Firebacks

Description: Arched rectangular central panel with ‘nutshell’ edging on a broad fillet; head-dressed figure, holding a sceptre in her right hand, sitting in a chariot drawn to the left by two armadillos; the whole upon a two-arched bridge with masonry, decorated keystones and spandrels, and waves beneath; above, swagged drapery with two tassels hanging from the centre; arched rectangular shaped border with fillet edging, with a symmetrical scrolled wire design; the monogram, SHR, bottom centre; above is a symmetrical design of scrolled floral tendrils.

Notes: The design is derived from a personification of America, one of a set of playing cards entitled 'Jeu de la Géographie', designed by Stefano della Bella (1677).

Copies of this fireback are known.

Inscription: SHR

Description: Quasi-arched rectangular shaped; unique, cavetto-moulded edging, which loops upon itself three times. A mythical salamander shown in the flames which legend states it is able to resist; behind is what appears to be a palm tree.

Notes: Other known variants are dated; this variant confirms that the dates were added to subsequent castings. Corrosion to the bottom right corner may have obliterated a letter 'M' seen on another casting; presumably part of 'IM'.

Description: Arched rectangular shape; cavetto-moulded edging; English royal coronet with three ostrich feathers rising from within; below, a motto scroll with inscription.

Notes: The badge of the Prince of Wales; the initials, CP, are probably for Carolus Princep; the motto is mis-spelled in error for 'Ich Dien' - I serve, which is more likely a mistranscription rather than a deliberate slur. The apparent crack in the angle of the arch and the top left of the fireback is an impression, indicating that this is a recasting.

Copies of this fireback are known.

Inscription: C P/ICH LIEN

Description: Canted rectangle; cavetto-moulded edging (top and sides); single horizontal fillet below canted corners and vertical fillet parallel to each side, dividing the fireback into two side panels, two top corner panels, top panel and main central panel; corner panels, ‘daisy’ plant stamp; top panel, central initials between split date, separated by 'daisy' stamps; side panels, swirling foliage stamp repeated each side, initial at bottom of panel: I to the left, B to the right.

Notes: The 'daisy' stamp and IB initials are identical to those on similar firebacks dated to between 1703 and 1721, probably indicating the same founder. Christie's Interiors - Masters & Makers (Sale 5462), South Kensington, London, 8 July 2014, lot 126 (£688).

Inscription: 17 IS 07 / I B

Description: Arched rectangular shape; twisted rope edging with inaccurately parallel arched rectangular fillet inside, enclosing repeated small fleur-de-lys stamps along sides and top; initials in triad in each of the internal top corners; date in arch.

Notes: The initials probably relate to a couple whose surname begins with C, the husband's forename initial being R and the wife's I (or J).

Inscription: RCI/ 1675 / RCI

Description: Central arched rectangular shape with rounded corners; ovolo moulding all round; oval Tudor royal shield with garter surrounding, topped with a royal crown; dragon and greyhound supporters; initials split by crown; all details below shield illegible; rectangular extension panels on each side, with twisted rope edging; quasi mirrored arrangement of twisted rope lengths to form (from the top) a cross, a vertical pointing arrow, and a diamond shape with a central vertical line.

Notes: The detail of the extension panel is sharper than the armorial, indicating that the panel was cast with a worn copy of the armorial. Illustrated in Weaver, 1914, p. 16.

Inscription: E R [+ Garter, Harvo and royal mottoes, all illegible]

Arms: Tudor royal (prob. Henry VIII)

Description: Quasi-rectangular; grooved dowel edging (top and sides); four impressions of a rondel dagger (c.330mm) saltirewise between two dowel crosses; two vertical lengths of dowel in line along right edge.

Notes: Rondel daggers were common in the 15th and 16th century. Grooved lengths of dowel are to be seen on other firebacks suggesting a common source. The arrangement of the daggers (each approx. 35cm long) in a saltire may also have apotropaic significance.

Description: Rectangular; twisted rope edging (top and sides only); eight shields of Ayloffe impaling Sulyard in three rows, 3-2-3; Ayloffe: sable, a lion rampant Or, collared gules, between three crosses formy of the second; Sulyard: argent, a chevron gules between three pheons inverted sable.

Notes: William Ayloffe (c1535-1584) of Hornchurch, Essex, Justice of the Court of Queen’s Bench, married (c1560) Jane, dau. of Sir Eustace Sulyard, of Runwell, Essex. Illustrated in Lloyd (1925).

Arms: Ayloffe impaling Sulyard (William Ayloffe of Bretons, Hornchurch)

Description: Double arched rectangular shaped; ovolo edging; central clock dial with Roman numerals separated by stops, sunburst inside, single hand with fleur de lys pointer; teardrop weights suspended from each side; symmetrical tendrils above.

Notes: One of the ‘hooked 1’ series of firebacks - the number ‘1’ is just discernable bottom left; two versions exist of this fireback, the other having finials above the suspended weights.

Copies of this fireback are known.

Inscription: I · II · III · IIII · V · VI · VII · VIII · IX · X · XI · XII / 16...

Description: Quasi-arched rectangular shape, semi-circular protrusions on top corners; cavetto-moulded edging; two mirrored scrolls inside arch; a phoenix in flames, its wings displayed and inverted.

Notes: A variant bears the date, 1650, and the initials, IM; a loop normally at the top is absent.

Copies of this fireback are known.