Firebacks

Description: Quasi-arched rectangular shape with symmetrical double fillet rococo edging; high relief pictorial battle scene with mounted knights carrying lances and pennants.

Notes: The battle scene may have been inspired by more than one classical portayal of a battle in history; likely sources are 'The Defeat of the Pisans at the Tower of St Vicenzo' by Giorgio Vasari and 'Alexander the Great's crossing of the Granicus' by Charles Le Brun. An engraving by Daniel Kellerthaler (1574-1648) has a similar frame enclosing an unidentified cavalry conflict.

Copies of this fireback are known.

Description: Arched rectangular shape; cavetto edging; Stuart royal arms of England (quarterly, 1st and 4th, France and England, 2nd Scotland and 3rd Ireland) with garter, crown, motto and supporters; initials either side of crown base.

Notes: As in others of this series the design overlaps the edging.

Copies of this fireback are known.

Inscription: C R / ...SOIT QVI MAL Y ...

Arms: English Stuart royal

Description: Arched rectangular shape; cavetto-moulded edging; on each side a column of small overlapping leaves above a pedestal with a single acanthus leaf; issuing from the top of each column two ribbons, in figure-of-eight with grenade terminals, fly across the arch; within an arched rectangular central panel with bead edging three naked children disport about a swag of fruit, with a central pomegranate, suspended from the top of each column; one figure sits on the top, facing right, the other two hang symmetrically from below, with mirrored swirls behind them; along the base is a line of acanthus leaves; on top a sea serpent is curled on each end.

Notes: The design may have been inspired by the paintings of Jan Pauwel Gillemans the younger (1651-1704); he may have worked in London in 1675-8. Another version of the fireback (no. 591), probably by the same pattern-maker, has a slightly different design.

Copies of this fireback are known.

Description: Arched rectangular central panel with bead edging; with tassel at top; three nude female figures: on top, Juno/Hera with a peacock, to the left Venus/Aphrodite, the young cupid/Eros at her feet, to the right Minerva/Athena with spear and shield; arched rectangular border with fillet edging; the heads of two putti and from them two suspended festoons of fruit and leaves; at the bottom, the inscription, THE 3 GODDESES, widely spaced. On top, two figures of Triton blowing seashells. On each shoulder of the fireback, a fluted vase with flowers issuing.

Notes: The three eponymous goddesses are those whose beauty was the subject of the Judgement of Paris. The composition is copied from an engraving by Adriaen Collaert (c1560-1618). This fireback is an instance of a continental back which has been recast in England, the opportunity being taken to insert an English inscription in place of the customary date and pattern maker's monogram

Copies of this fireback are known.

Inscription: THE 3 GODDESES [sic]

Description: Rectangular with arched, mirrored scrolls on top and central scallop shell; fillet edging; Pan, with a goat behind, trees to left and right; a putto above right; at the bottom, a separate rectangular panel with mirrored scrolled foliage.

Notes: A scene apparently unrelated to a specific classical narrative, and without the customary decorated border.

Copies of this fireback are known.

Description: Rectangular; cavetto-moulded edging; shield, helm, crest, supporters, mantling and motto of the Worshipful Company of Clothworkers: Sable a chevron ermine between in chief two Havettes Argent and in base a Teazel Cob Or; crest: on a Mount vert a Ram statant Or; supporters: two Griffins Or pellettée.

Notes: The arms as displayed were granted in 1587; the same fireback was also used as a stamp for a large fireback of 1659 in Haslemere Museum (no. 108).

Arms: Worshipful Company of Clothworkers

Description: Arched rectangular shape; no edging; raised central square surmounted by Royal Arms of Great Britain and Ireland, with Garter, crown and lion and unicorn supporters; surrounded by a horseshoe-shaped, twisted floral wreath, within which the inscription is printed in capitals. Above the arms a raised rectangular fillet is surmounted by two suspended floral swags, one above the other, comprising roses and oak apples. On each side of the fillet are two Tudor roses, one above the other.

Notes: Dated to between 1714 and 1801. The inscription is the visible part of an abbreviated version of the formal title of the monarch, ‘By the Grace of God, of Great Britain, France and Ireland, King, Defender of the Faith, Duke of Brunswick and Lünenburg, Arch Treasurer and Prince Elector of the Holy Roman Empire’.

Copies of this fireback are known.

Inscription: MAG BRIT FRA ET HIB REX F D BRUN ET LUN DUX / HONY SOIT QUI MAL Y PENSE

Arms: English Hanoverian royal

Description: Arched rectangular central panel with bead-and-pellet edging on a broad fillet; nude figure of a man standing on a mound, resting his left hand on a club, a plant to his right, and drapery swags above; arched rectangular border with symmetrical swirls; monogram centre bottom; on top, symmetrical, swirled foliage.

Notes: The figure is probably of Hercules.

Copies of this fireback are known.

Inscription: SHR

Description: Arched rectangular shape; cavetto-moulded edging; figure in mid-17th century armour, sword in belt, riding a prancing horse; initials split, below corners of arch, in front of horse’s head and behind rider’s back.

Notes: Probably intended to represent Charles I in memoriam, as other firebacks in this style date from the end of the Commonwealth period.

Copies of this fireback are known.

Inscription: [C missing] R

Description: Arched rectangular shaped with narrow shoulders; fillet edging; date in individual numerals across arch.

Notes: A smaller version is different in the spacing of the numerals and the proportions of the plate.

Inscription: 1658