Firebacks

Description: Arched rectangular shaped central panel with canted, concave top corners and bead edging; figure seated astride a triumph of weaponry (cannon, spears, drums), holding a laurel wreath in his right hand, symmetrical hanging drapery above; same-shaped border with fillet edging and suspended ribbons with floral bunches; at base, symmetrical reeds tied with ribbon; base panel with nine linked rings; symmetrical serpents on top.

Notes: Possibly a depiction of an allegory of Victory. Other firebacks have the same distinctive central panel, border shape and decoration at the bottom, suggesting the same pattern maker. A reduced version (no. 1253) lacks the serpents on top and the reeds at the bottom. Formerly part of the J. H. Every collection.

Description: Fragment; right part, prob. rectangular; twisted strip edging (top and sides); stamp of firedog with semi-circular feet, and with shields at top and bottom of shaft, the lower with quartered arms, the upper with diagonal bar over a rectangle (gate?); horizontal twisted strip length to left of firedog.

Notes: The twisted lengths clearly show the flattened form of a strip of material (poss. leather).

Description: Fragment; bottom left corner missing; rectangular; ovolo-moulded edging; initials split by date across top of plate.

Notes: The numerals show the transition between archaic and modern type styles. Formerly part of the J. H. Every collection.

Inscription: S 1753 W

Description: Arched rectangular shape; fillet edging; shield, helm, crest and mantling of the Worshipful Company of Blacksmiths; date in top corners; initials at bottom, below mantling.

Notes: One of the hooked ‘1’ series; unevenly impressed, the right more deeply than the left.

Copies of this fireback are known.

Inscription: 16 50 / I M

Arms: Worshipful Company of Blacksmiths

Description: Canted rectangle; twisted rope edging; irregularly spaced, 5 x 5 rope grid; damage to top right corner.

Notes: A 5 x 3 variant is also known.

Description: Rectangular with an arched rectangular style arch linked by symmetrical concave curves; ovolo moulding (top and sides); shield, helmet, crest and mantling of the family of Baker, of Mayfield, quartered with Farnden, of Sedlescombe: Quarterly, 1st and 4th, Argent, a tower between three keys erect sable (Baker); 2nd and 3rd, Purpure, a chevron vairy Or and gules, between three leopards’ faces Or (Farnden); crest (Baker): on a tower sable an arm embowed in mail holding in the hand a flint-stone proper. Date split by mantling.

Notes: A carved armorial on a plain, edged base board. John Baker (1644-1723) married Ruth, daughter and co-heiress of Peter Farnden, in 1663; she died in 1691. During their marriage the Farnden arms, would have been borne as an escutcheon of pretence in the centre of the arms of Baker, and not quartered with those of her husband until after her death. The date, 1690, is therefore spurious and would have been added to a later copy of a mid-18th century armorial fireback (see no. 16).

Inscription: 16 90

Arms: Baker of Mayfield quartering Farnden of Sedlescombe

Description: Sub-rectangular fragment; undulating vine tendril strip repeated twice vertically from left edge with a bird stamp (probably a swan, a Lancastrian badge) repeated three times between, interspersed with a grape cluster stamp repeated seven times; vine tendril stamp repeated twice horizontally at right angles to rightmost vertical strip, three bird stamps between strips and two above, interspersed with seven grape cluster stamps.

Notes: This fragment incorporates common elements from a large series of firebacks.

Description: Canted rectangular shape; twisted rope edging (top and sides); two saltires formed of twisted rope irregularly arranged.

Notes: The small size suggests a 17th rather than a 16th century date. Formerly part of the J. H. Every collection.

Description: Sub-rectangular shape; twisted rope edging (top and sides); two crosses between two saltires, all formed of straight lengths of twisted rope and irregularly arranged.

Notes: A poorly cast, and probably early, fireback. Formerly part of the J. H. Every collection.

Description: Sub-rectangular shape, no edging; three impressions formed of a dagger (c.350mm) with fleur-de-lys terminals: two, at each end, with the handle uppermost, the other inverted lower right of centre.

Notes: The dagger (length approx. 39cm) can be described as a 'cross-hilt' or 'quillon' type, possibly of German origin (ex. inf. Tobias Capwell). The grouping of three daggers may also have apotropaic significance in relation to the Trinity. Formerly part of the J. H. Every collection.