Firebacks

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been copied in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Rectangular central panel with top arch, bead edging; pictorial scene of a a kneeling man in a wide-brimmed hat reaching up the skirt of a milk maid, who in fending him off, leans forward, tipping the milk from the bucket on her head over the man; acanthus leaves over the top arch; side border with bead edging extending over shoulders of plate, surmounted by a floral vase each side; on top a floral vase between leaves.

Notes: Inscription on the back of the casting: 'Made from a casting lent to J. H. E[very] by Mr J. T. Ade of Hellingly'.

Copies of this fireback are known.

Description: Cavetto-arched rectangular central panel with bead-and-pellet edging, head and robed shoulders of a laureated man in left profile; cavetto-arched rectangular border with cavetto-moulded edging and arrangement of outward-facing acanthus leaves; on top, scallops on shoulders of border with cornucopiae over arch.

Notes: A pastiche of the 'Dutch' style of fireback. Formerly part of the J. H. Every collection.

Description: Arched rectangular central panel with bead-and-pellet edging; S-scroll, two-handled, gadrooned vase with tulip stems, flowers and leaves; arched rectangular border with fillet edging and suspended flower bunches; two symmetrical, coiled serpents on top; narrow, curved shouldered side panels with beads in oval depressions.

Notes: This is a shortened version of a much-copied fireback. Normally there is a bottom panel. Formerly part of the J. H. Every collection.

Copies of this fireback are known.

Description: Rectangular with three sem-circular arches on top, the middle arch higher and wider than the others; ovolo-moulded edging (top and sides); top centre, equestrian figure stamp; six small stamps of iconic figures down the sides, arranged in two columns.

Notes: An unusual fireback with stamps about 90mm high; the stamps are likely to have been cast from brass or iron mantelpiece ornaments, popular in the Victorian period. Formerly part of the J. H. Every collection.

Description: Rectangular, with low curved top and stepped concave corners; suspended floral-chain border on top and sides; alternate small and large rings along the bottom; plain panel at base. Arms of Webster, baronet, of Battle: Azure, on a bend argent, cotised Or, between two demi-lions ermine, a rose gules, barbed and seeded proper, between two boars’ heads couped sable.

Notes: Sir Thomas Webster was created baronet in 1703; he was succeeded by his son, Whistler, in 1750. A pair of matching, cast-iron side plates form a set with this fireback.

Copies of this fireback are known.

Arms: Webster of Battle

Description: Arched rectangular shape with symmetrical floral scrolls on top; three horizontal plank lines; ovolo moulding all round edge of main panel; inscription along top edge of panel; central figure of a bearded man wearing knee-length coat, belted at waist, and holding a sledge hammer in his right hand, his left arm akimbo; both feet pointing to his right; various ‘tools’ of his trade arranged about him; (clockwise from top left) shield, the quarters containing a masonry hammer, a firedog, a weight, and a pair of pincers; the date split on either side of his head; a floral console supporting a shelf bearing a flagon, a tankard and a goblet; a fireback bearing the letters RL and a diamond shape; from the top of the fireback a dog leaping up at its master; between the man's legs a long-handled ladle, a weight and a cooking pot; a ringer, used to pull slag off molten iron; part of the elevation of a blast furnace, with wooden framework, casting house, and flames issuing from the top; an ore basket, wheelbarrow and a charcoal clamp

Notes: The 'Lenard' fireback; a much-copied plate. Items relating to the founder's working life are displayed to the left of the figure, those to the right reflecting his domestic life. Its individualistic design and naïve figuration are the key to identifying a distinct group of firebacks, all probably made at Brede. A pastiche of this fireback also exists (no. 668), with which it is sometimes confused.

Copies of this fireback are known.

Inscription: RICHARD LENARD FOVNDER AT BRED FOVRNIS [each D is reversed] / 1636 / RL

Description: Fragment; to the left, rectangular panel with braid edging, vine standard with six bunches of grapes and a cluster at the top; to the right, rectangular panel with wide fillet edging, arched recess with three flower heads in low relief, and in the arch spandrels four 'bullseye' motifs comprising concentric rings deepening towards the centre; on top, a semi-circular panel with fillet edging, within which are the date between the initials, with scattered small rings, below is a pattern of eight linked circles; vestige of another semi-circular panel to the left.

Notes: Potentially a fragment of a large fireback, the vestige of a second semi-circular arched panel on top offers the possibility that several other panels originally existed further to the right. The two surviving panels combine elements from two separate sub-groups of firebacks that were moulded from individual, interchangeable panels, indicating that the sub-groups originated from a common source.

Inscription: I 1598 R

Description: Rectangular; twisted rope edging (top and sides); undulating vine strip repeated in a line four times along the top, and four times vertically on each side of central inscription panel, with shorter vine strip repeated below vertical strips on each side.

Notes: One of several firebacks that re-use the memorial inscription to 'Ane Forster' (Anne Foster) of Crowhurst, Surrey. The vine strip stamp is seen on other firebacks. The excrescence obscuring part of the text was probably the result of clumsy pouring of the iron during casting which displaced some of the sand mould.

Inscription: HER:LIETH:ANE:FORST / R:DAVGHTER:AND: / HEYR:TO:THOMAS: / GAYNSFORD:ESQVIER / DECEASED:XVIII:OF: / IANVARI:1591:LEAVYNG / BEHIND:HER:II:SONES: / AND:V:DAVGHTERS

Description: Rectangular; twisted rope edging; top centre, inscription panel.

Notes: One of several firebacks that re-use the memorial inscription to 'Ane Forster' (Anne Foster) of Crowhurst, Surrey. Formerly in the John H. Every collection, for which it was purchased in 1921 in Broadway, Worcs., having allegedly come from Billingshurst, Sussex.

Inscription: HER:LIETH:ANE:FORST / R:DAVGHTER:AND: / HEYR:TO:THOMAS: / GAYNSFORD:ESQVIER / DECEASED:XVIII:OF: / IANVARI:1591:LEAVYNG / BEHIND:HER:II:SONES: / AND:V:DAVGHTERS