontal battens on the rear.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE

Arms: English Stuart royal

Description: Rectangular shape; ogee/cyma reversa moulded edging (top and sides); top centre, shield-shaped stamp bearing initials above date.

Notes: Two blemishes on the surface of the casting indicate that the molten iron was probably poured from two ladles simultaneously disturbing the casting sand in both locations.

Inscription: AE / 1698

Description: Arched rectangular shape with base plinth; astragal and fillet edging (top and sides) with overlapping leaf pattern; mirrored wave pattern on plinth; shield, supporters, motto scroll and coronet of the 1st Earl of Ashburnham; the arms are Ashburnham (quarterly Ashburnham, Holland, Kenn and Vaughan) impaling Barry.

Notes: John, 1st Baron Ashburnham married Lady Jemima Grey in 1724, and was elevated to the Earldom in 1730. A sketch of an example of this fireback was made by J. Starkie Gardner c.1891 and is in his collection at the Victoria and Albert Museum, Archive of Art and Design (AAD/2014/8).

Copies of this fireback are known.

Arms: John, 1st Earl of Ashburnham