Firebacks

Description: Arched rectangular shaped central panel with five-bead and open pellet edging; pictorial: regal figure in his chariot drawn by two horses, a sceptre in his right hand; above, a putto descends from swagged curtains and a pair of tassels; below is a landscape with a cornucopia; arched rectangular shaped border with fillet edging, a scallop shell top centre with symmetrical arrangement of ivy and acanthus leaves and tendrils; the initial, N, in a cartouche bottom centre, between symmetrical oak fronds, leaves and acorns; above is a symmetrical design of scrolled floral tendrils terminating in sea monsters.

Notes: Very similar in design and execution to firebacks of the SHR and EB series, suggesting designs emanating from the same source and with a similar inspiration. The figure in the chariot may be an allegory of the Sun.

Inscription: N

Description: Canted rectangle; fillet edging (top and sides); date to full width across centre of plate.

Notes: Bold, evenly-spaced numerals.

Inscription: 1680

Description: Arched rectangular shape; cavetto moulded edging; garter enclosing Stuart royal arms, with supporters, crown and motto; date split either side of garter buckle; rectangular extension panel at bottom.

Notes: An altered casting from a 1641 original (no. 445), the last part of the date having disproportionate numerals; often copied. From the detail of the relief, probably an early casting.

Copies of this fireback are known.

Inscription: C R / HONI SOIT QVI MAL Y PENSE / 16 64 / DIEV ET MON DROIT

Arms: English Stuart royal

Description: Arched rectangular shape; chamfered edging; 'renaissance' style shield with floriate decoration; incised heraldic design.

Notes: The arms are of Sir John Herbert Vernon Bt. impaling those of his wife, Elizabeth Bagnall; Blazon: (Vernon) Or, on a fess azure between two crosses moline gules three garbs of the field, a canton of a baronet; (Bagnall) Ermine, two bars or, over all a lion rampant azure. The fireback dates from between 1919, when Sir John inherited the baronetcy and his death in 1933.

Arms: Vernon impaling Bagnall

Description: Canted rectangle; twisted rope edging; date along the top; initials in triad across the middle; fleur-de-lys stamp repeated eight times down each side, pointing to the side or up in the order (from the top): side (2), then alternately, up first.

Notes: The initials probably represent those of a married couple, the 'H' for their surname; it is unusual for twisted rope edging to continue along the bottom of the plate.

Inscription: 1626 / RHL

Description: Arched rectangular shape with demi-bullnose edging (top and sides); 'AD' curved in arch, with straight date below; central letter 'H' in the form of a horse's bit, with initials 'F' and 'J' respectively above and below; two lengths of rope with tasselled ends looped and tied symmetrically around the 'H' and on each side.

Notes: A finely moulded personal fireback with an equestrian connection.

Inscription: AD / 1909 / HFJ

Description: Arched rectangular central panel with 'nutshell' over fillet edging; pictorial image of a partially clothed female figure, holding an upraised wreath in her left hand, standing on a ground, with a gadrooned vase containing flowers and leaves to the right, and above swagged drapery and sun rays; arched rectangular fillet border with descending leaves and flowers suspended from a wreath, top centre, and a wreath in each top corner; on top, mirrored sea monsters; bottom centre, initial N in a cartouche between swirling fronds.

Notes: The figure is an allegorical representation of Agriculture, one of the Iconologia originally published by Cesare Ripa in 1613.

Inscription: N

Description: Arched rectangular shaped central panel with hollow bead edging; to the right, a seated male figure beside a wellhead, pointing towards a standing female resting a ewer on the wellhead over which a rope hangs, and behind the male figure is a tree, and above, swagged drapery; arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with SHR monogram at centre bottom; two mirrored stylised sea serpents on top; to each side a vertical extension with bead edging, of the same decoration as the side borders.

Notes: The frame of the central panel and the enclosing border are identical to those noted on another fireback displaying a figure of Pluto (see fireback no. 164), while the pictorial scene, of Jesus and the Woman of Samaria (St John 4: 5-28) is more typical of continental firebacks and stoveplates. This may be an example of an image from one casting being superimposed within the frame of an earlier fireback. The central image is sharper than the surrounding border.

Inscription: SHR

Description: Arched rectangular central panel with fillet edging; central seated female with an infant in her arms, a swan at her feet and a standing child on each side, the one to her left facing the front and holding aloft a flaming heart, its foot on a ball; the child to her right facing the woman, holding aloft a branch in its left hand, all on a ground with an overhanging tree to the right; arched rectangular border with fillet edging with descending festoons of acanthus flowers on each side, the date and initials at the bottom and, at the top on each side, a pair of acanthus flowers descending from a heart-shaped terminal of a strapwork frame; above, mirrored swirls of foliage.

Notes: The central pictorial scene is a crude pastiche of a panel portraying an allegory of Charity frequently used on firebacks produced in the Siegerland of north-west Germany for the Dutch market in the second half of the seventeenth century. The swirled foliage on the top is typical of English 'Dutch' style firebacks of the early-eighteenth century and the numerals are also more typically English in style.

Inscription: 17 . IAK[?] 31

Description: Arched rectangular shaped central panel with hollow bead edging; draped male figure standing on undulating ground with two small trees, holding a bar, flaming furnaces behind, drapery suspended from above; Arched rectangular shaped border with fillet edging; swirled flowers and tendrils symmetrically arranged, with monogram at centre bottom; symmetrical arrangement of foliage on top.

Notes: The figure is of Pluto, one of a set of 'Eight Deities' engraved by Hendrick Goltzius (1592), after Polidoro da Caravaggio; a recasting, there is a larger (420mm x 640mm) but more corroded version in Hastings Museum. The faint initials SHR are probably those of the pattern-maker. The image is of a copy; original castings are fractionally larger.

Copies of this fireback are known.

Inscription: SHR