Firebacks

Description: Rectangular; Twisted rope edging (top and sides); top centre, date; initials in triad in top corners; a double fleurs-de-lys between date and each set of initials, and two rotated down each side of the plate.

Notes: Formerly at a cottage in Bradford's Lane, Newent, Gloucestershire. Illustration from Bick 1987.

Inscription: TRD / 1662 / TRD

Description: Arched rectangular central panel within double fillet foliate edging; pictorial scene of a crudely modelled clothed female figure holding a wand? in the right hand; indistinct pictorial element to bottom right; arched rectangular border with fillet edging containing repeated swirled decoration; on top, two mirrored sea monsters.

Notes: A crude pastiche of the 'Dutch' style of fireback; the central figure may be Hera with a peacock. Formerly at the Raleigh Trevelyan estate, St Cadix, Cornwall.

Inscription: WHC[?]

Description: Fragment; arched rectangular shape with rounded corners; ovolo within fillet moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; inscription on a fillet between legs of supporters, behind garter finial; motto on an Ionic plinth at bottom; left hand rectangular extension panel with twisted rope edging on top and side: initials in top left corner, ‘dragon’s head’ in top right corner, rose-en-soleil stamp in centre, rose stamp bottom centre.

Notes: The letters on the extension panel are the same form and size as those on the top of the armorial pattern, indicating that they were added to the armorial, perhaps to indicate a change of reign. The letter 'E' has also been noted on another fireback of the same series. The rose-en-soleil was the badge of King Edward IV and, thus, a Yorkist symbol; it is seen on other firebacks. From a house in Chailey, Sussex. Illustration from Lower (1849).

Inscription: E R / E / R / HONY SOIT QUE MAL Y PAYNCE / Made in Sussex by John Harvo / DV ET MOVN DR...

Arms: Tudor royal

Description: Arched rectangular shape; twisted rope edging (top and sides); in arch; rose and crown with dragon and lion supporters, above a fleur cross and a crowned shield bearing a small fleur-de-lys; text across top half, each word separated by two fleur terminals; lower left and right, twice repeated eight-pointed star design formed of twisted rope with fleur-de-lys terminals; bottom left, ‘I’; bottom right, ‘A’.

Notes: A James Hide married Joan Blackefane at Horley, Surrey on 11th October 1579; illustrated in Lower, 1849 p. 217, when it was at Sutton Hurst, Barcombe, Sussex (still there in 1893, house since demolished). One of a small series of distinctive firebacks cast in 1582, most with inscriptions dedicated to pairs of individuals; the initials IA may be of the founder as they appear in the same arrangement on other firebacks.

Inscription: THES : IS FOR IAMES : / HIDE : AND : ION : HIS : WIF [W inverted] / 1582 / I A

Description: Canted rectangle; double fillet edging (top and sides); top centre, date; initials in triad, repeated on each side, with a fleur-de-lys between; three fleurs-de-lys evenly spaced below initial groups.

Notes: The initials are believed to be those of Edward Robinson, a bookseller, and his wife of 16 King Street, Ludlow, where the fireback was discovered.

Inscription: 1688 / ERI ERI [both triads]

Description: Composite of three elements; central panel has a complex ‘knot’ pattern with a fillet edge; side panel, repeated on either side of the central panel, contains a vase of flowers, possibly stylised thistles, within an arched frame and fillet edge; arched panel above, also with fillet edge, contains the date and inscription; the spandrels of the side panels, and the arched top panel, contain a series of 'bullseye' motifs comprising concentric rings deepening towards the centre.

Notes: One of an unusual series formed from separate panels arranged, in this instance, with the outer panel repeated.‘Knot’ patterns were popular in gardens of the period. The garden theme is continued with the side panels. A version of the same design, recorded in a photograph of 1904 at Willesden, London, is a different casting, the top panel with the date and initials, being straight not slightly askew as in this example.

Inscription: 1598 / IM IB

Description: Arched rectangular shape with ovolo-moulded edging and narrow extensions to sides; central shield bearing arms with lion rampant supporters and motto scroll beneath; above, a marquesal coronet; date split between top corners; inserted initials above coronet; on top of arch, two downward facing dolphins with tails entwined.

Notes: The arms are of the family of Henry Pierrepont, marquess of Dorchester and earl of Kingston-upon-Hull, of Thoresby Hall, Nottinghamshire (blazon: argent semi of cinquefoils gules, a lion rampant sable), with the motto: Pie Repone Te (Place yourself piously), a pun on the name, Pierrepont. Confusingly, the marquisate of Dorchester was created twice for members of the same family. In 1645 it was created for Henry Pierrepont, 2nd earl of Kingston-upon-Hull, becoming extinct on his death without surviving male issue in 1680. It was created again for Evelyn Pierrepont, the 5th earl of Kingston in 1706 who was subsequently elevated to the dukedom of Kingston in 1715. The original casting may therefore have dated to between 1645 and 1680 or between 1706 and 1715. The initials may be related to the Halls, the 2nd Duke of Kingston's mother's family, and were probably added with the date in 1728. Woolley & Wallis auction, Salisbury, 8 Jul 2014, lot 518 (£250); Lyon and Turnbull auction, Edinburgh, 1 Sep 2021, lot 10.

Copies of this fireback are known.

Inscription: A H / 17 28 / PIE REPONE TE

Arms: Pierrepont, Marquess of Dorchester

Description: Arched rectangular shaped central panel, bead edging, bust of female figure with long hair and eastern crown decorated with flowers; arched rectangular shaped border with fillet edging; leafed, Corinthian column on each side with symmetrical swirls of foliage above and a row of acanthus leaves below.

Notes: The figure is that of the Virgin, part of the arms and crest of the Mercers’ Company: Issuant from a Bank of clouds a Figure of the Virgin couped at the shoulders proper, vested in a crimson robe adorned with gold, the neck encircled by a jewelled necklace, crined Or and wreathed about the temples with a chaplet of Roses alternately Argent and of the first, and crowned with a Celestial Crown. The arms were first recorded in 1568. One of a small series of firebacks with similar proportions and detail.

Copies of this fireback are known.

Description: Quasi-arched rectangular shape; fillett edging; vertical stylised seed pods contra-scrolled at each end, flanking central pictorial scene of young Jupiter in front of clouds and sunbeams, above young Mars firing a cannon; above, three roses suspended from swirls flanking a basket of flowers; on each side a foliate scroll with a flower bud resting on each; at the bottom, a separate panel with symmetrical swirled foliage.

Notes: One of a small series of firebacks with similar borders.

Description: Arched rectangular central panel with bead-and-pellet edging; on a ground between two plants, a gadrooned flower vase with two, scrolled handles, tulips and other flowers issuing from the narrow neck; arched rectangular border with fillet edging; mirrored descending flower swags; along a rectangular bottom panel with fillet edging a symmetrical arrangement of swirled foliage; on top, two mirrored sea serpents.

Notes: The presence of tulips suggest a Dutch origin for the pattern of this fireback, although the presence of several examples in England suggest that it was produced here rather than on the Continent.

Copies of this fireback are known.