Firebacks

Description: Individually designed quasi-arched rectangular shape; astragal edging; central portico with framed doorway and sloping roof, in which stands a male figure dressed in contemporary style; above the roof, the date, and above that, the initials R R separated by a flower head, this inscription enclosed within a five-sided ribbon compartment held at the top corners by a pair of mirrored dancing cherubs each of which holds in their outer hand a wand surmounted by a fleur-de-lys; below them are mirrored vine designs terminating in a grape bunch, and below each of them a mirrored swirled snake, its head reversed; towards the outer side of these snakes are a pair of mirrored birds within a curved cartouche of slightly raised relief that is associated with a swirl on each side of the fireback that terminates the astragal edging on each side and which ascends via a step surmounted by a miniature urn on each shoulder of the back to the top which is surmounted by an acorn shape; above the ribbons held by the cherubs, is a stylised crown between the initials GR; the above features are limited by a horizontal astragal, though the portico descends below it, and which is supported at each end by a simple Doric column enclosing the bottom panel which is otherwise plain.

Notes: The initials GR are of Georgius Rex - King George I. Finely cast but of naïve design, another fireback of the same design but with different inscriptions and dated 1714 is at Low Graythwaite in Hawkshead parish, which was home to the Rawlinson family who, in 1711, built the first blast furnace in what was then the northern part of Lancashire.

Inscription: G R / R R / 1723

Description: Rectangular with ogee arch; ovolo, egg and dart edging; shield, garter, helm, mantling, crest and motto of the English House of Stuart; date split either side of garter buckle.

Notes: One of several firebacks, all of the same date, but varying in size, framing style and moulding; all have stylistic features in common and will have been the work of the same pattern maker, who was also responsible for carving royal coats of arms in three West Country churches.

Copies of this fireback are known.

Inscription: HONI SOIT QVI MAL Y PENSE / 16 18 / DIEV ET MON DROIT

Arms: English Stuart royal (James I)

Description: Canted rectangle; complex moulded edging (top and sides); rectangular incised initial stamp repeated ten times 3-4-3.

Notes: The use of an incised stamp is uncommon.

Inscription: RTI [repeated 10 times]

Description: Canted rectangle; double fillet edging (top and sides); repeated 'X' stamp parallel to edging, horizontally across centre, and in two parallel lines from top to centre, dividing top half of plate into three sections; 'daisy' stamp approximately in middle of top left and right sections, repeated four times in triad in top middle section, and thrice along top of bottom section; small roundel stamp repeated 3-3-1 in top left section, and 3-1-3-1 in top right section; date split between top left and right sections; initials split in top centre section.

Notes: An arrangement with several elements likely to have been repeated on other firebacks.

Inscription: 16 D[reversed] B 81

Description: Arched rectangular shape; fillet edging; central male figure clothed in 17th century style, facing to the left, holding a mallet in his raised right hand and holding a board with rectangular detailing in relief in his left hand; vertical boards in relief behind; below to the left, a smaller figure holding a long pole diagonally with other detailing in relief behind; to the lower right, a female figure, contemporaneously clothed, a scroll feature to her right; behind, an archtectural grille with scrolled detailing; above, swagged drapery with three descending tasselled ropes.

Notes: A pastiche of a 17th century fireback, perhaps inspired by the Lenard fireback of 1636 (see no. 429). The scene appears to be of a carpenter's workshop but some of the detail in the lower parts of the fireback is indistinct owing to corrosion. The drapery was probably inspired by a similar feature on several late-17th or early-18th century English, 'Dutch'-style fireback designs. The reverse (upcast) side of the fireback is very smooth indicating a modern date for the casting.

Description: Rectangular with two-stepped top; double astragal edging on sides; top centre, stamp formed of a talbot statant guardant upon a wreath; date split either side of crest; initials below date, ‘+’ below letters.

Notes: The talbot crest is seen on other firebacks indicating a common source.

Copies of this fireback are known.

Inscription: 16 22 / I + H

Description: Arched rectangular shaped; fillet edging; a lion rampant

Notes: Whole pattern. A modern design of fireback

Copies of this fireback are known.

Description: Arched rectangular shape; ovolo-moulded edging; Tudor royal shield, garter, crown, motto and supporters (crowned lion and dragon); Tudor rose to right of lion’s head, portcullis to left of dragon’s head; temp. Elizabeth I.

Notes: Three versions of this fireback are known, with differing edging and one without the rose and portcullis.

Copies of this fireback are known.

Inscription: [Garter] HONI SOIT QVI MAL Y PENSE / [motto] DIEV ET MON DROIT.

Arms: Tudor royal

Description: Quasi-arched shape with forward-facing 'wings', which splay outwards towards the base; the 'wings' curve to follow the shape of the main panel but curl outwards at the top; central panel with stylised image of a tree; top centre, three ostrich feathers gathered at their quills, on either side of which, on the curled upper parts of the 'wings', are a mirrored feature of uncertain type.

Notes: This small, but unusual, casting was probably cast in an open box mould. Only a very small number of such castings are known. Depth 210mm. The fireback has been repaired in the main panel and attached to a later grate.

Description: Canted rectangle; twisted rope edging (top and sides); quasi-symmetrical arrangement of four fleurs-de-lys in star, top centre, two fleurs each side along top edge, single fleurs beneath outer top fleurs; short rope length in vertical and inverted 'V' shapes each side between top fleurs; ?dagger handle irregularly positioned centre left and right.

Notes: The style and shape of the fleurs-de-lys is unique to a particular series of firebacks, suggesting the same source; the 'V' shapes may have apotropaic significance. A sketch of this fireback c.1891 is in the collection of J. Starkie Gardner's sketch books at the Victoria and Albert Museum, Archive of Art and Design (AAD/2014/8); at the time of drawing it was stated to be in the ownership of one Simmons, a furniture dealer of Lewes.