Firebacks

Description: Canted rectangle; elaborate cavetto moulded edging (top and sides); strapwork shield with a demi-flower at each side, between initials; arms quarterly of six, 1st Or two chevronels Gules, on a canton of the last a mullet of the first (Pope); 2nd Argent three bars Gules, on a canton ermine a bend of lozenges of the second (Walshe); 3rd Sable three laurel leaves in bend Or between two bendlets Argent (Waller); 4th Azure a chevron between three crosses Moline Argent (Lansdale); 5th Ermine on a bend Gules three lions' heads erased Or (Weston); 6th Azure a lion rampant Or supporting a cross pat?e fitch?e of the second (Pichingham).

Notes: The lower part of the shield is revealed more clearly in another casting. The date above the shield has been inserted before casting and differs slightly from another example of the same back.

Copies of this fireback are known.

Inscription: 1625 / S P

Arms: Pope (Sackevile Pope (b. 1589) of Hendall, in Buxted, Sussex)

Description: Arched rectangular shaped central panel, bead-and-pellet edging, narrow-necked, two-handled urn with flowers and wheat ears issuing therefrom, the vase resting on a wall with stone courses, against which are two small flowers in pots with a stool between; arched rectangular shaped border with fillet edging and symmetrical floral tendrils, a looped 'W' in each shoulder; on top, mirrored leaves, tendrils and wheat ears; inscription along bottom of border.

Notes: The largest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. The casting is an amalgamation of parts of two firebacks of the same design, the bottom portion from an earlier casting than the top (reduction 2%). The inscription translates as 'God is our strength'.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Quasi-arched rectangular shaped; unique, cavetto-moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree.

Notes: Other known variants are dated; this variant confirms that the dates were added to subsequent castings. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Description: Arched rectangular shape; cavetto-moulded edging; English royal coronet with three ostrich feathers rising from within; below, a motto scroll with inscription.

Notes: The badge of the Prince of Wales; the initials, CP, are probably for Carolus Princep; the motto is mis-spelled in error for 'Ich Dien' - I serve, which is more likely a mistranscription rather than a deliberate slur. The apparent crack in the angle of the arch and the top left of the fireback is an impression, indicating that this is a recasting.

Copies of this fireback are known.

Inscription: C P/ICH LIEN

Description: Canted rectangle; cavetto-moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, ‘daisy’ plant stamp; top panel, central initials between split date, separated by 'daisy' stamps; side panels, swirling foliage stamp repeated each side, initial at bottom of panel: I to the left, B to the right.

Notes: The 'daisy' stamp and IB initials are identical to those on similar firebacks dated to between 1703 and 1721, probably indicating the same founder. Christie's Interiors - Masters & Makers (Sale 5462), South Kensington, London, 8 July 2014, lot 126 (£688).

Inscription: 17 IS 07 / I B

Description: Arched rectangular shape; twisted rope edging with inaccurately parallel arched rectangular fillet inside, enclosing repeated small fleur-de-lys stamps along sides and top; initials in triad in each of the internal top corners; date in arch.

Notes: The initials probably relate to a couple whose surname begins with C, the husband's forename initial being R and the wife's I (or J).

Inscription: RCI/ 1675 / RCI

Description: Central arched rectangular shape with rounded corners; ovolo moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; all details below shield illegible; rectangular extension panels on each side, with twisted rope edging; quasi mirrored arrangement of twisted rope lengths to form (from the top) a cross, a vertical pointing arrow, and a diamond shape with a central vertical line.

Notes: The detail of the extension panel is sharper than the armorial, indicating that the panel was cast with a worn copy of the armorial. Illustrated in Weaver, 1914, p. 16.

Inscription: E R [+ Garter, Harvo and royal mottoes, all illegible]

Arms: Tudor royal (prob. Henry VIII)

Description: Quasi-rectangular; grooved dowel edging (top and sides); four impressions of a rondel dagger (c.330mm) saltirewise between two dowel crosses; two vertical lengths of dowel in line along right edge.

Notes: Rondel daggers were common in the 15th and 16th century. Grooved lengths of dowel are to be seen on other firebacks suggesting a common source. The arrangement of the daggers (each approx. 35cm long) in a saltire may also have apotropaic significance.

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Illustrated in Lloyd (1925).

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)