Firebacks

Description: Arched rectangular shape; twisted rope edging (top, and sides short of bottom), with shoulder edging extending into base of arch; upper centre, date '1602' slanting down to right; below date, initials 'IPD' in triad.

Notes: The initials are likely to be those of a couple whose surname begins with 'P'.

Inscription: 1602 / I P D [triad]

Description: Arched rectangular shaped central panel with hollow bead edging; a putto, its head inclined to its left, standing on a platform, holding a wand in its right hand and a branch in its left hand, a flower in a pot is on each side, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The figure depicted is probably emblematic although the meaning has yet to be determined. The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164). This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The border is identical to that seen on fireback no. 1220.

Inscription: SHR

Description: Arched rectangular shape; cavetto-moulded edging; on each side a column of small overlapping leaves above a pedestal with a single acanthus leaf; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched rectangular central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below, with mirrored swirls behind them; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in the 1670s. Another version of the fireback, probably by the same pattern-maker, has a slightly different design.

Copies of this fireback are known.

Description: Rectangular; twisted rope edging (top and sides); top row, two square-within-a-square arrangements of twisted rope between three stamps formed of Gothic tracery cresting; 2nd row, two more tracery cresting stamps between two crowned, star-embossed butter mould stamps with a crowned rose-en-soleil stamp in the middle; 3rd row, three star-embossed butter mould stamps with two pairs of fleurs-de-lys between them; bottom row, seven fleurs-de-lys; plus intersepersed fragments of cresting and short rope lengths, a vertical arrangement of cresting fragments down the right side and a vertical, zig-zag arrangement of rope lengths on the left side.

Notes: The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol. Many of the stamps employed on this fireback are seen, with other stamps, on a wide variety of firebacks, suggesting a common source; similar gothic tracery cresting can be seen as pierced cresting on a rare late-Medieval, wooden Easter sepulchre at the redundant church of St Michael at Cowthorpe, North Yorkshire. A similar fireback is at Anne of Cleves House, Lewes. Christie's auction, 24 May 2001.

Copies of this fireback are known.

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, lion passant stamp, left facing in right corner, right facing in left corner; top panel, date between fleurs-de-lys; side panels, suspended vine stamp repeated each side; centre panel, flower stamp in each top corner.

Notes: The lion stamps and design elements (canted shape, vertical and horizontal divisions) are identical to those on similar firebacks dated to the first decade of the 18th century, and indicate a common source.

Inscription: 1699

Description: Rectangular with pediment arch; wide fillet edging rebated in side edge; upper centre, initials formed of individual letters; an unidentified series of shapes in relief in the top right corner may be thumb prints.

Notes: The edging and letter ‘W’ are very similar to those on the ‘1589’ series of firebacks and may have the same origin. Formerly at Bay Hall, Benington, Lincolnshire.

Inscription: WE

Description: Arched rectangular central panel with bead-on-fillet edging; femal figure holding scales in her right hand and a sword in her left hand, foliage and clouds behind; arched rectangular border with fillet edging; from a central bow with three tassels at the top, two suspended festoons of flowers, each running through a ring under the top corners, and continuing along the bottom; on top, a central cartouche between mirrored foliate scrolls.

Notes: The female is an allegorical representation of Justice.

Copies of this fireback are known.

Description: Arched rectangular shape; ovolo-moulded edging; a shield with the arms of the Grocers' Company on a cartouche, surrounded by four sprays of olive leaves.

Notes: The blazon of the arms is: Argent, a chev­ron gules between nine cloves six in chief and three in base proper. The arms were granted in 1532. The style of the fireback owes something to the design of French firebacks of the mid-17th century.

Copies of this fireback are known.

Arms: Worshipful Company of Grocers

Description: Arched rectangular central panel; bead-and-pellet edging; pictorial scene of a male figure seated in a chariot, his left arm resting on the side of the chariot, his right hand holding a sceptre at arm’s length, the chariot drawn by two lions across a ground with small bushes; clouds above with the personification of the wind blowing to the left; arched rectangular border with fillet edging; repeated, linked scroll-work on all sides; on top a vase of fruit between two mirrored serpents; on each side, rectangular extension panel with a curved top copying the side borders.

Notes: A variant has no extension panels; similar to other designs incorporating figures in chariots, though not from the same series.

Description: Quasi-arched rectangular shape; on a ground, an armorial achievement comprising a central cartouche on which is an oval shield bearing the arms of the Cavendish family, with graduated bead edging; supporters, two stags rampant; above the cartouche, on a wreath a coiled snake crest surmounted by an earl’s coronet; the date split either side of the crest; to each side, a column with foliate capital supporting a three-sided arch with ovolo-moulded edging, on each shoulder of which is a flaming orb.

Notes: The arms are those of William Cavendish, 1st Duke of Devonshire (1640-1707), but the fireback is of the arms of the Earls of Devonshire; an earlier casting shows a date of 1657; on this casting the second pair of numerals of the date has been changed. Christie's auction 3 Dec 2014 lot 15 (dated incorrectly as 1693) (£1,875).

Inscription: 1695

Arms: William Cavendish, 1st Duke of Devonshire, as 4th Earl of Devonshire