Firebacks

Description: Arched rectangular shaped central panel with open-bud edging; pictorial: Venus in her chariot drawn by doves, with her child, Cupid; a heron flies away to the left; above are swagged curtains and a pair of tassels, below is a landscape; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of the planet Venus in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585); the flying heron has been copied from a print by Wenceslaus Hollar c.1658. The theft, in 1699, from a Thames-side warehouse of several firebacks, included '6 of Venus in a Chariot with Doves', which is likely to refer to this type (Post Boy 11-14 Nov. 1699).

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular central panel with bead edging; pictorial scene of a figure in Roman dress, holding a large sword, and holding the head of a bearded man in his left hand; below to the left, a naked, decapitated body; above the winged face of a putto between mirrored, scrolled foliage; arched rectangular border with fillet edging; flowers in chain under the arch and down the sides; at the bottom, swirled foliage; on top, a crown between fruit triads.

Notes: Perseus holding the severed head of the Medusa; possibly adapted from a drawing by Crispijn de Passe the elder (1564-1637). Similarities in the design and execution of the pattern suggest a common source with contemporary English firebacks.

Description: Arched rectangular shape; simulated twisted rope edging (top & sides); central, symmetrical arrangement of a fleur-de-lys between two diamond stamps with two small cross-cut squares below, and a triad of dots outside; above, a haphazard arrangement of date, at top, above the initials, with a rose and crown to the left, and another fleur to the right.

Notes: Almost certainly an altered copy of a similar fireback dated 1613, some of the features of which have remained.

Inscription: 1637 / ILE

Description: Rectangular; plain edge; top centre, ring between repeated lion's head between repeated narrow human figure with folded arms standing on a bracket; below each figure, a small bracket.

Notes: The figures are indistinct and are disproportionately small for the size of the firebacks; from Isfield Place 1921.

Description: Rectangular; no edging; inscription evenly spaced along top, sans serif lettering.

Inscription: IS D T IS

Description: Arched rectangular shape; cavetto moulded edging; top centre within arch, initials above date.

Notes: Plain elegant fireback from a late series, probably cast in the south east of England. The crack emanating from the top right corner of the fireback seems to be a weakness on all the recorded examples, and may have caused by thinness of the base board at that point.

Inscription: TW / 1852

Description: Rectangular with triangular extension at middle of top edge; rope edging (top and sides); inscription in triangle - O larger than I; a pair of vertical, parallel ratchet bars (180mm long) below each top corner.

Inscription: O I

Description: Arched rectangular shaped central panel with bead-and-pellet edging on a broad fillet; Jupiter in his chariot drawn by eagles; above are clouds, below is a landscape; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is probably adapted from a personification of the planet, Jupiter, in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585).

Inscription: SHR

Description: Rectangular; central shield; fleur-de-lys stamp repeated three times across top and once on each side level with shield, all regularly spaced.

Notes: It is likely that the arms relate to the marriage, in 1541, of Christopher Sackville (c.1519-1559), son of John Sackville of Chiddingly, Sussex, and Constance Colepeper, daughter of Thomas Colepeper of Bedgebury, Kent, one of whose ancestors was the heiress, Elizabeth Hardreshull. The blazon: Sackville - quarterly or and gules, a bend vair; Colepeper - argent a bend engrailed gules; Hardreshull - argent a chevron sable between nine martlets gules, six and three. Christopher Sackville's brother, Sir Richard, owned Horsted Keynes furnace, which may have been where this fireback was cast. A candidate for the earliest English fireback with an example of personal arms.

Arms: Sackville impaling Colepeper and Hardreshall

Description: Canted rectangular shape; twisted rope edging (top and sides); cavetto-moulded-edged rectangle top centre, enclosing date between initials CT; five shields of Ayloffe impaling Sulyard in two rows (3-2); Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks. The smallest dated example in this series.

Inscription: C.1.6.0.9.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)