Firebacks

Description: Rectangular, with canted top corners; twisted rope edging (top and sides only); nine shields of Ayloffe impaling Sulyard in two rows, 5-4; two parallel vertical cuts for the insertion of firedogs.

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields.

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Rectangular shape; triple fillet moulded edging (top and sides); overpressed stamp, repeated three times (top centre and below, to left and right) of a crowned rose within a circular garter, each with the initials ER to left and right respectively; lower centre, the initials IC.

Notes: The rose and crown stamp bears striking similarities to rose and crown designs used to mark some bronze cannon of the Tudor period. The initials ER could refer to Edward VI (1547-53) or Elizabeth I (1558-1603). The initials IC most probably relate to the person for whom the fireback was made.

Inscription: ER [thrice] / I C

Description: Rectangular; moulded border with bead edging derived from wooden strips (top and sides); top left, a saltire of the same moulding as the border, between roughly shaped D and R, both reversed.

Notes: The border appears to be in pieces of different lengths, probably from redundant furniture. Illustrated by Christy, 1908, in the possession of Mr E. Simmons of Lewes.

Inscription: D R

Description: Rectangular; twisted rope edging (probably on on top and sides only); cavetto-moulded-edged rectangle top centre, enclosing date between initials; 14 shields of Ayloffe impaling Sulyard in three rows (5-4-5).

Notes: Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable. William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. There is a large number of variants using the same shields. The bottom part of the fireback is obscured in the photograph. The initials 'CT' are likely to be those of Charles Tyler, a founder whose working life and that of his family have strong parallels with the occurrence of these firebacks.

Inscription: C.1.6.0.3.T

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Inclined rectangle with ogee arch; fillet and ogee moulded edging; garter enclosing English Stuart royal arms, with supporters, helm, crest, mantling and motto.

Notes: Standard armorial design; the inclined shape is uncommon.

Inscription: [Garter motto illegible] DIEV ET MON DROIT

Arms: English Stuart royal

Description: Armorial within complex ovolo moulded edging (top and sides); quartered shield, helm, crest and mantling; plain panel below.

Notes: The arms can be identified from the first four quarters on the memorial to Raffe Maynard, d.1613, in St Albans Cathedral; quarterly, 1, Maynard: argent, a chevron azure between three sinister hands couped at the wrist gules; 2, Filleigh: gules, a fess vairy between six crosses formy or; 3, Harris/Hawes/Hewish: gules fretty argent a canton of the second; 4, Lyons: argent a chevron sable between three lions dormant coward gules; the crest, a stag statant, is of Maynard. The Maynards, originally from Devon, were a large family in Rotherfield, and Richard Maynard (d.1619) had an interest in Old Mill, Mayfield, as well as in Birchden forge, and probably Hamsell furnace. An example without the extension panel at the bottom has been noted. A larger fireback with the same arms, and probably by the same pattern maker, can also be seen (no. 144).

Copies of this fireback are known.

Arms: Maynard

Description: Canted rectangle; cavetto moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, ‘daisy’ plant stamp; top panel, date between ‘daisy’ stamps, between initials in triad at each end; side panels, swirling foliage stamp repeated each side above a fleur-de-lys, above initial 'I' on left and 'B' on right; centre panel, stamp of ‘Indian’ smoking a pipe at top left, stamp of seated ‘gentleman’ smoking a pipe and holding another, at top right; below each, a seated monkey stamp, that on the left seated facing right, its paws in front of it and its tail below, that on the right seated facing left, its tail drawn across its chest.

Notes: The IB initials are identical to those on similar firebacks dated between 1703 and 1721, probably indicating the same founder. The number 3 of the date and the fleur-de-lys on the lower left side have been over-pressed showing the backs of the stamps. The use of stamps relating to tobacco smoking may suggest an origin near Bristol, the main entry port for the tobacco trade at that time.

Inscription: IES [triad] 1703 IES [triad] / I B

Description: Carved wooden fireback pattern. Arched rectangular shaped central panel with top corners cavetto canted, bead-and-pellet edging on a wide fillet; hanging drapery with central tassels over three low-arched cubicles, the two outer smaller than the centre, with Tuscan columns and overlapping scales behind; on a plinth of overlapping scales with a scallop shell behind, the standing figure of Neptune/Poseidon, holding a trident in his right hand; water issues from by his feet and from the waves below him disport two 'sea horses' and three dolphins; arched rectangular shaped border with top corners cavetto canted, fillet edging: suspended symmetrical beads with tassel ends decorated with sea shells; at the bottom, between looped 'W' figures, the inscription separating halves of the date along the bottom; above, a central scallop shell with symmetrical floral scrolls on each side. Two vertical planklines left and right of centre.

Notes: Carved on three vertical oak planks, battened together, from a design in 'Nouveaux livres de ...Statues [etc.]' (La Haye & Amsterdam 1702-5), by Daniel Marot. The inscription, translated from the Welsh as 'GOD is our strength', is a paraphrase of Psalm 46: 1; an identical inscription and date is found on several firebacks. All incorporate the looped 'W' motif which may be intended to identify the pattern maker. A casting made from this pattern is no. 271.

Inscription: 17 DVW Ydyw Ein Cadernid 24

Description: Carved wooden fireback pattern. Arched rectangular central panel with cavetto-canted shoulders and bead edging on a broad fillet; seated female figure in a chariot drawn by armadillos, symmetrical hanging drapery above right; same-shaped border with fillet edging at top, and suspended ribbons with floral bunches; at base, symmetrical palm leaves tied with ribbon; symmetrical serpents on top their tails intertwined.

Notes: The design is derived from a personification of America, on one of a set of playing cards entitled Jeu de la Géographie, designed by Stefano della Bella (1677); reputedly from Mayfield; presented to Brighton Museum by Henry Willetts. A casting from this pattern is no. 215.

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; various ‘tools’ of his trade arranged about him; (clockwise from top left) a circular cartouche with a central bead; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a circular cartouche with a central bead, a mirrored image of the one in the top left corner; from the top of the cartouche a dog leaping up at its master; between the man’s legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp.

Notes: A pastiche of the 1636 original Lenard fireback (no. 429), now often mistaken for it; the inscription is missing, as are the fireback and the shield each being replaced by a form of cartouche; the figure of the man is more naturalistically modelled, yet wearing similar clothes; his feet face outwards.

Copies of this fireback are known.

Inscription: 1639