Firebacks

Description: Rectangular; twisted rope edge on top and sides; crowned Tudor royal shield between fleurs de lys arranged in a four-pointed star shape on left, in a three-pointed star shape on right, and three singly in a line below.

Notes: The crowned shield is seen on several firebacks, indicating that they were products of the same furnace.

Arms: Tudor royal arms of England

Description: Rectangular with two-stepped top; plain plate; date across lower step; rope saltire in upper step; initials split below outer shoulders.

Notes: The distinctive hand-formed characters on this and some other stepped firebacks imply a common source. Although the talbot crest, by which other firebacks in the series are identified, is absent on this casting, the shape and the style of the characters places it incontrovertably in the same group. Formerly part of the J. H. Every collection.

Inscription: 1615 / R T

Description: Rectangular; twisted rope edging on top and sides; date placed centrally near top.

Notes: A similar fireback with slightly different proportions has the same date using the same numerals. Formerly at the Anchor Hotel, Eastbourne, Sussex.

Inscription: 1679

Description: Arched rectangular shape; astragal edging. Shield, helm, crest and mantling of the Worshipful Company of Blacksmiths.

Notes: Blazon: Sable, a chevron Or between three hammers Argent handled and crowned with open crowns of the second; Crest: a phoenix in flames rising proper; arms granted in 1611. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: Worshipful Company of Blacksmiths

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); ten shields of Ayloffe impaling Sulyard in three rows, 3-4-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Formerly part of the J. H. Every collection.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Arched rectangular shape; plain edge with inset astragal on all sides; stylised buckle surmounted by an earl’s coronet between the two halves of the date.

Notes: The buckle is the badge of the Pelham family and the earl’s coronet may refer to the Earldom of Clare to which Thomas Pelham-Holles, 2nd Baron Pelham of Laughton was raised in 1714. The following year he was created Marquess of Clare and Duke of Newcastle-upon-Tyne. Formerly part of the J. H. Every collection.

Inscription: 17 15

Description: Arched rectangular shape; cavetto moulding on all sides, with short gaps at each end of the base (possibly to accommodate firedogs); date in top corners; shield, supporters, coronet and motto of the Barony of Bergavenny: Gules, on a saltire argent, a rose of the field, barbed and seeded proper. The motto, ‘Ne vile velis’ (Wish nothing base) is a pun on the family name.

Notes: The arms are those of William Nevill, 16th Baron Bergavenny, of Kidbrooke Park, Forest Row, Sussex. The date of the fireback coincides with the completion of the mansion. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: 1736 / NE VILE VELIS

Arms: William Nevill, 16th Baron Bergavenny

Description: Rectangular with canted top corners; twisted rope edging all round except base: plain plate with two stamps of an iron firedog with twisted neck and shield bearing letters HN and crossed staples; firedogs have columnar capitals; fleur de lys stamp repeated six times, singly at each end, in star pattern in middle; stamps have twisted wreaths.

Notes: The initials HN probably refer to Henry Nevill, the crossed staples being a badge of the Nevill family. Henry Nevill occupied Mayfield furnace from about 1585 until 1599. One of two variants (see no. 742) with the same firedogs and fleurs-de-lys; other firedogs in a very similar style are known. Formerly at Holmbush Farm, Hellingly, Sussex.

Inscription: HN HN

Description: Rectangular, with arched rectangular extension on top; double astragal edging (top & sides); shield, helmet, crest and mantling of the Pelham family: quarterly, 1st and 4th, Azure, three pelicans vulning themselves proper; 2nd and 3rd, Gules, two broken belts palewise the buckles upwards argent; the crest: a peacock in pride argent.

Notes: The arms may be those of Sir Nicholas Pelham (1517-59) or of one of his two sons, Sir John (d. 1580) or Sir Thomas (c1540-1624); the latter was created a Baronet in 1611. As there is no evidence of the augmentation of a baronet on the arms, the fireback probably predates the creation of the baronetcy. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Arms: Sir Nicholas, Sir John or Sir Thomas Pelham

Description: Cavetto-canted rectangle with arched top; astragal and cavetto edging (top and sides); pictorial; back-to-back figures of a bearded man and a woman in a poke bonnet, both dressed in tunics, their arms raised, respectively left and right; they are chained to a vertical pole; below, flames issue from vertically stacked logs, while smoke rises above them; the physical proportions of the figures are naïve, the man’s eyes being over-large, as are the hands of both.

Notes: The design is a free adaptation of an illustration from The Book of Martyrs by John Foxe (1563), a copy from a back originally noted at Brick Cottage, Burwash, Sussex, in 1871. This may be the design of fireback referred to in an enquiry printed in the St James's Chronicle, or British Evening Post, of 9 August 1788, which described it as 'having two Bishops burning at Stakes thereon' at a house in Warwickshire. At an auction sale in 2017 the same design of fireback was interpreted as the burning of Bishops Latimer and Ridley in 1555. Protestants were burnt to death at several Wealden locations as well as elsewhere in the south-east of England during the reign of Mary I, notably at Canterbury and Lewes. The subject of the fireback should be regarded as symbolic rather than commemorating any individual martyrs.

Copies of this fireback are known.