Firebacks

Description: Rectangular; plain plate with shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720. This particular design of fireback has been produced in a variety of sizes depending on the space around the achievement of arms

Copies of this fireback are known.

Inscription: HONI SOIT QUI MAL Y PENSE / AUT NUNQUAM TENTES, AUT PERFICE [Either do not attempt, or complete]

Arms: Lionel Sackville, 1st Duke of Dorset

Description: Arched rectangular shaped central panel with 'nutshell' edging; pictorial: Mercury in his chariot drawn by two birds (possibly ravens) across the clouds, his caduceus held aloft; above are clouds, below is a landscape with plants; arched rectangular shaped border with fillet edging, a scallop shell top centre with descending symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; on top is a symmetrical design of scrolled floral tendrils. One vertical plankline right of centre.

Notes: The design is based on a personification of the planet Mercury in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). The holes were for fixing to a grate.

Inscription: SHR

Description: Canted rectangle; astragal edging (top and sides); symmetrically arranged, initials separated by overpressed, fillet edged stamp bearing letters WF surmounted by a bent arm holding a battleaxe issuing from a chapeau; beneath are two shields bearing the arms of Fowle.

Notes: The shield and crest stamps relate to William Fowle (1568-1634) and are those used on iron grave slabs in Wadhurst and Frant churches and in Maidstone museum, as well as on other firebacks. The initials have not been identified. Another casting with the same set of initials, but in a slightly different arrangement, has been noted (no. 68), and Christy (1908 p.386) reported on another with slots for two firedogs.

Inscription: EC DT / WF

Arms: William Fowle, of Frant and Wadhurst

Description: Rectangular shape; cyma reversa moulded edging (top and sides); top centre, initials EHA in triad; date split each side of initials.

Notes: Well formed and well spaced letters and numbers.

Inscription: 17 EHA [triad] 51

Description: Low arched rectangular shape; broad rebated fillet edging; stylised Tudor royal shield, crown and supporters (dragon and greyhound); Tudor rose in top left corner; portcullis in top right corner.

Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. A fireback of the same armorial design within a different, arched edging is at Wirkworth Castle, Northumberland (see no. 1246).

Copies of this fireback are known.

Arms: Tudor royal

Description: Arched shape; patterned astragal edging; central shield with helm, crest and mantling above, and motto scroll below; initials either side of crest; date split by shield.

Notes: The arms are those of Chamberlayne: gules, an inescutcheon within an orle of mullets argent; the crest: out of a ducal coronet the head of an ass (the tinctures vary according to the branch of the family); the initials are reputed to be those of Thomas Chamberlayne; the date appears to have been hand inscribed. The style of the carving is the same as on two other firebacks in the same county.

Inscription: T C / 16 18 / [motto unreadable]

Arms: Chamberlayne

Description: Rectangular, with arch at the top. Above and below acanthus vines. In the middle a landscape with trees and two seated figures; on the left Mercury, playing a flute, a staff over his right shoulder, and at his feet a caduceus; to the right a seated male figure with his left hand supporting his head, in his right hand a stick with which he is supporting himself, behind him a cow, at his feet a dog.

Notes: A scene from classical mythology.

Description: Arched rectangular shaped central panel, bead on fillet edging, narrow-necked urn with flowers issuing therefrom; arched rectangular shaped border with fillet edging and symmetrical floral swags; on top, stylised fish with floral accessories; at bottom, two looped 'W' figures between split date in bottom corners. A faint plankline, slightly inclined from the vertical and more evident on a later casting, can be seen slightly left of centre.

Notes: The second smallest of six flower vase designs in this series. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A clear vertical plankline left of centre.

Copies of this fireback are known.

Inscription: 17 24

Description: Arched rectangular shape: ovolo-moulded edging; pictorial scene of St George in armour, mounted on a horse, spearing a dragon which lies beneath the horse; in each top corner, a rose.

Notes: A portrayal of St George and the Dragon in bold relief that owes something to the famous modelling by Benedetto Pistrucci of 1817; however, the figure of St George is disproportionately large in relation to the horse.

Description: Rectangular with a sinuous arch and three simulated loops, one top centre, the other two to each side; two-handled flower vase with gadrooned upper surface and acanthus bas-relief below, trailing fruited vines issuing from top descending through handles to base; lion’s mask at top; date split either side of vase base; ball on each shoulder of the plate; broadened side edges.

Notes: The simulated loops are seen on a small number of other firebacks, suggesting a common pattern-maker; a variation on a design typical of this period.

Inscription: 16 77