Firebacks

Manufactured in England

836 results

  1. 215

    brighton_museum 07.jpg
    476 x 702 mm

    Description: Arched rectangular central panel with canted, cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by dogs, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

    Notes: The design is derived from a personification of America, one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677). The pattern for this fireback, from which the protuberances above the serpents’ heads is missing, is in Rottingdean Grange. The pattern, however, has a base panel of a chain-link design, which is missing from this casting.

    Copies of this fireback are known.

    Manufactured: in the late 17th to early 18th century possibly in the Weald area of England.

    Current location: Brighton Museum and Art Gallery, Brighton, East Sussex, England.

    Museum number: HATMP002214 (part of the Brighton Museum museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  2. 216

    brighton_museum 08.jpg
    620 x 878 mm

    Description: Rectangular with plait-effect border and a column of beads down each side; pictorial scene of a male figure in gown and full-bottom wig, holding a fool’s cap in his right hand, standing behind a seated male figure, bald and bearded, with the papal triple crown falling off his head; he is seated at a desk on which are two books; behind him and to the right, three books are on a small shelf. Above the figures, a longer shelf, the width of the plate, supports other books and papers, together with the figure of a dog, from whose mouth a scroll issues bearing an unreadable inscription. On top, two putti hold hands in front of a flaming grenade.

    Notes: The design is copied from a cartoon of c.1672 showing Titus Oates, the instigator of the Popish Plot, presenting a fool’s cap to the Pope.

    Copies of this fireback are known.

    Manufactured: in the mid to late 17th century in England.

    Current location: Brighton Museum and Art Gallery, Brighton, East Sussex, England.

    Museum number: HA105014 (part of the Brighton Museum museum group)

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

  3. 217

    brighton_museum 09.jpg
    805 x 646 mm

    Description: Arched rectangular shape; ovolo edging; date in arch; below arch, two parallel straps, each with a buckle at the top; initials left and right of centre; rectangular stamp with bird, four times across top.

    Notes: The buckles, the date and the initials all appear to be separate stamps but attached to the base board before being impressed to form the mould, as they are identically positioned on all castings. The buckles suggest a connection with the Pelham family; the initials may relate to Sir Thomas Pelham, Bt. (1597-1654) who owned and operated ironworks at Waldron and Crowhurst in Sussex. This would appear to be a casting of the original pattern.

    Copies of this fireback are known.

    Inscription: 1642 / T P

    Manufactured: in 1642 probably at Waldron Furnace in the Weald area of England.

    Current location: Brighton Museum and Art Gallery, Brighton, East Sussex, England.

    Museum number: HA105912 (part of the Brighton Museum museum group)

    Citation: Lindsay, J. S., 1927, Iron & Brass Implements of the English House (London, The Medici Society).

  4. 218

    brighton_museum 10.jpg
    910 x 350 mm

    Description: Rectangular; cyma recta moulded edging formed of short lengths probably derived from furniture; top left, initials arranged in triad; top right, date; top centre, rose-and-crown between two small fleurs de lys, with two concentric rope-patterned roundels outside, above two small roses; four roses evenly spaced across lower middle, with a fleur between each outer pair, and another rose below the date.

    Notes: One of a series of firebacks cast between the 1670s and 1690s bearing small, simple stamps, initials and dates; the style of rose and crown is similar to that used in gun founding in the Tudor period, suggesting that the furnace that was the source of this fireback may have been used for that purpose.

    Inscription: HEM [triad] 1685

    Manufactured: in 1685 in the Weald area of England.

    Current location: Brighton Museum and Art Gallery, Brighton, East Sussex, England.

    Museum number: R3341/2 (part of the Brighton Museum museum group)

    Citation: Gardner, J. S., 1898, 'Iron Casting in the Weald', Archaeologia, 56, 1, pp. 133-164.

    Citation: Hodgkinson, J. S., 2010, British Cast-Iron Firebacks of the 16th to Mid-18th Centuries (Crawley, Hodgers Books).

    Citation: Lindsay, J. S., 1927, Iron & Brass Implements of the English House (London, The Medici Society).

  5. 1088

    brightwells,_leominster 27 jul 2016 lot 694.jpg
    ?900 x ?500 mm

    Description: Canted rectangular shape; cavetto-moulded edging (top and sides); across the top, double star stamp repeated nine times; below and top centre, date between initials in triad; below date, large hollow fleur-de-lys stamp repeated three times in a line between two triads of stylised fleur-de-lys stamps, with one of the same stamps in each bottom corner; lower centre, woodblock stamp repeated three times in a line.

    Notes: The initials 'IIA' in triad probably relate to a couple whose surname initial was 'I' or 'J'; a fireback, dated 1659, with some of the same stamps is at the Dean Heritage Centre, Soudley, Gloucestershire, and another, dated 1667, has been noted at Upper End Farm, Hope Mansell, Herefordshire. Brightwells Auctioneers, Leominster, 27 Jul 2016, lot 694.

    Inscription: IIA [triad] 1668 IIA [triad]

    Manufactured: in 1668 in the Forest of Dean area of England.

    Current location:, England.

  6. 971

    bristol,_red lodge museum 01a.jpg
    600 x 520 mm

    Description: Canted rectangle; fillet edging (top and sides); top centre, date between two 'rose' stamps.

    Notes: The four nuts are to secure the fireback to two legs.

    Inscription: 1658

    Manufactured: in 1658 in England.

    Current location: Red Lodge, Park Row, Bristol, England.

    Museum number: NX412 (part of the Bristol Museums, Galleries and Archives museum group)

  7. 972

    bristol,_red lodge museum 02a.jpg
    760 x 924 mm

    Description: Arched rectangular shape with ovolo-moulded edging and extensions to sides and top; central shield bearing arms with lion rampant supporters and motto scroll beneath; above, a marquesal coronet; date (over-pressed) in extension above main panel; inserted initials (slightly over-pressed) on either side of coronet.

    Notes: The arms are of Henry Pierrepont, marquess of Dorchester and earl of Kingston-upon-Hull, of Thoresby Hall, Nottinghamshire (blazon: argent semi of cinquefoils gules, a lion rampant sable), with the motto: Pie Repone Te (Place yourself piously), a pun on the name, Pierrepont. Confusingly, the marquisate of Dorchester was created twice for members of the same family. In 1645 it was created for Henry Pierrepont, 2nd earl of Kingston-upon-Hull, becoming extinct on his death without surviving male issue in 1680. It was created again for Evelyn Pierrepont, the 5th earl of Kingston in 1706 who was subsequently elevated to the dukedom of Kingston in 1715. The original casting may therefore have dated to between 1645 and 1680 or between 1706 and 1715. The unidentified initials were added to a subsequent casting which, in turn, could have pre-dated the addition of the dated extensions which have obliterated 'Dutch'-style dolphins known to have surmounted the original.

    Inscription: 1722 / I H / PIE REPONE TE

    Arms: Pierrepont, Marquess of Dorchester

    Manufactured: in 1722 in England.

    Current location: Red Lodge, Park Row, Bristol, England.

    Museum number: NX420 (part of the Bristol Museums, Galleries and Archives museum group)

  8. 973

    bristol,_red lodge museum 03.jpg
    485 x 405 mm

    Description: Canted rectangle; fillet edging (top and sides); date to full width across centre of plate.

    Notes: Bold, evenly-spaced numerals.

    Inscription: 1688

    Manufactured: in 1688 in England.

    Current location: Red Lodge, Park Row, Bristol, England.

    Museum number: NX1064 (part of the Bristol Museums, Galleries and Archives museum group)

  9. 999

    broadway,_ashmolean museum 01.jpg
    555 x 853 mm

    Description: Arched rectangular shape with cyma recta shoulders; astragal edging (top and sides); top centred, date split by a mirrored 'TC' monogram.

    Notes: A bold, simple design, its dimensions reflecting the reduced size of fireplaces in the period.

    Inscription: 16 TCTC 93

    Manufactured: in 1693 in England.

    Current location: Ashmolean Museum Broadway, 65 High Street , Broadway, Worcestershire, England.

    (part of the Ashmolean Museum museum group)

  10. 1000

    broadway,_ashmolean museum 02.jpg
    1285 x 692 mm

    Description: Canted rectangle; stepped fillet edging (top and sides); straight twisted rope lengths parallel to top and parallel to each side, forming inner rectangle with rope quadrants across top corners; side compartments: line of 12 beads along top inside rope line, 3 semi-circular at corners, with a single bead in each corner quadrant, and 8 down each side; top centre, date with single bead above; cross with a cross stamp repeated 10 times to right of date and 9 time to left, one in each corner, and 13 down the left side and 12 down the right.

    Notes: The arc shape and use of repeated beads suggests a common source with other firebacks of the same period.

    Inscription: 1686

    Manufactured: in 1686 in the Forest of Dean area of England.

    Current location: Ashmolean Museum Broadway, 65 High Street, Broadway, Worcestershire, England.

    (part of the Ashmolean Museum museum group)