Firebacks

Manufactured in England

910 results

  1. 498

    midhurst,_cowdray house 01.jpg
    <750 x 765 mm

    Description: Arched plate; ovolo moulding edging; shield, supporters, coronet, helm, crest and motto of Viscount Montague; quarterly Browne, Albini, Fitzalan, Fitzalan of Clare, Warren, Maltravers, Nevill, Montagu, Monthermer, Inglethorpe, Burghe, Delapole, Bradeston, Tiptoft, Charleton and Kent (Plantagenet); supporters: two bears collared and chained; the crest: an eagle, the wings elevated and displayed.

    Notes: The arms of either the 2nd (Anthony-Maria Browne, succ. 1592-1629) or 3rd viscount (Francis Browne succ. 1629-1682) - the 1st viscount was a Knight of the Garter and no garter is shown; the style of the modelling bears similarities to that on the 1618 series of firebacks and may be the work of the same pattern-maker.

    Inscription: 16 / VERITATE DUCE [Be led by Truth]

    Arms: Viscount Montague

    Manufactured: in the late-16th to early-17th century in England.

    Current location: Cowdray House ruins, Midhurst, West Sussex, England.

    Citation: Dawson, C., 1903, 'Sussex Iron Work and Pottery', Sussex Archaeological Collections, 46, pp. 1-54.

    Citation: Gardner, J. S., 1898, 'Iron Casting in the Weald', Archaeologia, 56, 1, pp. 133-164.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Roundell, Mrs C. (J. A. E. T.), 1907, Cowdray: The History of a Great English House (London, Bickers & Son), pp. 28-9.

  2. 499

    midhurst,_cowdray house 02.jpg
    760 x 796 mm

    Description: Arched rectangle; dentil ovolo-moulded edging; shield, supporters, coronet, helm, crest, mantling and motto of Viscount Montague; quarterly Browne, Albini, Fitzalan, Fitzalan of Clare, Warren, Maltravers, Nevill, Montagu, Monthermer, Inglethorpe, Burghe, Delapole, Bradeston, Tiptoft, Charleton and Kent (Plantagenet); supporters: two bears collared and chained; the crest: an eagle, the wings elevated and displayed.

    Notes: The arms of either the 2nd (Anthony-Maria Browne, succ. 1592-1629) or 3rd viscount (Francis Browne succ. 1629-1682) - the 1st viscount was a Knight of the Garter and no garter is shown.

    Copies of this fireback are known.

    Inscription: VERITATE DUCE [Be led by Truth]

    Arms: Viscount Montague

    Manufactured: in the late-16th to early-17th century in England.

    Current location: Cowdray House ruins, Midhurst, West Sussex, England.

    Citation: Garner, T. and Stratton, A., 1911, The Domestic Architecture of England during the Tudor Period, Part III (London, Batsford), pp. 240-2 and pl. CLXXIX.

    Citation: Roundell, Mrs C. (J. A. E. T.), 1907, Cowdray: The History of a Great English House (London, Bickers & Son), pp. 28-9.

  3. 390

    milford.jpg
    640 x 630 mm

    Description: Rectangular; plain plate with shield, supporters, ducal coronet, motto and garter of the Duke of Dorset: Quarterly, Or and gules, a bend vair.

    Notes: Almost certainly the arms of Lionel Sackville KG (1688-1765), created first duke of Dorset in 1720. This particular design of fireback has been produced in a variety of sizes depending on the space around the achievement of arms

    Copies of this fireback are known.

    Inscription: HONI SOIT QUI MAL Y PENSE / AUT NUNQUAM TENTES, AUT PERFICE [Either do not attempt, or complete]

    Arms: Lionel Sackville, 1st Duke of Dorset

    Manufactured: in the early-18th century in the Weald area of England.

    Current location: in private hands Milford, Surrey, England.

    Citation: Lloyd, N., 1925, 'Domestic Ironwork I', Architectural Review, 58, pp. 58-67.

  4. 1131

    milton_common,_three_pigeons_02b.jpg
    510 x 775 mm

    Description: Arched rectangular shaped central panel with 'nutshell' edging; pictorial: Mercury in his chariot drawn by two birds (possibly ravens) across the clouds, his caduceus held aloft; above are clouds, below is a landscape with plants; arched rectangular shaped border with fillet edging, a scallop shell top centre with descending symmetrical arrangement of vine and acanthus leaves and tendrils; the monogram, SHR, bottom centre; on top is a symmetrical design of scrolled floral tendrils. One vertical plankline right of centre.

    Notes: The design is based on a personification of the planet Mercury in 'Planetarum effectus et eorum in signis zodiaci', by Marten de Vos (1585). Two editions of engravings of de Vos's drawings are known, by Jan Sadeler, dated 1585, and by Gregor Fentzel in about 1650. The holes were for fixing to a grate.

    Inscription: SHR

    Manufactured: in the late-17th to early-18th century in England.

    Current location: not known.

  5. 1342

    milton_common,_three_pigeons_04,_775x490.jpg
    775 x 490 mm

    Description: Rectangular shape; simulated rope edging; central panel comprising an anchor with coiled rope between two fleurs de lys, below which are two roses and a grape bunch; the two rectangular side panels each comprise a vertical stem with six grape bunches surmounted by a smaller bunch.

    Notes: A variant of the arrangement of panels that comprise one of the well-known 'Armada' firebacks (see no. 281), but without the semi-circular initials and date panel. While it is a plausible variant given the modular nature of the series, this is undoubtedly a 20th-century casting, and it is not possible to state with any certainty whether this is a copy of an early casting or a modern altered one.

    Manufactured: in the 20th century in England.

    Current location: not known.

  6. 1344

    milton_common,_three_pigeons_05,_1270x915.jpg
    1270 x 915 mm

    Description: Rectangular shape; cavetto-moulded edging (top and sides); single horizontal fillet parallel with top and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; in top corner panels, initials 'IW'; top centre panel, central date with a stamp on each side in the form of conjoined fleurs-de-lys cresting; in each side panel, two horizontal cresting stamps, one above the other, with a swirling foliage stamp below; at the base, a plain raised panel with an arch in the centre.

    Notes: The swirled foliage stamp is the same as has been used to decorate other firebacks associated with the probable founder identified as 'IB', although in this instance the stamp has been inverted. Previously in Bristol.

    Inscription: IW 1715 IW

    Manufactured: in 1715 in the Forest of Dean area of England.

    Current location: not known.

  7. 1333

    milton_keynes_727x610.jpg
    727 x 610 mm

    Description: Canted rectangular shape; twisted rope edging (top and sides); top centre, gothic panel of a symmetrical arrangement of tracery patterns with an inverted ogee arch on top incorporating two flowers; on each side, repeated possible front of a wrought-iron andiron or firedog with a horizontal bar and above which are quasi-leaf or flower forms; bottom centre, lozenge shaped outline with two protrusions on top.

    Notes: The panel has been noted on two other firebacks and was probably derived from a dismantled wooden chest or hutch table, c.1500. Its gothic style belies the probable age of the fireback, such chests already being old when their parts might have been re-used.

    Manufactured: in the early- to mid-16th century in the Weald area of England.

    Current location: not known.

  8. 1077

    minster-on-sea,_scocles manor.jpg
    1180 x 465 mm

    Description: Canted rectangle; astragal edging (top and sides); symmetrically arranged, initials separated by overpressed, fillet edged stamp bearing letters WF surmounted by a bent arm holding a battleaxe issuing from a ducal coronet; beneath are two shields bearing the arms of Fowle.

    Notes: The shield and crest stamps relate to William Fowle (1568-1634) and are those used on iron grave slabs in Wadhurst and Frant churches and in Maidstone museum, as well as on other firebacks. The initials have not been identified. Another casting with the same set of initials, but in a slightly different arrangement, has been noted (no. 68), and Christy (1908 p.386) reported on another with slots for two firedogs.

    Inscription: EC DT / WF

    Arms: William Fowle, of Frant and Wadhurst

    Manufactured: in the early- to mid-17th century probably at Riverhall Furnace, Wadhurst in the Weald area of England.

    Current location: in private hands, Minster-on-Sea, Kent, England.

    Citation: Christy, M., 30 May 1908, 'The Old Flat Hearth and its Appliances, III - The Fire-back', The Crown, The Court and County Families' Newspaper, XCIX, Vol. 8, No. 9, pp. 383-6.

  9. 1169

    monmouth,_unknown_930x685.jpg
    930 x 685 mm

    Description: Rectangular shape; cyma reversa moulded edging (top and sides); top centre, initials EHA in triad; date split each side of initials.

    Notes: Well formed and well spaced letters and numbers.

    Inscription: 17 EHA [triad] 51

    Manufactured: in 1751 in England.

    Current location: not known.

  10. 1296

    mottistone_manor.jpg
    820 x 870 mm

    Description: Low arched rectangular shape; broad rebated fillet edging; stylised Tudor royal shield, crown and supporters (dragon and greyhound); Tudor rose in top left corner; portcullis in top right corner.

    Notes: Pastiche 'Tudor' design by George Shaw of Saddleworth, Lancashire, c.1850, possibly intended to be passed off as genuine Tudor. Another casting is at Hever Castle, Kent. Firebacks with the same armorial design within a different, arched edging are also known. Copies of this fireback were advertised in Bratt Colbran Ltd.'s (London) catalogue in the early-20th century.

    Copies of this fireback are known.

    Arms: Tudor royal

    Manufactured: in the mid-19th century possibly in the Lancashire area of England.

    Current location: Mottistone Manor, Brighstone, Isle of Wight, England.

    Museum number: NT/MOE/M/2 (part of the National Trust museum group)

    Citation: Foyle, J. & Lindfield, P., 2021, 'A Forger's Folly?: George Shaw's Productions for Cheetham's Library, Manchester', The British Art Journal, 21, 3, pp. 42-50.